Rauner Special Collections Library6065 Webster Hall, Hanover, NH 03755-3519 USATelephone: 603-646-0538, Fax: 603-646-0447Rauner.Reference@dartmouth.edu
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Title: |
Guide to the Papers of Barry Moser, 1932 - 2000 |
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Call Number: |
Manuscript ML-39 |
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Collection Dates: |
1932 - 2000 |
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Size of Collection: |
137 boxes (130 linear feet) |
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Abstract: |
Barry Moser, b. 1940. Illustrator of books, proprietor of the Pennyroyal Press and teacher. Contains materials related to Moser's work in book illustration and his work with the Pennyroyal Press. Includes professional correspondence, woodcuts, press dummies, proofs, illustrations, contracts, bills, and speeches. Of note are materials related to the production of "Moby Dick," Huckleberry Finn" and "Alice's Adventures in Wonderland." |
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Access to Collection: |
Unrestricted. |
The materials represented in this guide may be accessed through the Rauner Special Collections Library at Dartmouth College. The Rauner Library is located in Webster Hall. The materials must be used on-site and may not leave Rauner Library.
The Rauner Special Collections Library is open to the public and in most cases no appointment is necessary. The exception is in the case of materials stored off site for which there may be a delay in retrieval. Please consult the Access to Collection statement below or contact Rauner Reference.
• Rauner Library Hours• Rauner Library Patron Information
Unrestricted.
Printing of woodblocks prohibited.
The Papers of Barry Moser contains correspondence, art work, woodcuts, and illustrated books in all stages of manufacture from typescript to finished copy. The correspondence is arranged alphabetically and contains both professional and personal letters, mostly for the years 1970-1979. Correspondence related to a specific work is filed with those works. The works are arranged alphabetically in two groups, regular and oversized. "Alice's Adventures in Wonderland" will be found in both the regular and oversized works, and "The Aenid" and "Inferno" are in oversized boxes only. The works range in size and complexity from the short typescript for "Homage to Mondrian" to the boxes of woodblocks and printed material for "Alice's Adventures in Wonderland" and the folders of correspondence and reference material for "Moby Dick". Of interest is the "Moby Dick" correspondence, which displays the difficulties, including legal action, of the cross-country collaboration between Moser as illustrator and Andrew Hoyam as designer and publisher.
The woodblocks fall into three groups: first, a group arranged chronologically and pictured in the woodblock catalog (located in box 5); second, the blocks from "Alice's Adventures in Wonderland", which are filed by the numbers of the pages on which the prints appear in the book; and third, eighteen blocks which are uncatalogued and unnumbered. [No prints may be pressed from the the wood cuts.]
The following woodblocks appear in the catalog, but are not included in this collection: 71H, 71I, 73D, 76A2, 78J, 78Q, 78R, 78X, 79T, 79V
A box list addendum (boxes 85-137) was added to the collection in 2008 and includes a variety of materials both professional and personal. Professional papers include illustrations, photographs, book jackets, woodcuts, calligraphy, drafts of works, dummy copies, notes, prints, contracts, correspondence with publishing companies, invitations to speaking engagements, copies of speeches, and other professional material related to the Pennyroyal Press and Moser's commissions. Projects include, but are not limited to, "Master Richard's Bestiary of Love". Dante's "Divine Comedy", the Bible, "The Guild Shakespeare", "The Wizard of Oz", "Huckleberry Finn", Lewis Carroll's "Alice's Adventures in Wonderland" and "Through the Looking Glass". Personal papers can be found throughout the addendum, and include correspondence, bills, invitations, newspaper and magazine articles on Moser, and wedding preparations.
Barry Moser was born in Chattanooga, Tennessee in 1940 and lived there until 1967, graduating in 1962 from the University of Tennessee at Chattanooga, where he studied under artist George Cress. After college Moser taught at the McCallie school in Chattanooga for five years. In 1967 he moved to Massachusetts, becoming instructor of graphic arts at the Williston-Northhampton school in Easthampton, where he taught until 1982. Meanwhile he continued his own studies, under Jack Coughlin at the University of Massachusetts; with Leonard Baskin, illustrator and proprietor of Gehenna Press and with Harold McGrath, a letterpress printer.Moser made his first wood engravings in 1968 and printed his first two books in 1970 under the imprint of Castalia Press. Pennyroyal Press was founded in the same year, and Moser, along with Harold McGrath and Jeff Dwyer, bookseller and publisher, established Hampshire Typothetae in 1977. Ten years of wood engraving was celebrated in 1978 with the publication of "Fifty Wood Engravings" by Pennyroyal. By 1982 Moser had established his reputation as a leading illustrator and designer of books, having illustrated "Moby Dick" for Arion Press, "The Aenid" and Dante's "Inferno" and "Purgatorio" for the University of California Press, "The Odyssey" for the Limited Editions Club, "Johns Brown's Body" for the Book of the Month Club, and Pennyroyal's "Alice in Wonderland" and "Through the Looking Glass". "Alice's Adventures in Wonderland," the sixtieth book that Moser illustrated and the nineteenth Pennyroyal imprint, won the American Book Award for design-pictorial. Moser's work has appeared in many shows and can be found in a wide range of permanent collections.
