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Title: |
THE PAPERS OF ALAN HEWITT IN THE DARTMOUTH COLLEGE LIBRARY, October 1988 |
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Dates: |
October 1988 |
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ID: |
ML-66 |
| 1915 |
Born, January 21, New York City |
| 1934 |
Graduated from Dartmouth College; joined Actors' Equity Association; played summer stock at Cohasset, Mass. |
| 1935-1936 |
Made first Broadway appearance in The Taming of the Shrew; also played in Idiot's Delight, both productions starring Alfred Lunt and Lynn Fontanne
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| 1936-1937 |
Rejoined Lunt and Fontanne in Amphitryon 38 and The Sea Gull |
| 1938-1939 |
Played in The American Way, with Frederic March
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| 1939-1940 |
Toured coast-to-coast with Lunt and Fontanne in The Taming of the Shrew; appeared in Love's Old Sweet Song; began working steadily in radio
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| 1940 |
Elected to the Council of Actors' Equity Association; appeared in Here Today with Ruth Gordon
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| 1941-1942 |
Appeared in The Walrus and the Carpenter and in Steinbeck's The Moon Is Down, an anti-Nazi war story
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| 1943-1946 |
Served in the Army, with the Armed Forces Radio Service |
| 1947 |
Played in The Gentleman From Athens with Anthony Quinn
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| 1948 |
Began directing employment surveys for Actors' Equity Association |
| 1949 |
Played Willie Loman's boss in the original production of Death of a Salesman on Broadway
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| 1951 |
Resigned from the Council of Actors' Equity; continued to serve on the House Affairs Committee |
| 1950-1952 |
Had supporting role in the musical, Call Me Madam, with Ethel Merman and Paul Lukas
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| 1954 |
Played dual roles in Ondine; appeared in The Three Musketeers at the St. Louis Municipal Opera
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| 1956 |
Played Thomas Jefferson in Omnibus, a Ford Foundation TV “Special”; succeeded Tony Randall in Inherit the Wind |
| 1959 |
Began working in movies; made Career and A Private's Affair |
| 1963-(1979) |
Recorded books for the American Foundation for the Blind, Inc. |
| 1964-1966 |
Remained active in movies; had continuing TV role as Detective Brennan on My Favorite Martian (CBS)
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| 1966-1970 |
Appeared in numerous films, including The Horse in the Gray Flannel Suit (1967) and Sweet Charity (1968)
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| 1971 |
Published essay on acting in The American Theatre: A Sum of Its Parts, Samuel French, New York; elected member of Board of Trustees of the Actors' Fund of America
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| 1974 |
Performed in an ABC-TV “Special,” The Pueblo Affair |
| 1976 |
Appeared in Episode XIII of The Adams Chronicles on PBS
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| 1981 |
Appointed chairman of the Executive Committee of the Actors' Fund |
| 1983 |
Returned to the stage in Outrage! at the Kennedy Center, Washington, D.C.
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| 1983-1986 |
Active in doing “voice-overs” for radio and TV commercials |
| 1986 |
Died, November 7, Memorial Sloan-Kettering Cancer Center, New York City |
The Dartmouth College Library received the Papers of Alan Hewitt `34 as a gift of Hewitt's estate after his death in 1986.
This large and diverse collection, consisting of books as well as personal papers, has enriched the Library's holdings in
several areas. An actor for over 50 years, Alan Hewitt was also a theatre historian, a statistician for the Actor's Equity
Association, a writer, a member of Actors' Equity Council, chairman of the Executive Committee of the Actors' Fund of America,
and a member of the Friends of the Dartmouth Library.
Born in New York City on January 21, 1915, Alan Hewitt entered Dartmouth College in 1930 at the age of 15. A member of the
Dartmouth Players, he appeared in 14 plays during his 4 years at the College. After his graduation in 1934, he immediately
began his career, performing in summer stock at Cohasset, Massachusetts. The following year he made his Broadway debut with
Alfred Lunt and Lynn Fontanne in The Taming of the Shrew. Hewitt appeared in several other Lunt-Fontanne productions, thereby cementing a lifelong friendship with the Lunts.
Hewitt joined Actors' Equity Association, the stage performer's union, in 1934, and was elected to its Council in 1940. Despite
union politics, which at one time included accusations of Communism, Hewitt's devotion to Equity remained unshaken. He remained
on its Council until 1951, served on several committees over the years and in 1948, he devised a system of analyzing employment
figures for Equity members that remains useful today. The materials entitled Actors' Equity Association comprise one of the
largest and most interesting parts of the collection.
The section of papers that is devoted to Hewitt's acting career is by far the largest body of materials within the collection.
Programs, scripts, clippings, sides, reviews, correspondence, playbills, photographs and tapes document each production he
performed in, from his 1934 appearances in summer stock to his last major role in Outrage! in 1983. Primarily a character, or supporting, actor, Alan Hewitt appeared in such stage hits as The Taming of the Shrew, the original production of Death of a Salesman, Call Me Madam, Ondine, and Inherit the Wind. His films include A Private's Affair (1959), That Touch of Mink (1962), Days of Wine and Roses (1962), How To Murder Your Wife (1964), Sweet Charity (1968) and The Barefoot Executive (1970). He performed in made-for-TV movies and such “specials” as The Pueblo Affair (ABC, 1974) and The Adams Chronicles (PBS, 1976), and had a continuing role on My Favorite Martian from 1964-1966. Other materials in this section relate to Hewitt's work in radio and voice-over commercials.
Alan Hewitt never married, but he had a large “family” of devoted friends, many of whom are revealed as voluminous letter
writers, in the section entitled Special Correspondents. Such well-known personalities as John Houseman, Tony Randall, Carroll
O'Connor, Howard Duff and Arthur Miller are represented, as are many who are less well-known. Nor were all Hewitt's friends
actors; many were critics, playwrights, authors, historians, and other non-show business figures. Other friendships are documented
in the sections on Actors and Others (notably Helen Hayes), and the Lunts, as well as in that on Dartmouth College, whose
own Henry Williams was a friend of Hewitt's for over fifty years.
The Papers of Alan Hewitt occupy 22 boxes, or approximately 27.5 linear shelf feet. Materials consist of correspondence, clippings,
articles,
memoranda, books, photographs, playbills, programs, scripts and sides, reviews, cassettes and reel-to-reel tapes. No restrictions
have been placed on the use of any of the materials in the collection; however, due to the fragility of certain materials
such as clippings and scripts, photocopying will be done at the discretion of Special Collections staff.
Further information concerning Alan Hewitt may be found in Special Collections in the Dartmouth College Library.
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BOX 1.
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Actors' Equity Association
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Blacklist
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FOLDER : 1.
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AFRA campaign literature; 1951, undated
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FOLDER : 2.
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AFTRA campaign literature; 1953-1956, undated
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Articles
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FOLDER : 3.
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Bishop Oxnam-Committee [UNK]; in U.S. News and World Report, August 7, 1953
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FOLDER : 4.
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Does Silence Mean Guilt? The Fifth Amendment Controversy, by Norman Redlich and Laurent B. Franz; reprinted from The Nation,
June 6, 1953
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FOLDER : 5.
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Free Enterprise in Ideas, by Henry Steele Commager; in Dartmouth Alumni Magazine, March 1951
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FOLDER : 6.
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The Hollywood 10, Plus 20, by C. Robert Jennings; in Los Angeles Times West Magazine, September 3, 1967
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FOLDER : 7.
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“I Was in a Communist Unit with Hiss,” interview with Nathaniel Weyl; in U.S. News and World Report, January 9, 1953
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FOLDER : 8.
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Let's Be Aware, by Serge Fliegers; reprinted from The Freeman, May 7, 1954, mimeographed copy
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FOLDER : 9.
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The Ordeal of John Henry Faulk, by Joseph P. Blank; in Look, May 7, 1963
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FOLDER : 10.
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The Right to Work, by James R. Morris; reprinted from The Freeman, May 17, 1954, mimeographed copy
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FOLDER : 11.
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Subversive Groups Ban Goes to Meeting, author unidentified; in Equity Magazine, December 1941
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FOLDER : 12.
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Who Is Loyal To America?, by Henry Steele Commager; reprinted from Harper's Magazine, September 1947
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FOLDER : 13.
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Book: Red Channels: The Report of Communist Influence in Radio and Television; published by Counter-attack, The Newsletter of Facts to Combat Communism, 1950
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FOLDER : 14.
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Cinema Educational Guild, Inc., anti-Communist bulletins, written by Myron C. Fagan; 1954, 1956-1958, undated
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Clippings
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FOLDER : 15.
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Photocopies; 1940-1942, 1947, 1949-1950
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FOLDER : 16.
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Photocopies; 1951
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FOLDER : 17.
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Photocopies; 1952
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FOLDER : 18.
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Photocopies; 1953
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FOLDER : 19.
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Photocopies; 1954-1958
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FOLDER : 20.
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Photocopies; 1960, 1962, 1972, 1975-1976, 1978, 1980
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FOLDER : 21.
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Photocopies; undated
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FOLDER : 22.
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Commentary on Congressman Lambertson's statements in The Congressional Record, by Alan Hewitt; carbon, 1940
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FOLDER : 23.
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Commentary on Hearings on WPA Before the House Sub-Committee on Appropriations; typescript, 1941
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FOLDER : 24.
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Copy of letter from Congressman Lambertson to Florence Reed, Chairman of the Nominating Committee of Equity, subsequently
included in mailings to voting members; May 23, 1941, with Hewitt's reply, May 24, 1941
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FOLDER : 25.
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Copy of a letter sent to Congressman Lambertson by the Theatre Arts Committee, July 16, 1940
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Correspondence
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FOLDER : 26.
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1937, 1940
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FOLDER : 27.
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1941
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FOLDER : 28.
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1942, 1946-1949
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FOLDER : 29.
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1950-1958, 1961-1963
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FOLDER : 30.
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Undated, unidentified
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FOLDER : 31.
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Correspondence between Paul N. Turner, Equity's attorney, and Joseph A. Padway, General Counsel, A.F. of L.; 1940
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FOLDER : 32.
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Draft of letter to Equity Magazine, expressing Alan Hewitt's reactions to Congressman Lambertson's accusation; typescript, August 1940
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FOLDER : 33.
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Draft of speech by Mervin Williams, to Equity members on behalf of Independent candidates for Council; holograph, 1941
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FOLDER : 34.
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Equity campaign literature; 1941, 1953
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FOLDER : 35.
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Fact sheet sent out by AFTRA concerning challenge to AWARE, INC.; mimeographed copy, ca. 1955
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FOLDER : 36.
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Letter to Council of Actors' Equity Association from Winifred Lenihan, former Council member; June 22, 1941
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FOLDER : 37.
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Letter to the Editor, N.Y. Herald-Tribune, entitled “Answer To John Crosby” about AWARE, INC.; June 22, 1955
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Magazines
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FOLDER : 38.
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Equity Magazine; May, June, July 1941
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FOLDER : 39.
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The Nation, “How Free Is Free?”; June 28, 1952
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FOLDER : 40.
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The Progressive, “McCarthy: A Documented Record;” April 1954
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FOLDER : 41.
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Saturday Review, “Whittaker Chambers and His “Witness';” May 24, 1952
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FOLDER : 42.
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Stand By!, April 1953, June 1955
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FOLDER : 43.
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Memoranda concerning conversations between Alan Hewitt and various individuals on the subject of Communism and blacklisting;
typescript, April 14, 28, 1952, October 10, 1955
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FOLDER : 44.
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Memoranda, general; 1941
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FOLDER : 45.
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Memorandum to the Equity Council by Philip Loeb, and copy of a letter to Loeb from Dean Green of Northwestern University;
1941
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FOLDER : 46.
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Minutes of a meeting of the Independent candidates for Equity Council; typescript, May 22, 1941
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FOLDER : 47.
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Minutes of meetings of the Equity Council; carbons, 1940-1941
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FOLDER : 48.
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Misc.
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FOLDER : 49.
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Newsletter: Enquirer, printed by members of A L of A -- Local No. 1, New York, with reprint of column, “From Out Front,” by Eugene Burr; The Billboard, May 31, 1941
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FOLDER : 50.
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Newsletter: Facts About Blacklist, edited by Walter Bernstein and Sam Moore; May 1954
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FOLDER : 51.
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Notes; undated
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FOLDER : 52.
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Notices of Annual and Quarterly meetings; 1941, 1953
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Pamphlets
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FOLDER : 53.
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Address by Senator William P. Jenner of Indiana Before the Sons of the American Revolution at Cincinnati, Ohio, October 15, 1954, “The Communists and Their Collaborators”
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FOLDER : 54.
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Blacklist: A Series of Articles from The New York Post Illuminating Red Channels Activities, by Oliver Pilat; 1953
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FOLDER : 55.
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Congressional Record, with Appendices; July 4, 1940
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FOLDER : 56.
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How You Can Abolish United Nations, by Myron C. Fagan; 1954
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FOLDER : 57.
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Interlocking Subversion in Government Departments: Report of the Subcommittee to Investigate the Administration of the Internal
Security Act and Other Internal Security Laws to the Committee on the Judiciary, U.S. Senate; 1953
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FOLDER : 58.
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Red Treason on Broadway, by Myron C. Fagan; 1954
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FOLDER : 59.
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The Road Back (Self-Clearance), by AWARE, INC.; 1955
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FOLDER : 60.
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Subversive Infiltration of Radio, Televisio, and the Entertainment Industry: Hearings Before the Subcommittee to Investigate
the Administration of the Internal Security Act and Other Internal Security Laws of the Committee on the Judiciary; 1951-1952
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FOLDER : 61.
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Petitions calling for Alan Hewitt to run for re-election to the Equity Council; 1941
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FOLDER : 62.
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Photograph of Philip Loeb; ca. 1941
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FOLDER : 63.
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Press statements; 1940, 1941
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FOLDER : 64.
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Program: Artists' Front to Win the War, Carnegie Hall, October 16, 1942
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FOLDER : 65.
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Proposed Constitutional Amendment; mimeographed copy, 1953
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FOLDER : 66.
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Report: Report of Anti-Blacklisting Committee to Council Meeting of November 2, 1954; mimeographed copy
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FOLDER : 67.
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Resolution proposed by Robert Reed, in support of President Roosevelt; carbon, September 26, 1941
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FOLDER : 68.
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Resolution proposed by William E. Watts to put Equity on record as opposing America's involvement in the European war; typescript,
1940
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FOLDER : 69.
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Resolutions concerning Communism; mimeographs, 1953-1954
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FOLDER : 70.
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Screen Actors Guild by-law proposal; 1953
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Speeches
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FOLDER : 71.
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Address by Alan Hewitt at Equity's Annual Meeting; typescript, June 6, 1941
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FOLDER : 72.
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Address by Alan Hewitt at Open Meeting [of Equity], Hotel Edison; typescript, June 3, 1941
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FOLDER : 73.
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Untitled, by Alan Hewitt; against an amendment to the Equity Constitution; carbon, January 1942
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FOLDER : 74.
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Statement made by Alan Hewitt, June 7, 1941, after winning a seat on the Equity Council; typescript
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FOLDER : 75.
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Statement: Some Personal History: A Memorandum, by Alan Hewitt; typescript draft, photocopy, ca. 1952
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FOLDER : 76.
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Statement: These Are the Facts, by Alan Hewitt; carbon, 1951
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FOLDER : 77.
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Statement written for Equity Magazine, May 5, 1941, and withdrawn; draft, carbon, 1941
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FOLDER : 78.
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Tabulation of votes at the Equity election of 1941; typescript
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BOX 2.
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Constitutional Amendment
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FOLDER : 1.
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Clippings; 1947, 1956, 1959, undated
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FOLDER : 2.
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Correspondence; 1947, 1952-1953
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FOLDER : 3.
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Magazine: Equity Magazine, January, February, April 1942
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FOLDER : 4.
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Minutes of meetings of Equity Council, reports of Constitutional Review Committee; mimeographs, August 8, September 5, 1950
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FOLDER : 5.
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Notice of Quarterly Meeting, January 5, 1951, and typed list of reasons for rejection of Amendments 2-6; 1951
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FOLDER : 6.
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Pro and con arguments about the proposed amendment on junior membership; undated
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FOLDER : 7.
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Speech: Mr. Nugent's Remarks at AFRA Meeting by Elliott Nugent; mimeographed copy, September 18, 1947
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FOLDER : 8.
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Speech: Remarks at Quarterly Meeting, by Alan Hewitt; typescript, September 19, 1947
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Dues
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FOLDER : 9.
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Article: Can Performing Arts Survive the Unions?, by Julia Vitullo-Martin; in Saturday Review, October 1980, photocopy
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FOLDER : 10.
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Clippings; 1974, 1980-1981
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FOLDER : 11.
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Correspondence; 1963-1964, 1967, 1970-1972, 1977-1978, 1980-1981, undated
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FOLDER : 12.
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Count of Members by earnings groups; 1979
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FOLDER : 13.
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Draft of newsletter article concerning dues, by Alan Hewitt; holograph/typescript, undated
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FOLDER : 14.
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Dues scale statistics worksheets; 1950, 1963, 1967-1968, 1971-1972, 1980-1981, undated
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FOLDER : 15.
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Hewitt's statement in favor of Alternate Plan B; 1981
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FOLDER : 16.
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Minutes of Meetings of the House Affairs Committee; 1972, 1978, 1980-1981
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FOLDER : 17.
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Minutes of special Equity Council Meeting; December 15, 1980
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FOLDER : 18.
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Misc.
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FOLDER : 19.
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Newsletter: Equity News; October 1980, February 1981
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FOLDER : 20.
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Notices to Equity members concerning dues; 1968, 1972-1973, 1980-1981, undated
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FOLDER : 21.
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Projected and actual income figures; 1977-1978, 1979-1980, 1980-1981
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FOLDER : 22.
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Speech: Minority Report for Council Meeting, December 15, 1980, by Alan Hewitt; typescript
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FOLDER : 23.
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Statistical report of active members; 1980
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Elections
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Articles
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FOLDER : 24.
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An Experiment in Election Procedure, by Alan Hewitt; draft, published copy in Equity Magazine, March 1941
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FOLDER : 25.
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Improvisation on Old Themes, by Alan Hewitt; in Equity Magazine, November 1966
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FOLDER : 26.
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Nominating Committee and Quarterly Meeting, author unidentified; in Equity Magazine, April 1941
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FOLDER : 27.
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Campaign literature and ballots; 1956, 1974, undated
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FOLDER : 28.
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Clippings; 1940-1942, 1947, 1950, 1953-1954, 1956, undated
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FOLDER : 29.
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Correspondence; 1940-1942, 1944-1945, 1947-1948, 1950-1951, 1953-1954, 1957-1958, 1961
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FOLDER : 30.
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Correspondence; 1971-1974, 1980, 1983, undated, unidentified
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FOLDER : 31.
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Memorandum on junior membership, written by Paul Dullzell; carbon 1942
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FOLDER : 32.
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Minutes of meetings of the Equity Council; 1940-1941, 1974
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FOLDER : 33.
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Report of the Committee on Elections; 1940-1942
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FOLDER : 34.
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Report: Report to Council Meeting of September 15, 1942, Recommending Revision of Amendment Concerning Eligibility for Senior Membership,
With Additional Reference to Results of Recent Employment Survey, by Alan Howitt; [UNK]
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FOLDER : 35.
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Speech: Untitled, by Alan Hewitt; concerning Regular vs. Independent tickets, drafts, 1947
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FOLDER : 36.
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Speech: Untitled, by Alan Hewitt; on referendum proposing abolition of junior membership, draft, 1974
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FOLDER : 37.
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Statement by Alan Hewitt, Myron McCormick and Cornelia Otis Skinner re: proceedings of the nominating committee; drafts, undated
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Employment Surveys
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Articles
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FOLDER : 38.
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Actor in Search of a Contract, the Fourth Annual Survey of Employment in the Theatre, by Alan Hewitt; in Equity Magazine,
January 1953
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FOLDER : 39.
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The Alan Hewitt Employment Survey; in Equity Magazine, February-March 1969
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FOLDER : 40.
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Equity Employment: A Recent Update, by Tom Viola; in Equity News, February 1987
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FOLDER : 41.
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Five Short Years, by Alan Hewitt; in Equity Magazine, January 1954
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FOLDER : 42.
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How Bad Can It Get? The Third Annual Survey of Employment in the Theatre, by Alan Hewitt; in Equity Magazine, February 1952
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FOLDER : 43.
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Like It Is, Man! Professional Theatre Employment 1961-1968, by Alan Hewitt; in Performing Arts Review, Vol. I, No. 4, 1970
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FOLDER : 44.
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Nostra Maxima Culpa, Anno Domini MCMLXXIX, by Alan Hewitt; in Equity News, October 1979
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FOLDER : 45.
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On Stage Coast To Coast: A Survey Spanning Two Decades of Equity Employment, by Alan Hewitt; draft, typescript, carbon, 1985
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FOLDER : 46.
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On Stage Coast To Coast: A Survey Spanning Two Decades of Equity Employment, by Alan Hewitt; in Equity News, March 1985
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FOLDER : 47.
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Read 'Em And Weep, by Alan Hewitt; in Equity Magazine, January 1951
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FOLDER : 48.