Contains correspondence files
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Contains notes, photographs, sketches, dummies, unbound pages and proofs from number of Pennyroyal issues and Moser projects.
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No prints from woodblocks
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Oversized. "Aenid": sketches
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Oversize
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Contains Woodblocks for "Alice's Adventures in Wonderland", "Huckleberry Finn" and "The Wizard of Oz" and others.
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No prints from woodblocks
Woodblocks 68A-71A
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No prints made from woodblocks
Woodblocks 71B-71G
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No prints made from woodblocks
Woodblocks 72A-73A
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No prints made from woodblocks
Woodblocks 73B-73C
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No prints made from woodblocks
Woodblocks 74A-75A
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No prints made from woodblocks
Woodblocks 75B-75G
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No prints made from woodblocks
Woodblocks 75I-76A4
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No prints made from woodblocks
Woodblocks 76A5-76D
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No prints made from woodblocks
Woodblocks 76E-76K
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No prints made from woodblocks
Woodblocks 76L-76R
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No prints made from woodblocks
Woodblocks 76S-76Z
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No prints made from woodblocks
Woodblocks 77A-77F
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No prints made from woodblocks
Woodblocks 77F2-77K
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No prints made from woodblocks
Woodblocks 77L-77V
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No prints made from woodblocks
Woodblocks 78A-78G
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No prints made from woodblocks
Woodblocks 78H-78M
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No prints made from woodblocks
Woodblocks 78N-78T
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No prints made from woodblocks
Woodblocks 79A-79D
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No prints made from woodblocks
Woodblocks 79E-79I
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No prints made from woodblocks
Woodblocks 79J-79M
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No prints made from woodblocks
Woodblocks 79N-79R
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No prints made from woodblocks
Woodblocks 79S-79X
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No prints made from woodblocks
Woodblocks 80A-80F
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No prints made from woodblocks
Woodblocks 80G-80N
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No prints made from woodblocks
Woodblocks 80O-80U
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No prints made from woodblocks
Woodblocks 80V-80W
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - trial blocks
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - trial blocks
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - trial blocks
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - trial blocks
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - Unnumbered pages
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - pages 15-31
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Woodblocks: "Alice's Adventures in Wonderland" - pages 37-43
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Woodblocks: "Alice's Adventures in Wonderland" - pages 44-51
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Woodblocks: "Alice's Adventures in Wonderland" - pages 54-68
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Woodblocks: "Alice's Adventures in Wonderland" - pages 69-78
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Woodblocks: "Alice's Adventures in Wonderland" - pages 80-85
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - pages 86-93
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - pages 95-103
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - pages 106-118
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - pages 119-124
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No prints made from woodblocks
Woodblocks: "Alice's Adventures in Wonderland" - pages 125-149
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No prints made from woodblocks
Five uncatalogued woodblocks
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No prints made from woodblocks
Five uncatalogued woodblocks
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No prints made from woodblocks
Eight uncatalogued woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
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No prints made from woodblocks
Contains a variety of materials both professional and personal. Professional papers include illustrations, photographs, book jackets, woodcuts, calligraphy, drafts of works, dummy copies, notes, prints, contracts, correspondence with publishing companies, invitations to speaking engagements, copies of speeches, and other professional material related to the Pennyroyal Press and Moser's commissions. Projects include, but are not limited to, "Master Richard's Bestiary of Love". Dante's "Divine Comedy", the Bible, "The Guild Shakespeare", "The Wizard of Oz", "Huckleberry Finn", Lewis Carroll's "Alice's Adventures in Wonderland" and "Through the Looking Glass". Personal papers can be found throughout the addendum, and include correspondence, bills, invitations, newspaper and magazine articles on Moser, and wedding preparations.