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Summer Stock, and a Backward Glance at '49, by Alan Hewitt; in Equity Magazine, April 1950
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FOLDER : 49.
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Why Be An Actor? A Survey of Employment in the Theatre, by Alan Hewitt; in Equity Magazine, September 1949
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FOLDER : 50.
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Broadway show statistics 1966-1976; clippings, 1967-1976
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FOLDER : 51.
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Chicago Equity Office weekly employment report; 1971-1972, 1975-1976, 1977-1978, 1978-1979, undated
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FOLDER : 52.
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Clippings; 1949-1950, 1952-1954, 1984, 1986, undated
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FOLDER : 53.
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Correspondence; 1948-1954, 1968-1969
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FOLDER : 54.
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Correspondence; 1970-1971, 1974-1975, 1977-1980, 1982-1986, undated
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FOLDER : 55.
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Count of members by earnings groups; 1978-1984
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FOLDER : 56.
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Explanation of how to record employment data for stock and production contracts, by Alan Hewitt; carbon, 1953
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FOLDER : 57.
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Equity weekly U.S. employment survey; 1966-1973
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FOLDER : 58.
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Equity weekly U.S. employment survey; 1973-1979
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BOX 3.
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FOLDER : 1.
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Graphs showing employment patterns 1962-1967; 1967
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FOLDER : 2.
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Graphs showing percentage of total membership employed; 1948-1953, 1961-1985
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FOLDER : 3.
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L.O.R.T. statistics; 1967-1978, 1977-1978
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FOLDER : 4.
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Los Angeles Equity office employment breakdown reports (by locale); 1971-1973, 1977-1978, 1978-1979
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FOLDER : 5.
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Los Angeles Equity office employment breakdown reports (by type of contract); 1977-1978, 1978-1979
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FOLDER : 6.
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Los Angeles Equity office weekly employment reports; 1977-1978
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FOLDER : 7.
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Memoranda on employment; 1971-1974
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FOLDER : 8.
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|
Midwest Area and Milwaukee Repertory weekly employment reports; 1977-1978
|
FOLDER : 9.
|
|
|
Misc.
|
FOLDER : 10.
|
|
|
Misc. employment survey sheets; 1976-1977, 1977-1978, undated
|
FOLDER : 11.
|
|
|
Newsletter: Stand By!, published by American Federation of Radio Artists, New York, May 1952
|
FOLDER : 12.
|
|
|
New York Equity office weekly employment reports; 1977-1978, undated
|
FOLDER : 13.
|
|
|
1985-1986 Seasonal Work Week statistics and 25 year summary, with commentary by Alan Hewitt; 1986
|
|
|
|
Questionnaire
|
FOLDER : 14.
|
|
|
|
Correspondence; 1968-1969
|
FOLDER : 15.
|
|
|
|
Report: Tentative comparison of Actors' Earnings in SAG, AFTRA, Equity, by Alan Hewitt; photocopy, 1966
|
FOLDER : 16.
|
|
|
|
Sample questionnaire; 1967
|
FOLDER : 17.
|
|
|
|
Tally sheets; 1968-1969
|
FOLDER : 18.
|
|
|
Record of road productions and length of runs; 1978-1979, undated
|
|
|
|
Reports
|
FOLDER : 19.
|
|
|
|
Analysis of Earnings in Screen Actors' Guild 1965 and 1966, and Analysis of Earnings in Screen Actors' Guild, Four Years 1965-1968, by Alan Hewitt; 1967, 1969
|
FOLDER : 20.
|
|
|
|
Attention Must Be Paid, by Alan Hewitt; draft, final copy, 1982
|
FOLDER : 21.
|
|
|
|
Better Late Than Never: Professional Theatre Employment 1977-1978 Season, by Alan Hewitt; photocopy, 1982
|
FOLDER : 22.
|
|
|
|
Brief Chronicles of Our Time: Professional Theatre Employment 1975-1976 Season, by Alan Hewitt; photocopy, 1976
|
FOLDER : 23.
|
|
|
|
Count Your Blessings: Professional Theatre Employment 1976-1977 Season, by Alan Hewitt; photocopy, 1978
|
FOLDER : 24.
|
|
|
|
Earnings Comparisons - Work Under Equity Contracts, by Alan Hewitt; photocopy, 1984
|
FOLDER : 25.
|
|
|
|
Earnings of Los Angeles AFTRA Members, by Alan Hewitt; photocopy, 1966
|
FOLDER : 26.
|
|
|
|
Equity Employment 1st-4th Quarters 1974-1975, 1975-1976, 1976-1977, 1977-1978, by Alan Hewitt; photocopies, 1976-1978
|
FOLDER : 27.
|
|
|
|
Good and Bad: Professional Theatre Employment 1974-1975 Season, by Alan Hewitt; photocopy, 1975
|
FOLDER : 28.
|
|
|
|
I Never Realized That: Professional Theatre Employment 1969-1970 Season, by Alan Hewitt; photocopy, 1970
|
FOLDER : 29.
|
|
|
|
Like It Is, Man! Professional Theatre Employment 1961-1968, by Alan Hewitt; photocopy, 1968
|
FOLDER : 30.
|
|
|
|
Professional Theatre Employment 1968-1969 Season, by Alan Hewitt; photocopy, 1970
|
FOLDER : 31.
|
|
|
|
Report on Welfare and Pension Benefits for the Members of Actors' Equity, by Martin E. Segal & Co., Inc., Consultants; 1959
|
FOLDER : 32.
|
|
|
|
Sixteen Years Revived: A Study for Screen Actors' Guild, by Alan Hewitt; photocopy, 1976
|
FOLDER : 33.
|
|
|
|
Tentative Comparison of Actors' Earnings in SAG, AFTRA, Equity, by Alan Hewitt; photocopy, 1966
|
FOLDER : 34.
|
|
|
|
Three In One: Professional Theatre Employment 1970-1971 Season, 1971-1972 Season, 1972-1973 Season, by Alan Hewitt; carbon, photocopy, 1974
|
FOLDER : 35.
|
|
|
|
The Way It Was: Professional Theatre Employment 1973-1974 Season, by Alan Hewitt; photocopy, 1975
|
FOLDER : 36.
|
|
|
Statistics on alien actors; 1973, 1977-1978
|
FOLDER : 37.
|
|
|
Statistics on Equity membership figures; 1961-1969, 1973, 1977-1978
|
FOLDER : 38.
|
|
|
Tables showing Equity employment statistics; 1968-1978
|
FOLDER : 39.
|
|
|
Tables showing numbers employed in the theatre and in which kind of theatre; 1961-1985
|
FOLDER : 40.
|
|
|
Weekly employment records, Broadway productions, and record of shows and length of Broadway runs; 1976-1980
|
FOLDER : 41.
|
|
|
Weekly employment record for industrial theatre; 1977-1978
|
FOLDER : 42.
|
|
|
Weekly employment records, Letters of Agreement contracts; 1977-1978
|
FOLDER : 43.
|
|
|
Weekly employment records, Mini-Off Broadway; undated
|
FOLDER : 44.
|
|
|
Weekly employment records, musical productions; 1977-1978
|
FOLDER : 45.
|
|
|
Weekly employment records, Off-Broadway shows; 1977-1979, undated, with statistics for 1959-1978 on separate sheet
|
|
|
Finances
|
FOLDER : 46.
|
|
|
Article: Grody Walks the Plank in Equity Crisis, by Richard Hummler; in Variety, August 20, 1980
|
FOLDER : 47.
|
|
|
Estimated and unaudited actual income budget sheets; photocopies, 1976-1977, 1977-1978
|
FOLDER : 48.
|
|
|
Notes on contract with Columbia University in reference to purchase of Equity building; undated
|
FOLDER : 49.
|
|
|
Proposed budget for Los Angeles Equity office; 1977
|
FOLDER : 50.
|
|
|
Report: Actors' Equity Association Report, by Kipnis and Karchner, Certified Public Accountants, New York, 1977-1980
|
|
|
History
|
|
|
|
Articles
|
FOLDER : 51.
|
|
|
|
Collective Bargaining for Actor's Wages, by George S. Kaufman; in The New York Times Magazine, July 13, 1919, photocopies
|
FOLDER : 52.
|
|
|
|
Nostra Maxima Culpa, Anno Domini MCMLXXIX, by Alan Hewitt; in Equity News, October 1979
|
FOLDER : 53.
|
|
|
|
One Man's Thoughts on One Big Union, by Alan Hewitt; in Screen Actor, March-April 1967, photocopy
|
FOLDER : 54.
|
|
|
|
One Union, One Card, by Alan Hewitt; in Equity Magazine, November 1966, with 1983 revisions, photocopy
|
FOLDER : 55.
|
|
|
Correspondence; 1952-1954
|
FOLDER : 56.
|
|
|
Index: Inventory of Archival Materials, Actors' Equity Association; typescript, March 1981
|
FOLDER : 57.
|
|
|
Misc.
|
FOLDER : 58.
|
|
|
Newsletter: Subtext: An Occasional Newsletter for Performers; undated
|
|
|
|
Notes
|
FOLDER : 59.
|
|
|
|
Alan Hewitt - E. John Kennedy chronologies of Equity involvement; holograph/typescript, 1934-1954, 1940-1954
|
FOLDER : 60.
|
|
|
|
Contract changes (from Council minutes); holograph, 1933-1945
|
FOLDER : 61.
|
|
|
|
Council minutes; holograph/typescript, 1933-1955
|
FOLDER : 62.
|
|
|
|
Equity Magazine; holograph, typescript, 1926, 1933-1954
|
FOLDER : 63.
|
|
|
|
Master indexes for Equity Magazine and Council minutes; holograph, undated
|
FOLDER : 64.
|
|
|
|
Membership meetings minutes; holograph/typescript, 1933-1954
|
FOLDER : 65.
|
|
|
|
New York Times items re: Equity; holograph, 1933-1953
|
FOLDER : 66.
|
|
|
Paper: Actors' Equity Association and the Radio Connection, by Jeanna Belkin; typescript, 1984
|
FOLDER : 67.
|
|
|
Typed notes from Equity Magazine, Council and membership meetings minutes, A-W, with index; 1953-1954, 1984
|
BOX 4.
|
|
Actors' Equity Association (cont.) - Actors and Others
|
|
|
Actors' Equity Association (cont.)
|
|
|
|
Rules
|
FOLDER : 1.
|
|
|
|
Clippings; 1967, 1970, 1979, 1985-1986
|
FOLDER : 2.
|
|
|
|
Equity rules governing employment; photocopies, 1959, undated
|
FOLDER : 3.
|
|
|
|
Memo: Random Thoughts on Actors' Equity Association, by Larry Gates; photocopy, undated
|
|
|
|
Summer Stock Committee
|
FOLDER : 4.