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[Oversize] Contains proofs and correspondence pertaining to the 1992 Barry Moser Engagement Calendar, as well as proofs of "The Guild Shakespeare".
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Contains business and personal correspondence arranged alphabetically. Included is D-Z.
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Contains orders, invoices, and statements for "Master Richard's Bestiary of Love" and "The Robber Bridegroom", as well as miscellaneous materials related to the production of "Master Richard's Bestiary of Love". Also included are illustrations used in "Witches and Witchcraft" and "The Gold Rush", and color proof pages from "The Fall of Camelot".
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Contains correspondence A-C; papers regarding the American Graphic Arts Museum, a copy of the plays "Don't Trifle with Love", "Fantasio", "You Can't Think of Everything", and "Lorenzaccio" by Alfred de Musset; a copy of "Three Sisters" by Anton Chekhov; the 1989-1990 annual report from the Theatre Communications Group; a copy of "Peer Gynt" by Henrik Ibsen; bibliography, notes, prints, a prospectus on copies, reproduction proofs, calligraphy, and correspondence, all pertaining to "Master Richard's Bestiary of Love".
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Contains a draft of "Pinnochio in Venice" by Robert Coover; invitations and materials from his daughter's wedding; sample letterheads for Pennyroyal Press; Nordic Track guide book; notes about the creation of wedding invitations; papers concerning the Hom Gallery; wood prints and illustrations; an essay titled "Sight and Insight"; 3 short stories by Edward Connolly; financial records of Moser and Pennyroyal Press; a copy of "Catalpa"; photographs, illustrations and woodcuts of C. L. Dodgson; poems and "Hang-gliding" by Paul Mariani; materials on nineteenth century theatre; stories by Jane Yolen; sketches and woodcuts; proofs of "The Song of Songs"; materials related to the production of "The King"; materials from Gregynog Press; "Archy & Mehitabel"; "Late Fire, Late Snow" by Robert Francis; Molded Millwork Catalogues; "Ann Franklin and the Franklin Press" by Margaret Lane Ford; materials on "Dr. Jekyll and Mr. Hyde"; materials on the Shakespeare project; and "After the lost war" by Andrew Hudgins.
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Contains both typed and handwritten correspondence, transcriptions of interviews, tracing paper and original images, photographs, sketches, loan information, recipes, and miscellaneous original (and copies of original) magazine articles. Information relates to certain subjects/projects, among them: King Henry V, Steuben, California Colophon, Halloway project, A River Runs Through It, Paul's Hat, and the Faulkner family.
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Contains folder about Moser's commission to illustrate an edition of Doubleday's RSV Bible; also contains files A-Z, which hold alphabetically organized material, including but not limited to: correspondence, individual artist biographies/retrospectives, prints, photographs, catalogs, magazines, brochures, and information/rough illustrations/copies relating to book jackets.
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Contains correspondence concerning and drafts of the following works: "Billy Ray's Farm" by Larry Brown; poetry by Harry Abrams; poems by Rolf Bongs and translated by Harry Seelig; "Homage to the Printed Book" by Blaine Taylor and Barry Moser; "The Bone Poem"; "Mary Mary: Madalene Assembled"; "Words" by Paul Mariana; "House of Light" by Mary Oliver; "Fast Moving Clouds" by Richard Sawyer; "Deep Dark Secret" by Marianne Moates; "The Fox at the Manger" by P. L. Travers; work by Elizabeth Isele; work by Margarita Bonifaz; and the "Herb Book" by Marie Rudisill.
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Contains a short biography of Barry Moser printed by The Museum of Ancient and Modern Art Press; a number of book catalogues, most of them for children's books; articles from Publishers Weekly, the San Francisco Examiner, Trade News, the Worcester Sunday Telegram, the Smith Alumni Quarterly, and the UCLA Librarian about Barry Moser; newspaper and magazine advertisements for Moser's work and Pennyroyal Press; press material about the Alice books; and proofs of "Eudora Welty".
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Contains drafts, illustrations, correspondence and notes on Dante's "Inferno" and "Purgatorio"; Barry Moser's pass for the Upper Midwest Booksellers Association Trade Show; copies of watercolors done by Moser from "Sky Dogs", "Appalachia: The Voices of Sleeping Birds", "And Still the Turtle Watched", the Bible, "Kashtanka", "Tales of Poe", "St. Jerome and the Lion", "Jump On Over", "Little Tricker The Squirrel", "Sook's Cookbook", "The Guild Shakespeare", "The Tinder Box", "Jahdu"; a checklist of books, posters, and broadsides from Pennyroyal Press from 1969 to 1986; notes; "On Writing" by Polly Vaughn; a collection of wood prints in a notebook; and a medal awarded by the University of Southern Mississippi.
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Contains articles from newspapers and magazines on Moser and reviews of his work. The periodicals include - but are not limited to - "The Five Owls", "Chattanooga Today", "Communications Arts", "Fine Print", "The New York Times Magazine", "The Sunday Republican", the "Transcript Telegram", the "Village Voice", "New England West", "Newsweek", "Christian Science Monitor", the "Japan Times" two copies of the August/September 1979 Graphics Magazine, the September 1986 copy of New England Monthly, a January 1985 copy of "Town & Country", 3 copies of the April 12, 1982 "People Weekly", the "Worcester Sunday Telegram", the "Chattanooga News-Free Press", and the "The Boston Globe". Also included is correspondence with the NY Library.
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Contains correspondence organized alphabetically, as well as materials related to the Authors Guild, The Society of Printers, The Society of Illustrators, and the Rhode Island School of Design.
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Contains a rolodex, weekly planners for 1977, 1981-1985, a 1990-1994 calendar, a notebook with notes on architecture and illustration, the Boston Globe Magazine (9/8/1985), The New York Times Book Review (12/9/1984), and other articles about Moser and his work, as well as a proof copy of "The Guild Shakespeare".
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Contains travel materials, correspondence, lectures and other information from the University of Iowa's "Festival of Books for Young People", the "Kaleidoscope 6: Imagination's Legacy", Clemson University's "Children's Literature Symposium", the Williston Northampton School's "Conversations on Careers" and other appearances; credit info and dispute forms; materials and correspondence from various organizations and groups, including but not limited to, Storyopolis, Scholastic books, the American Academy of Poets, the New England Coastal Conservation Association the Society of Illustrators, the National Association of Elementary School Principles, Purdue University, Princeton, the American Museum of Fly Fishing, the Thomas County Library, the Northshire Bookstore, and Southern Vermont Art Center, as well as curriculum vitae prepared by Moser.
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Contains photographs, prints, and illustrations, as well as financial records and receipts arranged alphabetically for the years 1985 through 1990.
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[Oversize] Contains proofs of "Adventures of Huckleberry Finn", "Bestiary of Love", and "Frankenstein", a draft copy of Will Boyd's "New Confessions" and Robert Richardson's "Henry Thoreau: A Life of the Mind", and sample dust jackets from "Frankenstein" and "In The Beginning".
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[Oversize] Contains proofs for "The Adventures of Tom Sawyer", "Letters From Phil", proofs of Robert Richardson's "Henry Thoreau: A Life of the Mind" and Jeanette Beer's translation of "Master Richard's Bestiary of Love" and other materials related to the illustration of novels by Moser.
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[Oversize] Contains proofs of Dante's "Purgatorio" and "Paradiso", Mark Twain's "Adventures of Huckleberry Finn"; a copy of "The Revolutionary Black Gang" edited by Alen Guttmann; and a draft of "The Killing Jar" by E. M. Beekman.
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[Oversize] Contains proofs of "Totem" by E. M. Beekman, correspondence and contracts for Pennyroyal Press; and notes, pictures, proofs, and prints for "The Robber Bridegroom" by Eudora Welty.
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[Oversize] Contains correspondence, proofs, prints, photographs, all for Joyce Carol Oate's "First Love", as well as a draft copy of the work.
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[Oversize] Contains Masha Burns "Dreamers" proofs; typographic specimen poster, and architectural sketches.
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[Oversize] Contains notes and contract information for "Alice in Wonderland", notes for "Through the Looking Glass", proofs of "Alice in Wonderland" and proofs of "An Alphabet".
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[Oversize] Contains a the screenplay of "Streets of Fire", publicity stills from "Streets of Fire", sketches, calligraphy, and notes.
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Contains prints, proofs, a woodcut printing plate, the dummy for "Fifty Days of Solitude", a copy of John Longwith's "Castle on a Cliff", a proof of Robert Richardon Jr.'s "Emerson", calligraphy, notes, correspondence and materials from the Theatre Communications Group Inc., photographs, a copy of "Yerma" by Federico Garcia Lorca, and proofs of the cover of the "Dramatists Sourcebook".