|
|
|
|
Article: The New Look for Summer Stock, author unidentified; source probably Equity Magazine, undated
|
FOLDER : 5.
|
|
|
|
Clippings; 1948, 1952-1953, undated
|
FOLDER : 6.
|
|
|
|
Correspondence; 1948-1953, 1958
|
FOLDER : 7.
|
|
|
|
Minutes of meetings of Summer Stock Committee; March 9, 1948, March 14, 1950
|
FOLDER : 8.
|
|
|
|
Notes on various aspects of summer stock productions; undated
|
|
|
|
Unemployment Insurance
|
FOLDER : 9.
|
|
|
|
Bill: An Act to Amend the Administrative Code of the City of New York, in Relation to the Leasing and Maintenance of the City Center
of Music and Drama, Inc.; New York, No. 2407, Int. 2261, In Senate, February 17, 1953
|
FOLDER : 10.
|
|
|
|
Bill: An Act to Amend the Labor Law, in Relation to Employer Experience Rating and Entitlement to Unemployment Benefits; New York
Nos. 2555, 3648, Int. 2436, In Assembly, February 19, 1951
|
FOLDER : 11.
|
|
|
|
Brochure: Plot to Kill Unemployment Insurance - The Six Hundred Million Dollar Steal, AFL-CIO Joint Committee; ca. 1951
|
FOLDER : 12.
|
|
|
|
Clippings; 1957, ca. 1982, 1986, undated
|
FOLDER : 13.
|
|
|
|
Correspondence; 1947, 1951-1954, 1956-1958, 1980, 1983
|
FOLDER : 14.
|
|
|
|
Employment figures of Equity members relevant to unemployment insurance benefits; 1950-1952
|
FOLDER : 15.
|
|
|
|
Pension and Welfare - Medicare Regulations; undated
|
|
|
Actors' Fund of America
|
FOLDER : 16.
|
|
|
Correspondence; 1964, 1968, 1975-1976, 1979-1986
|
FOLDER : 17.
|
|
|
Excerpts from the Act of Incorporation and By-Laws in relation to the Executive Committee; 1980
|
FOLDER : 18.
|
|
|
Hewitt's resignation from the Board of Trustees of the Actors' Fund of America; typescript, May 20, 1986
|
FOLDER : 19.
|
|
|
Information sheets describing the work of the Actors' Fund and the Actors' Fund Home; photocopies, undated
|
|
|
|
Memos
|
FOLDER : 20.
|
|
|
|
The Nursing Home. Now or Never?, by Alan Hewitt; typescript, March 10, 1986
|
FOLDER : 21.
|
|
|
|
Pension Checks. Now Ya See 'Em, Now Ya Don't, by Alan Hewitt; carbon, January 28, 1986
|
FOLDER : 22.
|
|
|
|
Retrospective on Actors' Fund Bread Basket Campaigns, by Alan Hewitt; typescript, April 29, 1983
|
FOLDER : 23.
|
|
|
|
What, Actually, Does the Actors' Fund Do?, by Alan Hewitt; typescript, May 25, 1983
|
FOLDER : 24.
|
|
|
|
What Price Will the Fund Pay for “Cost Effective” Dues?, by Alan Hewitt; photocopy, May 6, 1986
|
FOLDER : 25.
|
|
|
|
Minutes of meetings of the Board of Trustees of the Actors' Fund; March 13, 1979, January 8, March 12, May 21, December 10, 1985, March 11, 1986
|
FOLDER : 26.
|
|
|
|
Misc.
|
FOLDER : 27.
|
|
|
|
Officers and Trustees of the Actors' Fund of America; 1979
|
FOLDER : 28.
|
|
|
|
Report: “The Night of 100 Stars” - On Television, by Alan Hewitt; typescript, March 24, 1982
|
|
|
Actors and Others
|
FOLDER : 29.
|
|
|
Alexander, John; Memo: The Miracle of the Resilient Human Spirit, by Alan Hewitt; typescript, January 9, 1982
|
|
|
|
Barrymore, John
|
FOLDER : 30.
|
|
|
|
Article: Hamlet of the Century, author and source unidentified; photocopy, undated
|
FOLDER : 31.
|
|
|
|
Clippings; 1982
|
FOLDER : 32.
|
|
|
|
Memo: Notes on John Barrymore and His “Hamlet,” by Alan Hewitt; typescript, October 13, 1982
|
FOLDER : 33.
|
|
|
|
Notes on “Hamlet;” holograph, 1982, undated
|
FOLDER : 34.
|
|
|
Borowsky, Maxine; talks given at memorial service, photocopy, March 13, 1984
|
FOLDER : 35.
|
|
|
Clippings; 1970, 1973-1974, 1978-1986, undated
|
FOLDER : 36.
|
|
|
Fonda, Henry; news release from the David Library of the American Revolution, August 23, 1982
|
FOLDER : 37.
|
|
|
Gray, Gilda; memo: Who Will Have Heard of Gilda Gray?, by Alan Hewitt; typescript, May 3, 1981
|
FOLDER : 38.
|
|
|
Green, Martyn; autographed pictures (postcards) of Green in various roles, undated
|
|
|
|
Hayes, Helen
|
FOLDER : 39.
|
|
|
|
Book: ANTA National Artists Award Souvenir Program Book, published by ANTA-WEST; 1976
|
FOLDER : 40.
|
|
|
|
Chronology: She Never Stops Working, by Alan Hewitt; page proofs and photocopy of printer's dummy; 1976
|
FOLDER : 41.
|
|
|
|
Chronology: She Never Stops Working, by Alan Hewitt; typescript, photocopies; 1976
|
FOLDER : 42.
|
|
|
|
Clippings; 1976, 1984-1985
|
FOLDER : 43.
|
|
|
|
Correspondence; 1976-1977
|
|
|
|
Memos
|
FOLDER : 44.
|
|
|
|
“Helen Hayes” Holdings in the Theater Collection at Lincoln Center, by Alan Hewitt; typescript, August 8, 1976
|
FOLDER : 45.
|
|
|
|
Helen Hayes: Progress Report, by Alan Hewitt; typescript, photocopy, April 15, 1976
|
FOLDER : 46.
|
|
|
|
Notes on ANTA-WEST “Helen Hayes” Program Book, by Alan Hewitt; photocopies, July 10, 1976
|
FOLDER : 47.
|
|
|
|
Some Notes From “Helen Hayes” Research, by Alan Hewitt; typescript, carbon, August 7, 1976
|
FOLDER : 48.
|
|
|
|
Stock Companies in Washington, D.C. 1908-1917, by Alan Hewitt; typescript, photocopy, 1976
|
FOLDER : 49.
|
|
|
Newsletter: American National Theatre and Academy WEST; August-September 1976
|
FOLDER : 50.
|
|
|
Photocopies of source material Hewitt used for the Hayes chronology; undated
|
FOLDER : 51.
|
|
|
Photographs; ca. 1909 or 1913
|
|
|
|
Kirkland, Muriel
|
FOLDER : 52.
|
|
|
|
Clippings; 1971
|
FOLDER : 53.
|
|
|
|
Eulogies, by Alan Hewitt; carbons, 1971
|
FOLDER : 54.
|
|
|
Luckinbill, Lawrence; clippings, 1970, undated
|
FOLDER : 55.
|
|
|
Misc. correspondence; 1967, 1970-1971, 1973-1974, 1976, 1979-1984, 1986, undated
|
FOLDER : 56.
|
|
|
Mosheim, Grete; notes on career, holograph, undated
|
|
|
|
Olivier, Laurence
|
FOLDER : 57.
|
|
|
|
Article: Talking with Olivier, by Curtis Bill Pepper; in New York Times Magazine, March 25, 1979
|
FOLDER : 58.
|
|
|
|
Clippings; 1978-1983
|
FOLDER : 59.
|
|
|
Southern, Hugh; memo: The (British) Man Who Came To Dinner, by Alan Hewitt; typescript, May 7, 1982
|
FOLDER : 60.
|
|
|
Wayne, David; memo: Some Preliminary Notes About David Wayne, by Alan Hewitt; photocopy, June 16, 1983
|
|
|
|
Tapes
|
FOLDER : 61.
|
|
|
|
Ashe, Helga: Interview on experiences in tent shows; April 16, 1983
|
FOLDER : 62.
|
|
|
|
Bostain, James C.: Lecture; Tape I, undated
|
FOLDER : 63.
|
|
|
|
Bostain, James C.: Lecture; Tape II, undated
|
|
|
|
|
Carnovsky, Morris, and Phoebe Brand
|
FOLDER : 64.
|
|
|
|
|
Conversation at their home in Easton, Conn.; Tape I, July 30, 1982
|
FOLDER : 65.
|
|
|
|
|
Conversation at their home...; Tape II, July 30, 1982
|
FOLDER : 66.
|
|
|
|
|
Conversation at their home...; Tape III, July 30, 1982
|
FOLDER : 67.
|
|
|
|
Dietz, Howard: Memorial to Howard Dietz, broadcast on WBAI; September 25, 1983
|
BOX 5.
|
|
Actors and Others (cont.) - American College Theatre Festival
|
|
|
Actors and Others (cont.)
|
|
|
|
Tapes (cont.)
|
|
|
|
|
Kennedy, E. John (Jack)
|
FOLDER : [UNK]
|
|
|
|
|
[UNK]
|
FOLDER : 2.
|
|
|
|
|
Interview; December 2, 1984, Tape II
|
FOLDER : 3.
|
|
|
|
|
Reminiscences; December 2, 1984, Tape III
|
FOLDER : 4.
|
|
|
|
|
Interview; December 7, 1984, Tape IV
|
FOLDER : 5.
|
|
|
|
|
Interviews; December 7, 10, 1984, Tape V
|
FOLDER : 6.
|
|
|
|
|
Interview; December 10, 1984, Tape VI
|
FOLDER : 7.
|
|
|
|
|
Interview; December 10, 1984, Tape VII
|
|
|
|
|
Marshall, Armina
|
FOLDER : 8.
|
|
|
|
|
Interview; September 7, 1983, Tape I
|
FOLDER : 9.
|
|
|
|
|
Interview; September 26, October 14, 1983, Tape II
|
FOLDER : 10.
|
|
|
|
|
Interview; January 25, 1984, Tape III
|
|
|
|
|
Stone, Ezra
|
FOLDER : 11.
|
|
|
|
|
Ezra Stone - Alan Hewitt interview about Communism and blacklisting in the 1930's and 1940's, August 19, 1984, Tape I
|
FOLDER : 12.
|
|
|
|
|
Interview about teaching acting at colleges and Army theatres; August 19, 1984, Tape II
|
|
|
|
|
Tuttle, Day
|
FOLDER : 13.