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[Oversize] Contains proofs of "Through the Looking Glass", a dummy copy of the text, and two woodcut printing plates.
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[Oversize] Contains five woodcut printing plates; an eagle, a scene of rats and pigs, and 3 unidentifiable scenes.
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[Oversize] Contains prints, portraits, proofs of "Inferno", printing plate portrait of James Madison, correspondence, blueprints for a house, materials relating to "A River runs Through It", cover design and sample covers for Donald Hall's "Life Work", materials for "The Guild Shakespeare" and calligraphy for "Sook's Cookbook".
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Contains divorce materials, a dummy copy of "Tucker Pfeffercorn"; copies of speeches given by Moser; correspondence, notes, material on Larry Brown; "The Magic Wood" by Henry Treece; a computer disk index; correspondence about and a contract for an entry in "A Reader's Companion to Twentieth Century Children's and Young Adult Literature"; magazine clippings and copied pictures of pirates and pirate ships, material about hidden treasure, materials about ship names, and information on many individual pirates and those who fought pirates, including John Avery, George Anson, Blackburne, Stede Bonnet, William Damper, Edward England, William Fly, Charles Gibbs, William Kidd, Jean Lafitte, William Lewis, Edward Low, Mistress Ching, Henry Morgan, John Rackham, John Oxenham, John Quelch, Raga, Bartholomew Roberts, Rahmah-Ben-Jabir, Mary Read, John Redfield, Sir Francis Drake, Blackbeard, Anne Bonny, Thomas Cavendish, Thomas Tew, Rachel Wall, and Charles Vane; drafts of "The Eleventh Station", a copy of "The Tinderbox", the Fall 1989 issue of "The Season", correspondence and other materials from Helen Harpendeaux; postcards, correspondence and other materials from Spain; information about the crucifixion, and a draft copy of "Tucker Pfeffercorn".
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[Oversize] Contains negatives from prints, mockups for "Castle on a Cliff", samples of different type, mockups for "The Adventures of Tom Sawyer", prints from "Through the Looking Glass" and proofs of "Alice's Adventures in Wonderland".
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Contains correspondence, travel information, copies of speeches, brochures, conference schedules and gallery invitations from places including, but not limited to: the University of Tennessee at Chattanooga, University of Massachusetts at Amherst, the Irving Arts Center, the Ocean County Library, the Sun Gallery, the New Britain Youth Museum, the O'Connor Symposium, the Maine Library Association, the South East Booksellers Association, Arkansas State University, the University of Iowa, Itawamba Community College, Vassar College, the American Booksellers Association, Williams College, Keene State College, Miami Book Fair International, University of Connecticut, Nashville Book Festival, the Southern Festival of Books, the Society of Children's Book Writers, Greenfield Community College, Butler University, University of Central Arkansas, and the Sacramento Literature Symposium.
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Contains approximately 25 woodcut printing blocks. Four are identified: two blocks from Larry Brown's "Billy Ray's Farm", and 2 blocks from "Sixty Years of American Poetry".
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Contains approximately 35 woodcut printing blocks. They vary in size from approximately 2x2 inches to 6x8.
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Contains sample covers from "Elizabeth Tudor: Portrait of a Queen", "St. Francis of Assisi", and "Chaplin"; some prints from "The Invasion of Italy" by Louis Simpson and "Director of Alienation" by Lawrence Ferlinghetti, numerous prints of a flower, a dummy copy of "The Odyssey", prints of "Late, Passing Prairie Farm" by William Stafford, a print of "Wood Engraving: Notes on the Craft by Barry Moser", prints of "Letters from Phil", and prints of "Pan".
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Contains approximately 35 woodcut printing blocks. They vary in size from approximately 2x2 inches to 4x6.
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Contains 15 woodcut printing blocks. Of note are the title blocks for "Inferno" and "Alice's Adventures in Wonderland".
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Contains 11 woodcut printing blocks, a Xeroxed copy of "Through the Looking Glass", and two copies of the September 8th, 1985 "Boston Globe Magazine".
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Contains approximately 40 woodcut printing blocks. Most are unlabeled, though a few are marked as being used in the printing of "Through the Looking Glass".
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Contains a ledger with names of works and customers, booklet from the Brooks Pharmacy Rhode Island International Film Festival. Included is correspondence and materials for speaking engagements from various institutions including the Town & Country Club of West Hartford, the Auburn Theological Seminary, University of Massachusetts at Amherst, St. Michael's Cathedral in Springfield MA, Delaware Art Museum, the Springfield Museums, Westfield State College, Springfield Technical Community College, University of Georgia, Longwood College, University of Iowa, the International Festival of Authors at Ontario, Aldrich Museum, Calvin College, the University of Connecticut, Emmanuel Church in Hartford Connecticut, Dartmouth College, the public Library of Cincinnati, St. John's University, Springfield College, and the Museum of Printing History. Also included is a draft copy of "Veils of the Divine" by Wally Swist, and a draft copy of "Thirty Days: Journey into the Interior -- the Jesuit Long Retreat" by Paul Mariani, and a copy of "The White Rose", Wally Swist.
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Contains personal correspondence, certificates of authenticity for works of art, a birth record, newspaper clippings, and photographs.
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Contains correspondence, proofs, photographs, and other materials used in the creation of "In the Beginning"; numerous copies of "People for the American Way"; invoices, receipts, telephone bills, insurance statements, credit card statements, as well as other bills and personal materials.
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Contains a box of personal correspondence and postcards with Leslie Stainton, samples of Moser's artwork used in other materials, checks made out from Pennyroyal Press to numerous people and deposit records for the account.
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Contains mailing lists for Moser's work, correspondence, dummy copies of the "Eager Beaver Series", a draft copy of "Steinway Cats" by Ethel Pochocki, a number of draft chapters from Marie Rudisill and James C. Simmons's "Broken Blossoms: Truman Capote's Southern Boyhood", conference materials from the Welty Film and Fiction Festival, University of Kansas, the University of Massachusetts at Amherst, the University of Oklahoma, the University of Southern Maine, and Smith College; materials from the 20th Annual Boston International Antiquarian Book Fair, a draft copy of "Prophets" by Eric Kimmel, a draft copy of "Threadyman's Way" by M. L. Miller, "A Tidewater Morning: Three Tales from Youth" by William Styron, a draft copy of "Frost and Flower" by Kaye Gibbons; notes, vaccination certificates, and receipts from veterinary visits for Moser's pets; a 1995 travel planner for Calgary, a 1996 planning calendar, material on "Drive!" by Barry Moser, and materials on the Horizons Initiative.
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Royalty earning statements arranged by publishing companies, including Penguin; Little, Brown, and Company; William Morrow and Company, Inc.; Scholastic; Richard Curtis Associates; Harcourt Brace & Company; and Harper Collins.
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Contains fax messages; letters from children; correspondence and work from Julia Alvarez, Susa Blount, Larry Brown, Eric Carle, Carolyn Coman, Harry Duncan, Dwyer & O'Grady, Inc., Clyde Edgerton, Kaye Gibbons, Donald Hall, Kate Kiesler, Brett Lott, Paul Mariani, Willie Morris, Lewis Nordan, Ann Patchett, Willa Perlman, Ethel Pocholi, Yvette Rutledge, Chase Twichell, Francis Webster, Nancy Willard; correspondence from publishing companies including Boyd Mills Press; Dial Books; Penguin; Little, Brown, and Company; William Morrow and Company, Inc.; Scholastic; Richard Curtis Associates; Harcourt Brace & Company; and Harper Collins.
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Contains bills from American Express, Bell Atlantic, AARP, Able Copier, Cellular One, Chubb, Citibank, Florence Savings Bank, GMAC, Guild Art Center, Inc., MCI, Mobil, Morgan Stanley Dean Witter, NorthEast Utilities, DirecTV, Richard D. Smith, Inc., Ritz Camera, Rugg Lumber, Trellis Works, True Value, Whalen Insurance, and Yes Computers.
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Contains photographs, correspondence, illustrations, letters protesting certain aspects of Moser's work, drafts of an afterword, drafts of "Fly! Fly!", "Eddie and Fanny Underground", and "The Little Christmas Tree", information on Moser's house 'Bear Run', assorted poetry, articles on folk tales, notes on ideas for stories, drafts of Moser's autobiography, maps, copies of speeches Moser gave throughout 1992 and 1993.
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Contains two dummies for "Huckleberry Finn" and one unidentified dummy
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Contains three dummies for "Huckleberry Finn"
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[Oversize] Contains two "Wizard of Oz" dummies
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[Oversize] Two dummies for ""Wizard of Oz"
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[Oversize] One "Wizard of Oz" dummy
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