|
|
|
|
|
Conversation with Day Tuttle; August 24, 1983, Tape I
|
FOLDER : 14.
|
|
|
|
|
Conversation with Day Tuttle; August 24, 1983, Tape II
|
|
|
American College Theatre Festival
|
FOLDER : 15.
|
|
|
Correspondence; 1969-1972, undated
|
FOLDER : 16.
|
|
|
Misc.
|
FOLDER : 17.
|
|
|
Pamphlet: American College Theatre Festival, Ford's Theatre and Mall Theatre, Washington, D.C., April 28-May 12, 1969
|
FOLDER : 18.
|
|
|
Pamphlet: The First American College Theatre Festival, American Airlines, Friends of the Kennedy Center and the Smithsonian Institution; 1969
|
|
|
|
Paper: Repertory To Residuals, by Alan Hewitt
|
FOLDER : 19.
|
|
|
|
Contract with Samuel French, Inc.; 1969
|
FOLDER : 20.
|
|
|
|
Draft, and typescript; 1969
|
FOLDER : 21.
|
|
|
|
Galley proofs; original and photocopy of one section, undated
|
FOLDER : 22.
|
|
|
|
Notes
|
FOLDER : 23.
|
|
|
|
Revised version for inclusion in The American Theatre: A Sum Of Its Parts, Samuel French, Inc., 1972
|
FOLDER : 24.
|
|
|
Press Release: Festival Seminar on American Theatre Will Be Open to the Public, published by American College Theatre Festival; April 14, 1969
|
FOLDER : 25.
|
|
|
Program: The American Theatre - A Cultural Process, Museum of History and Technology, Smithsonian Institution; May 2-5, 1969
|
FOLDER : 26.
|
|
|
Symposium schedule; May 2-5, 1969
|
BOX 6.
|
|
Awards - Career
|
|
|
Awards
|
|
|
|
Academy Awards
|
FOLDER : 1.
|
|
|
|
Correspondence; 1972-1974, 1976, 1979, 1981-1986
|
FOLDER : 2.
|
|
|
|
List of choices for 1983 Academy Awards ballots; typescript, 1983
|
|
|
|
|
Memos
|
FOLDER : 3.
|
|
|
|
|
Academy Nomination Time, by Alan Hewitt; photocopy, 1979
|
FOLDER : 4.
|
|
|
|
|
Ask Mr. Hewitt Film Service, by Alan Hewitt; typescript, 1985
|
FOLDER : 5.
|
|
|
|
|
“Diner,” Is There Anything Finer?, by Alan Hewitt; photocopy, 1982
|
FOLDER : 6.
|
|
|
|
|
From the 1982 Film Crop, by Alan Hewitt; typescript, 1982
|
FOLDER : 7.
|
|
|
|
|
How My Vote Influenced the Academy Awards, March 29, 1982, by Alan Hewitt; typescript
|
FOLDER : 8.
|
|
|
|
|
It's Oscar's Time Again, by Alan Hewitt; typescript, 1981
|
FOLDER : 9.
|
|
|
|
|
“Job's Revolt” and Other Nominees for Best Foreign Film, by Alan Hewitt; photocopy, 1982
|
FOLDER : 10.
|
|
|
|
|
Louise Brooks Describes Bogart as “Failed Broadway Actor,” by Alan Hewitt; photocopy, 1982
|
FOLDER : 11.
|
|
|
|
|
My Academy Nominations, by Alan Hewitt; typescript, 1985
|
FOLDER : 12.
|
|
|
|
|
The Oscar Season Begins, by Alan Hewitt; typescript, 1966
|
FOLDER : 13.
|
|
|
|
|
See Ya at the Movies - the 1983 Crop, by Alan Hewitt; typescript, 1984
|
FOLDER : 14.
|
|
|
|
|
Some Thoughts About Meryl Streep and What Appears on the Screen, by Alan Hewitt; carbon, 1983
|
FOLDER : 15.
|
|
|
|
|
Untitled, by Alan Hewitt; photocopy, 1983
|
|
|
|
|
Drama League of New York
|
FOLDER : 16.
|
|
|
|
|
Correspondence; 1971-1972, 1978, 1980-1985
|
FOLDER : 17.
|
|
|
|
|
Programs of the Annual Luncheons; 1978-1980, 1982-1985
|
|
|
|
|
Pulitzer and Critics Circle prizes
|
FOLDER : 18.
|
|
|
|
|
Notes; undated
|
|
|
Book “Corrections”
|
FOLDER : 19.
|
|
|
Article: The New Rialto, Manhattan's West 42nd Street, by Margaret Knapp; in CUNY Graduate School Magazine, Fall 1981
|
|
|
|
Correspondence
|
FOLDER : 20.
|
|
|
|
1965, 1968-1974
|
FOLDER : 21.
|
|
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1975, 1977-1979
|
FOLDER : 22.
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|
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1980-1986, undated, unidentified
|
|
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|
Critiques, by Alan Hewitt
|
FOLDER : 23.
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|
A Critique of Mary C. Henderson's “The City and the Theatre;” photocopy, with supplement and pages from the original draft, 1977
|
FOLDER : 24.
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|
42nd Street Visited and Revisited; photocopy, 1982
|
FOLDER : 25.
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Nag, Nag, Nag! - Some Notes on “Dear Intruder;” carbon, 1977
|
FOLDER : 26.
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No Pickle, No Performance, by Harold J. Kennedy, Notes on the Manuscript; typescript, 1977
|
FOLDER : 27.
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Notes on “Actor: The Life and Times of Paul Muni,” by Jerome Lawrence; carbon, 1975
|
FOLDER : 28.
|
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Notes on Allen Churchill article, “Recalling the Heyday of the Great White Way” - New York Times, Sunday, January 24, 1982;
photocopy, 1982
|
FOLDER : 29.
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Notes on “At Random” by Bennett Cerf; photocopy, 1978
|
FOLDER : 30.
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Notes on “At This Theatre,” by Louis Botto; typescript, photocopy, 1985
|
FOLDER : 31.
|
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Notes on “Broadway's Greatest Musicals;” carbon, 1972
|
FOLDER : 32.
|
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Notes on Brooks Atkinson's “Broadway,” and Further Notes on Brook Atkinson's “Broadway;” carbon, typescript, 1971, 1972
|
FOLDER : 33.
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|
Notes on “David Ewen Introduces Modern Music;” carbon, 1973
|
FOLDER : 34.
|
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Notes on “Directory of the American Theatre 1894-1971,” by Otis Guernsey, Jr.; carbon, 1973
|
FOLDER : 35.
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Notes on “The Eighth Dwarf,” by Ross Thomas; typescript, 1978
|
FOLDER : 36.
|
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Notes on “Ernest Hemingway: A Life Story,” by Carlos Baker; carbon, 1969
|
FOLDER : 37.
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Notes on “Ferber,” by Julie Goldsmith Gilbert; typescript, 1981
|
FOLDER : 38.
|
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Notes on Frank J. Prial article, “Can 42nd Street Regain Its Showbiz Glamour? - New York Times, Sunday, April 18, 1982; photocopy, 1982
|
FOLDER : 39.
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Notes on “From the Last Row,” by Jean Dalrymple; typescript, 1979
|
FOLDER : 40.
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Notes on “Front and Center,” by John Houseman; typescript, 1981
|
FOLDER : 41.
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Notes on “George S. Kaufman,” by Howard Teichman; carbon, 1972
|
FOLDER : 42.
|
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Notes on “George S. Kaufman and His Friends,” by Scott Meredith; typescript, 1977
|
FOLDER : 43.
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Notes on “George S. Kaufman, His Life, His Theatre,” by Malcolm Goldstein; typescript, 1982
|
FOLDER : 44.
|
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Notes on “Good Company” by Irving Drutman; carbon, 1976
|
FOLDER : 45.
|
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|
Notes on “Good Evening, Everybody,” by Lowell Thomas; carbon, 1977
|
FOLDER : 46.
|
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|
Notes on “A Hymnal: The Controversial Arts,” by William F. Buckley, Jr.; typescript, 1979
|
FOLDER : 47.
|
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|
Notes on “In Search of History,” by Theodore H. White; photocopy, 1979
|
FOLDER : 48.
|
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|
Notes on John Beaufort Manuscript, “505 Theatre Questions,” with photocopy of Foreword; carbon, 1982
|
FOLDER : 49.
|
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|
Notes on Joshua Logan's Memoirs; carbon, 1975
|
FOLDER : 50.
|
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|
|
Notes on: “Leading Lady: The World and Theatre of Katharine Cornell,” by Tad Mosel; photocopy 1979
|
FOLDER : 51.
|
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|
Notes on “The Lives of the Great Composers,” by Harold C. Schonberg; carbon, 1971
|
FOLDER : 52.
|
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|
Notes on Lunt-Fontanne Issue of “Landmark,” Autumn 1981; photocopy, 1982
|
FOLDER : 53.
|
|
|
|
Notes on “Milton Berle: An Autobiography,” by Haskel Frankel; carbon, 1975
|
FOLDER : 54.
|
|
|
|
Notes on “Montgomery Clift,” by Patricia Bosworth; photocopy, 1979
|
FOLDER : 55.
|
|
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|
Notes on “Movie Stars, Real People, and Me,” by Joshua Logan; photocopies, 1979
|
FOLDER : 56.
|
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|
Notes on “Moving Pictures,” by Budd Schulberg; typescript, 1981
|
FOLDER : 57.
|
|
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|
Notes on “N.Y.C. Theatre Guide,” by Chuck Lawliss; carbon, 1983
|
FOLDER : 58.
|
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|
|
Notes on “On Broadway, Performance Photographs,” by Fred Fehl; typescript, 1978
|
FOLDER : 59.
|
|
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|
Notes on “One Naked Individual,” by Cheryl Crawford; photocopy, 1979
|
FOLDER : 60.
|
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|
Notes on “The Only Way To Cross” - 1st Edition; carbon, 1975
|
FOLDER : 61.
|
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|
Notes on “Patience and Fortitude: Fiorello LaGuardia;” carbon, 1977
|
FOLDER : 62.
|
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|
Notes on “A Pictorial History of the Theatre Guild,” by Norman Nadel; typescript, 1973
|
FOLDER : 63.
|
|
|
|
Notes on “The Race For Rome” - 1st Edition, by Dan Kurzman; carbon, 1975
|
FOLDER : 64.
|
|
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|
Notes on S. N. Behrman's “People in a Diary;” carbon, 1972
|
FOLDER : 65.
|
|
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|
Notes on “Times Square: A Pictorial History,” by Jill Stone; carbon, 1982
|
FOLDER : 66.
|
|
|
|
Notes on “Tutunkhamen: An Untold Story,” by Thomas Hoving; typescript, 1979
|
FOLDER : 67.
|
|
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|
Notes on “Vintage Years of the Theatre Guild, 1928-1939,” by Roy S. Walolau; typescript, 1975
|
FOLDER : 68.
|
|
|
|
Notes on Virgil Thomson's “American Music Since 1910;” carbon, 1972
|
FOLDER : 69.
|
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|
Notes on “Well, There's No Harm In Laughing,” by Frank Sullivan; carbon, 1973
|
FOLDER : 70.
|
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|
Notes on “Who's Who In The Theatre,” 16th Edition; photocopy, 1977
|
FOLDER : 71.
|
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|
Notes on “The Wicked Stage,” by Abe Laufe; carbon, 1978
|
FOLDER : 72.
|
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|
Notes on “Worlds Apart,” by Ilka Chase; carbon, 1972
|
FOLDER : 73.
|
|
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|
Notes on “The Yugoslavs in America,” by Edward Ifkovic; typescript, 1979
|
FOLDER : 74.
|
|
|
|
Some Comments on Laurence Olivier's “Confessions of An Actor;” photocopy, 1983
|
|
|
|
|
Memos
|
FOLDER : 75.
|
|
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|
Brief Memorandum on the Old “Theatre Arts Magazine;” carbon, 1982
|
FOLDER : 76.
|
|
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|
Digressions After Reading “Haywire,” by Brooke Hayward; typescript, 1979
|
FOLDER : 77.
|
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|
Notes on “Smash,” A Novel By Garson K - Kinsey or Kanin?; photocopy, 1982
|
FOLDER : 78.
|
|
|
|
Misc.
|
FOLDER : 79.
|
|
|
|
Pamphlet: The City and the Theatre: Errata and Addenda, by Mary C. Henderson; 1982
|
|
|
Career
|
|
|
|
Albums
|
FOLDER : 80.
|
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Album I: May 1923-July 1935; programs of stage shows and opening night telegrams
|
FOLDER : 81.
|
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Album II: 1931-January 1943; photographs and clippings, stage plays and radio
|
FOLDER : 82.
|
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Album III: September 1935-December 1937; programs of stage shows and opening night telegrams
|
BOX 7.
|
|
Career (cont.)
|
|
|
Albums (cont.)
|
FOLDER : 1.
|
|
|
Album IV: May 1938-January 1940; programs of stage plays, telegrams, ephemera
|
FOLDER : 2.
|
|
|
Album V: January 1940-July 1942, June 1946; programs of stage plays, telegrams
|
FOLDER : 3.
|
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Album VI: August 1947-June 1959, April 1972, December 1983, programs of stage plays
|
FOLDER : 4.
|
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Album VII: 1962-1966; credits sheets, photographs, clippings from stage, radio, TV, film productions
|
FOLDER : 5.
|
|
Brochure: A Memorandum from Alan Hewitt; lists of credits, with business cards, ca. 1946
|
|
|
Commercials
|
FOLDER : 6.
|
|
|
Correspondence; 1968, 1970-1971, 1973, 1976-1979
|
FOLDER : 7.
|
|
|
Radio commercial contracts; 1984
|
|
|
|
Tapes
|
FOLDER : 8.
|
|
|
|
Alan Hewitt; photograph on box, probably a master or “demo,” undated
|
FOLDER : 9.
|
|
|
|
Alan Hewitt Demo Tape; contains 7 different “spots” as actually broadcast, undated
|
FOLDER : 10.
|
|
|
|
Alan Hewitt; 1. Private Stock, undated
|
FOLDER : 11.
|
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Alan Hewitt Voice Tracks; contains 7 different “spots” as actually broadcast, undated
|
FOLDER : 12.
|
|
|
|
American Gas Association; contains 5 “spots;” 1982
|
FOLDER : 13.
|
|
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|
Binaca; marked, was not used!, 1969
|
FOLDER : 14.
|
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|
Cassette, containing 9 commercial “spots” on Side A, narration for “Hollywierd” on Side B; undated
|
FOLDER : 15.
|
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Evian; 2 “spots,” 1983
|
FOLDER : 16.
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Frito-Lay “Spots;” 1983
|
FOLDER : 17.
|
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Frito-Lay; 1984
|
FOLDER : 18.
|
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|
|
Granada; “Uncle John's Will; undated
|
BOX 8.
|
FOLDER : 1.
|
|
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Hamady commercials; undated
|
FOLDER : 2.
|
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Post Toasties; undated
|
FOLDER : 3.
|
|
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|
Ralph Brown Peugeot; 1983
|
FOLDER : 4.
|
|
|
|
RCA Whirlpool; undated
|
FOLDER : 5.
|
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|
|
Silva Thins; contains 10 different “spots;” 1968
|
FOLDER : 6.
|
|
|
|
Tijuana Smalls. Radio Series Production; marked, individual spot; 1982
|
FOLDER : 7.
|
|
|
|
Tri-Honda Radio; 1. JP with FX, undated
|
FOLDER : 8.
|
|
|
Television commercial contracts; 1967, 1974, 1977, 1981, 1983-1985, undated
|
|
|
|
Films
|
FOLDER : 9.
|
|
|
|
Article: Let's Do Something About Screen Credits, by Alan Hewitt; carbon, published copy in Screen Actor, March-April 1963
|
FOLDER : 10.
|
|
|
|
Clippings; 1959, 1961-1963, 1969, 1980, 1982-1985, undated
|
FOLDER : 11.
|
|
|
|
Correspondence; 1937, 1939-1942, 1959, 1962-1963, 1966-1968, 1971, 1973-1975, 1977-1978
|
FOLDER : 12.
|
|
|
|
Magazine: Hollywood Quarterly, October 1945
|
FOLDER : 13.
|
|
|
|
Memo: Risking My Eyesight for Oscar, by Alan Hewitt; photocopy, April 7, 1980
|
FOLDER : 14.
|
|
|
|
Memo: Some Thoughts About Meryl Streep and What Appears on the Screen, by Alan Hewitt; typescript, March 25, 1983
|
FOLDER : 15.
|
|
|
|
Theatrical motion picture agency contract; 1975
|
FOLDER : 16.
|
|
|
Misc.
|
|
|
Narrations
|
|
|
|
Tapes
|
FOLDER : 17.
|
|
|
|
American Indian program narration, to be used with a slide - film; 1969
|
FOLDER : 18.
|
|
|
|
Chaim Soutine narration, for a film about the painter; 1970
|
FOLDER : 19.
|
|
|
|
“News R Us” newsreel; undated
|
FOLDER : 20.
|
|
|
|
Soviet Army Chorus narration, for a film; 1971
|
|
|
Photographs
|
|
|
|
Alan Hewitt
|
FOLDER : 21.
|
|
|
|
Actors' Fund of America; reception at Actors' Fund Home, Englewood, New Jersey, 1971
|
|
|
|
|
Broadway Shows
|
FOLDER : 22.
|
|
|
|
|
Call Me Madam; with Ethel Merman and Paul Lukas, 1950
|
FOLDER : 23.
|
|
|
|
|
Death of a Salesman; with Lee J. Cobb, 1949
|
FOLDER : 24.
|
|
|
|
|
Inherit the Wind; with Paul Muni, 1956
|
FOLDER : 25.
|
|
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|
Ondine; 1954
|
|
|
|
|
Portfolio portraits
|
FOLDER : 26.
|
|
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|
|
Negatives; undated
|
FOLDER : 27.
|
|
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|
|
1936, ca. 1940-1942
|
FOLDER : 28.
|
|
|
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|
1946, 1950
|
FOLDER : 29.
|
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|
1953, 1957, 1962, 1970
|
FOLDER : 30.
|
|
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|
Ca. 1985
|
FOLDER : 31.
|
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|
Poses taken by the daughter of a friend; with negative, 1969
|
|
|
|
|
Radio
|
FOLDER : 32.
|
|
|
|
|
The Greatest Story Ever Told; with John Seymour, undated
|
FOLDER : 33.
|
|
|
|
|
Unidentified productions; with other performers, undated
|
|
|
|
|
Stage plays
|
FOLDER : 34.
|
|
|
|
|
Outrage!; Kennedy Center, 1983
|
FOLDER : 35.
|
|
|
|
|
Unidentified productions; undated
|
|
|
|
|
Summer Stock
|
FOLDER : 36.
|
|
|
|
|
At Mrs. Beam's; with Frances Farmer and Mildred Natwick, at Westport-Mt. Kisco, 1937
|
FOLDER : 37.
|
|
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|
|
The Virginian, Act II; with Henry Fonda, others, at Westport-Mt. Kisco, August 1937
|
|
|
|
|
Television movie
|
FOLDER : 38.
|
|
|
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|
The D.A. - Murder One; on NBC, 1969
|
|
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|
|
Television Program
|
FOLDER : 39.
|
|
|
|
|
My Favorite Martian; with Pamela Britton, 1964-1966
|
|
|
|
|
Unidentified
|
FOLDER : 40.
|
|
|
|
|
Character roles; undated
|
FOLDER : 41.
|
|
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|
Productions; undated
|
|
|
|
|
Walt Disney movie
|
FOLDER : 42.
|
|
|
|
|
A Private's Affair; 1959
|
FOLDER : 43.
|
|
|
|
With Ilka Chase at a party given by Brendan Gill; undated
|
BOX 9.
|
|
|
Radio
|
FOLDER : 1.
|
|
|
Clippings; 1941-1943, 1949, 1953, 1986, undated
|
FOLDER : 2.
|
|
|
Correspondence; 1941, 1943, 1952-1953, 1966, 1968, 1971-1972, 1974-1975, undated
|
|
|
|
Memos
|
FOLDER : 3.
|
|
|
|
Almost Like the Golden Years of Radio, by Alan Hewitt; photocopy, May 24, 1985
|
FOLDER : 4.
|
|
|
|
Radio Program Idea and Outline, by Alan Hewitt; carbon, undated
|
FOLDER : 5.
|
|
|
|
The Relationship Between AFTRA and the American Foundation for the Blind, by Alan Hewitt; photocopy, 1980
|
FOLDER : 6.
|
|
|
Press Release: Alan Hewitt, Theatre Guild Actor, Is Now Leading Man on “My Son and I;” CBS, New York, 1940
|
|
|
|
Scripts
|
FOLDER : 7.
|
|
|
|
1984, by George Orwell, adapted by S. Mark Smith; The Theatre Guild on the Air, sponsored by U.S. Steel Corp., April 1953
|
FOLDER : 8.
|
|
|
|
On Mike, by Alan Hewitt; first draft, typescript, carbon, 1953
|
FOLDER : 9.
|
|
|
|
Sorry, Wrong Number, by Lucille Fletcher; Suspense, sponsored by Roma Wines, September 6, 1945
|
FOLDER : 10.
|
|
|
|
Trial By Forgery, by Bernard C. Schoenfeld, based on articles by Hanna and Laszlo Sulner; The Theatre Guild on the Air, sponsored by U.S. Steel Corp., 1953
|
|
|
Stage
|
FOLDER : 11.
|
|
|
Article: Hark, Hark, The Lark, by Alan Hewitt; carbon, undated
|
FOLDER : 12.
|
|
|
Article: A Play in the Making: The Lunts Rehearse Amphitryon 38, by Morton Eustis; in Theatre Arts Monthly, December 1937
|
|
|
|
Contracts for:
|
FOLDER : 13.
|
|
|
|
The American Way; legitimate theatre, 1938, 1939
|
FOLDER : 14.
|
|
|
|
Amphitryon 38; legitimate theatre, 1937
|
FOLDER : 15.
|
|
|
|
The Bat; summer stock, 1940
|
FOLDER : 16.
|
|
|
|
Biography; summer stock, 1940
|
FOLDER : 17.
|
|
|
|
Call Me Madam; legitimate theatre, 1950, 1951, 1952
|
FOLDER : 18.
|
|
|
|
The Country Wife; try-out contract, 1935
|
FOLDER : 19.
|
|
|
|
Days of Grace; legitimate theatre, 1936
|
FOLDER : 20.
|
|
|
|
Death of a Salesman; legitimate theatre and special employment representative contract, 1948
|
FOLDER : 21.
|
|
|
|
The Gentleman From Athens; legitimate theatre, 1947
|
FOLDER : 22.
|
|
|
|
Here Today; legitimate theatre and summer stock, 1940
|
FOLDER : 23.
|
|
|
|
Idiot's Delight; legitimate theatre, 1936
|
FOLDER : 24.
|
|
|
|
Inherit the Wind; legitimate theatre and summer stock, 1956, 1957
|
FOLDER : 25.
|
|
|
|
Jane; summer stock, 1953
|
FOLDER : 26.
|
|
|
|
Jane Eyre; legitimate theatre, 1937
|
FOLDER : 27.
|
|
|
|
Love's Old Sweet Song; legitimate theatre, 1940
|
FOLDER : 28.
|
|
|
|
The Masque of Kings; legitimate theatre, 1937
|
FOLDER : 29.
|
|
|
|
Misc. stock jobbing engagements; 1936, 1938, 1940-1941, 1947
|
FOLDER : 30.
|
|
|
|
The Moon Is Down; legitimate theatre, 1942
|
FOLDER : 31.
|
|
|
|
Ode To Liberty; try-out contract, 1935
|
FOLDER : 32.
|
|
|
|
Old Acquaintance; summer stock, 1942
|
FOLDER : 33.
|
|
|
|
Ondine; legitimate theatre, 1953
|
FOLDER : 34.
|
|
|
|
Outrage; legitimate theatre, 1982
|
FOLDER : 35.
|
|
|
|
The Road to Rome; summer stock, 1938
|
FOLDER : 36.
|
|
|
|
The Sea Gull; legitimate theatre, 1938
|
FOLDER : 37.
|
|
|
|
Skylark; summer stock and special employment representative contract, 1947
|
FOLDER : 38.
|
|
|
|
Summer stock “as cast” contracts, to appear in a variety of roles as needed; 1938-1940
|
FOLDER : 39.
|
|
|
|
The Taming of the Shrew; legitimate theatre, 1939
|
FOLDER : 40.
|
|
|
|
The Three Musketeers; summer stock; 1954
|
FOLDER : 41.
|
|
|
|
The Walrus and the Carpenter; legitimate theatre, 1941
|
FOLDER : 42.
|
|
|
|
The Wingless Victory; legitimate theatre, 1936
|
FOLDER : 43.
|
|
|
|
You Never Can Tell; summer stock, 1953
|
FOLDER : 44.
|
|
|
Correspondence; 1935-1936, 1940, 1943, 1947, 1950, 1953, 1969, 1972, 1976-1977, 1983, undated
|
FOLDER : 45.
|
|
|
List of weekly salaries for the cast of The Virginian; photocopy, 1937
|
FOLDER : 46.
|
|
|
Memo: Untitled, by Alan Hewitt; concerning the play Brief Moment, and Equity enforcement of contract terms, carbon, 1947
|
|
|
|
Plays
|
|
|
|
|
The American Way
|
FOLDER : 47.
|
|
|
|
|
Clippings; 1939
|
FOLDER : 48.
|
|
|
|
|
Opening night telegrams; 1939, undated, unidentified
|
|
|
|
|
Amphitryon 38
|
FOLDER : 49.
|
|
|
|
|
Clippings; 1937-1938, undated
|
FOLDER : 50.
|
|
|
|
|
Correspondence; 1937, unidentified
|
FOLDER : 51.
|
|
|
|
|
Side; script for the part of the Warrior, carbon, undated
|
FOLDER : 52.
|
|
|
|
At Mrs. Beam's; clippings, 1937
|
FOLDER : 53.
|
|
|
|
The Bat; clippings, 1940
|
|
|
|
|
Berkeley Square
|
FOLDER : 54.
|
|
|
|
|
Clippings; photocopies, 1926, 1929, 1933, 1935, 1951, 1954, undated
|
FOLDER : 55.
|
|
|
|
|
Contract between Alan Hewitt and John L. Balderston for production rights to Berkeley Square; 1982
|
FOLDER : 56.
|
|
|
|
|
Correspondence; 1982-1983, 1986
|
FOLDER : 57.
|
|
|
|
|
Memo book: Diary of Hewitt's attempt to interest theatrical people and investors in a production; 1982
|
FOLDER : 58.
|
|
|
|
|
Script: Berkeley Square, by John L. Balderston; published by The MacMillan Co., New York, 1930, photocopy
|
FOLDER : 59.
|
|
|
|
|
Script: Berkeley Square, by John L. Balderston; published by Samuel French, Inc., New York, 1958
|
FOLDER : 60.
|
|
|
|
Biography; opening night telegrams, undated
|
FOLDER : 61.
|
|
|
|
Bring on the Girls; clippings, 1934
|
|
|
|
|
Call Me Madam
|
FOLDER : 62.
|
|
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|
|
Clippings; 1950-1952
|
FOLDER : 63.
|
|
|
|
|
Correspondence; 1950, undated
|
FOLDER : 64.
|
|
|
|
|
Opening night telegrams; 1950, unidentified
|
FOLDER : 65.
|
|
|
|
Cognac; clippings, 1938
|
FOLDER : 66.
|
|
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|
Copy: A Drama in One Act, by Kendall Banning, adapted by Harold Kellock; Longmans, Green and Co., New York, 1933, player's copy
|
FOLDER : 67.
|
|
|
|
The Country Wife; clippings, 1935
|
FOLDER : 68.
|
|
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|
The Coward; Equity try-out contract, with clipping, 1935
|
|
|
|
|
Death of a Salesman
|
FOLDER : 69.
|
|
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|
Clippings; 1949-1950, 1984
|
FOLDER : 70.
|
|
|
|
|
Correspondence; 1984
|
|
|
|
|
|
Memos (by Alan Hewitt)
|
FOLDER : 71.
|
|
|
|
|
|
“Death of a Salesman“Plus Radio Work; typescript, photocopy, August 15, 1984
|
FOLDER : 72.
|
|
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|
|
Death of Stamina: Oh Zest, Where Is Thy Sting?; typescript, carbon, April 28, 1984
|
FOLDER : 73.
|
|
|
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|
|
Dramatists Guild Symposium on “Death of a Salesman;” typescript, carbon, March 21, 1981
|
FOLDER : 74.
|
|
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|
|
The Original “Death of a Salesman” -- Myths, Icons and a Few Facts; typescript, carbon, March 27, 1984
|
FOLDER : 75.
|
|
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|
|
Menu from Big Bill's Dinner and Supper Club, Philadelphia; autographed, January 22, 1949
|
FOLDER : 76.
|
|
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|
|
Opening night telegrams; 1949, unidentified
|
FOLDER : 77.
|
|
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|
|
Script: Drama Critics Circle Award Program; American Broadcasting Co., mimeographed copy, April 16, 1949
|
FOLDER : 78.
|
|
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|
|
Side: script for the part of “Howard,” carbon, 1949
|
FOLDER : 79.
|
|
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|
|
Fanny's First Play; clippings, 1936
|
FOLDER : 80.
|
|
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|
The Fatal Message, by John Kendrick Bangs; Harper and Brothers, Publishers, New York, London, 1896
|
|
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|
|
French Without Tears
|
FOLDER : 81.
|
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|
Clippings; 1938
|
FOLDER : 82.
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|
|
Correspondence; 1938
|
|
|
|
|
General category
|
FOLDER : 83.
|
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|
|
Article: “The Lark,” Theatrical Bird of Passage, by Alan Hewitt; in Theatre Arts Magazine, March 1956
|
FOLDER : 84.
|
|
|
|
|
Clippings; 1919, 1934-1935, 1938-1939, 1942, 1953, 1955-1958, 1962, 1979, 1981-1986, undated
|
FOLDER : 85.
|
|
|
|
|
Correspondence; 1938-1939, 1957, 1978-1980, 1982
|
|
|
|
|
|
Memos (by Alan Hewitt)
|
FOLDER : 86.
|
|
|
|
|
|
The Berkshire Playhouse at Stockbridge in 1939; photocopy, May 28, 1986
|
FOLDER : 87.
|
|
|
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|
|
Brighton Beach Memoirs; typescript, April 2, 1983
|
FOLDER : 88.
|
|
|
|
|
|
How Did “Green Grow the Lilacs” Lead to “Oklahoma”?, and More Details on “Green Grow the Lilacs;” typescript, 1978
|
FOLDER : 89.
|
|
|
|
|
|
“King Lear” for the Living Room;” photocopy, May 7, 1983
|
FOLDER : 90.
|
|
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|
|
Notes After Seeing “Nicholas Nickleby;” typescript, November 28, 1981
|
FOLDER : 91.
|
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|
|
Notes on John Barrymore and His “Hamlet;” photocopy, October 13, 1982
|
FOLDER : 92.
|
|
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|
|
Rosmersholm; carbon, undated
|
FOLDER : 93.
|
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|
|
“Strange Interlude” and Philip Glass; typescript, photocopy, May 3, 1985
|
FOLDER : 94.
|
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|
|
A Synopsis of Shakespeare's Historical Plays; typescript, undated
|
FOLDER : 95.
|
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|
Tell Them Who You Are on Your First Entrance; photocopy, May 21, 1984
|
FOLDER : 96.
|
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|
|
Opening Night telegrams; plays unidentified, 1938-1940, undated, unidentified
|
BOX 10.
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|
The Gentleman From Athens
|
FOLDER : 1.
|
|
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|
Clippings; 1947, undated
|
FOLDER : 2.
|
|
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|
Correspondence; 1947, undated
|
FOLDER : 3.
|
|
|
|
|
Opening night telegrams; 1947, unidentified
|
FOLDER : 4.
|
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|
|
Side: script for the part of “Morgan Kilpatrick;” typescript, 1947
|
FOLDER : 5.
|
|
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|
|
Ghost of Yankee Doodle; clippings, 1938
|
|
|
|
|
The Golden Journey (Day of Grace)
|
FOLDER : 6.
|
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|
|
Clippings; 1936
|
FOLDER : 7.
|
|
|
|
|
Opening Night telegrams; 1936, undated, unidentified
|
FOLDER : 8.
|
|
|
|
Grandpa; clippings, 1938
|
FOLDER : 9.
|
|
|
|
The Headhunters, by Henry Denker; photocopy, undated
|
|
|
|
|
Here Today
|
FOLDER : 10.
|
|
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|
|
Clippings; 1939-1940, undated
|
FOLDER : 11.
|
|
|
|
|
Correspondence; 1940, undated, unidentified
|
FOLDER : 12.
|
|
|
|
|
Memo: Quick Reminiscence of “Here Today;” typescript, June 15, 1986
|
|
|
|
|
Idiot's Delight
|
FOLDER : 13.
|
|
|
|
|
Clippings; 1936, 1938
|
FOLDER : 14.
|
|
|
|
|
Opening night telegrams; 1936, unidentified
|
|
|
|
|
Inherit the Wind
|
FOLDER : 15.
|
|
|
|
|
Clippings; 1956-1957
|
FOLDER : 16.
|
|
|
|
|
Opening night telegrams; 1956, unidentified
|
FOLDER : 17.
|
|
|
|
In the Net, by Percival Wilde; Walter H. Baker Co., Boston, 1925
|
FOLDER : 18.
|
|
|
|
Jane; clippings, 1953
|
FOLDER : 19.
|
|
|
|
The Jest of Hahalaba, by Lord Dunsany; G. P. Putnam's Sons, London and New York, 1928
|
FOLDER : 20.
|
|
|
|
Judge Spencer Dissents, by Henry Denker; photocopy, with revised pages, 1985
|
|
|
|
|
King Lear
|
FOLDER : 21.
|
|
|
|
|
Clippings; 1981
|
FOLDER : 22.
|
|
|
|
|
List of actors who played King Lear, compiled by Alan Hewitt; typescript, undated
|
|
|
|
|
|
Memos (by Alan Hewitt)
|
FOLDER : 23.
|
|
|
|
|
|
Doubling Cordelia and the Fool; typescript, undated
|
FOLDER : 24.
|
|
|
|
|
|
“King Lear” for the Living Room; typescript, May 7, 1983
|
FOLDER : 25.
|
|
|
|
|
|
Other King Lears, Just For the Record, and Some Lears That Never Were; typescript, undated
|
FOLDER : 26.
|
|
|
|
|
|
A Selection of “King Lear” Casts, 1923-1979; typescript, carbon, undated
|
FOLDER : 27.
|
|
|
|
|
Notes; undated
|
FOLDER : 28.
|
|
|
|
|
Program: The Library of Congress: William Shakespeare's “King Lear”, A Reading at the Coolidge Auditorium; April 11-12, 1960
|
FOLDER : 29.
|
|
|
|
Laughter in Court, by John Kendall; Samuel French Ltd., London, 1910
|
FOLDER : 30.
|
|
|
|
Liliom; clippings, 1938
|
FOLDER : 31.
|
|
|
|
The Lost Silk Hat, from Five Plays by Lord Dunsany; G. P. Putnam's Sons, London, New York, 1926
|
FOLDER : 32.
|
|
|
|
Love For Love; opening night telegrams, undated
|
|
|
|
|
Love's Old Sweet Song
|
FOLDER : 33.
|
|
|
|
|
Clippings; 1940, 1972, undated
|
FOLDER : 34.
|
|
|
|
|
Opening night telegrams; 1940, unidentified
|
FOLDER : 35.
|
|
|
|
|
Side: script for the part of “David Windmore;” carbons, 1940
|
FOLDER : 36.
|
|
|
|
|
Typed copies of selected reviews which favorably mention Alan Hewitt; undated
|
FOLDER : 37.
|
|
|
|
Mary Tudor; clippings, 1934
|
|
|
|
|
The Masque of Kings
|
FOLDER : 38.
|
|
|
|
|
Clippings; 1937
|
FOLDER : 39.
|
|
|
|
|
Opening night telegrams; 1937, undated
|
FOLDER : 40.
|
|
|
|
Measure for Measure; clippings, 1958
|
FOLDER : 41.
|
|
|
|
The Melon Thief, From A Medieval Japanese Farce, by Shigeyoshi Obata; Samuel French, Inc., New York, 1923
|
FOLDER : 42.
|
|
|
|
The Millionairess; clippings, 1940
|
|
|
|
|
The Moon Is Down
|
FOLDER : 43.
|
|
|
|
|
Box office statements, May 25-31, 1942, with notes about actors' salaries; 1942
|
FOLDER : 44.
|
|
|
|
|
Clippings; 1942
|
FOLDER : 45.
|
|
|
|
|
Opening night telegrams; 1942, unidentified
|
FOLDER : 46.
|
|
|
|
|
Side: script for the part of “Captain Loft;” typescript, carbon, 1942
|
FOLDER : 47.
|
|
|
|
Moonshine, by Arthur Hopkins; Samuel French, Inc., New York and London, 1921
|
FOLDER : 48.
|
|
|
|
Nerves; by John Farrar; Samuel French, Inc., New York, London, 1922
|
FOLDER : 49.
|
|
|
|
Old Acquaintance; clippings, 1942
|
FOLDER : 50.
|
|
|
|
Once In A Lifetime; clippings, 1941
|
|
|
|
|
Ondine
|
FOLDER : 51.
|
|
|
|
|
Clippings; 1953-1954
|
FOLDER : 52.
|
|
|
|
|
Correspondence; 1954, undated
|
FOLDER : 53.
|
|
|
|
|
Opening night telegrams; 1954, unidentified
|
|
|
|
|
Outrage!
|
FOLDER : 54.
|
|
|
|
|
Biographical sketch of Alan Hewitt; carbon, 1982
|
FOLDER : 55.
|
|
|
|
|
Brochure: Outrage!, Theater Lovers, Kennedy Center, Washington, D.C., 1982
|
FOLDER : 56.
|
|
|
|
|
Clippings; background material, 1982-1984
|
FOLDER : 57.
|
|
|
|
|
Clippings; reviews, 1982-1983, 1986
|
FOLDER : 58.
|
|
|
|
|
Correspondence; 1960-1964, 1982-1986, unidentified
|
FOLDER : 59.
|
|
|
|
|
Excerpts from a statement of case, The People of the State of New York vs. Herbert L. Rogers, from 48 New York Reports, 2nd Series; photocopy, undated
|
FOLDER : 60.
|
|
|
|
|
Magazine: Stagebill, Kennedy Center, December 1982
|
FOLDER : 61.
|
|
|
|
|
Memo: Untitled, by Alan Hewitt; concerning production lay-off during Christmas week, typescript, photocopy, 1982
|
FOLDER : 62.
|
|
|
|
|
Newsletter: Kennedy Center News, published by Friends of the Kennedy Center; Vol. I, No. 7
|
|
|
|
|
|
Script
|
FOLDER : 63.
|
|
|
|
|
|
First copy, with revisions in place, annotated; mimeograph, 1982
|
FOLDER : 64.
|
|
|
|
|
|
Revised pages; 1982
|
FOLDER : 65.
|
|
|
|
|
|
Revised script for proposed David Susskind production; mimeograph, ca. 1984
|
FOLDER : 66.
|
|
|
|
|
|
Script as performed at Kennedy Center; photocopy, 1982
|
FOLDER : 67.
|
|
|
|
|
Tape: Lines from Outrage!; ca. 1983
|
FOLDER : 68.
|
|
|
|
|
Tape: PBS: “That Delicate Balance,” Criminal Justice System - Recorded Repeat, 11:00 a.m., Sunday, January 16, 1983
|
FOLDER : 69.
|
|
|
|
|
Transcript: The Constitution: That Delicate Balance, “Criminal Justice and a Defendant's Right to a Fair Trial;” a production of Media and Society Seminars, A Program of the Graduate
School of Journalism, Columbia University, 1983
|
BOX 11.
|
FOLDER : 1.
|
|
|
|
Petrified Forest; clippings, 1937
|
FOLDER : 2.
|
|
|
|
Petticoat Fever; clippings, 1937
|
FOLDER : 3.
|
|
|
|
The Queen's Enemies, by Lord Dunsany; G. P. Putnam's Sons, Ltd., London, 1922
|
FOLDER : 4.
|
|
|
|
Rain From Heaven; clippings, 1938
|
FOLDER : 5.
|
|
|
|
The Review of Revues, by Ronald Jeans; Samuel French, Ltd., London, 1925
|
FOLDER : 6.
|
|
|
|
Revue Sketches, by Marjorie Rice Levis; Samuel French, Inc., New York, Los Angeles, 1931
|
FOLDER : 7.
|
|
|
|
The Road To Rome; clippings, telegram, 1938
|
FOLDER : 8.
|
|
|
|
Saving Grace, by Elizabeth C. Spring; Walter H. Baker Co., Boston, 1931
|
FOLDER : 9.
|
|
|
|
The Sea Gull; clippings, 1938
|
FOLDER : 10.
|
|
|
|
The Skull Beneath the Skin; clippings, 1947
|
FOLDER : 11.
|
|
|
|
Skylark; clippings, 1947
|
FOLDER : 12.
|
|
|
|
The Streets of New York, by Dion Boucicault; Samuel French, Inc., New York, London, 1857
|
|
|
|
|
The Taming of the Shrew
|
FOLDER : 13.
|
|
|
|
|
Clippings; 1935-1936
|
FOLDER : 14.
|
|
|
|
|
Clippings; 1939-1940, undated
|
FOLDER : 15.
|
|
|
|
|
Correspondence; 1939, undated
|
FOLDER : 16.
|
|
|
|
|
Equity minimum contracts; 1935
|
FOLDER : 17.
|
|
|
|
|
Itinerary of the Lunt-Fontanne company touring with The Taming of the Shrew; 1939-1940
|
FOLDER : 18.
|
|
|
|
|
Newsletter: The Luntanne Tattler, edited by Bob Downing; December 3, 1939, February 10, 1940
|
FOLDER : 19.
|
|
|
|
|
Opening night telegrams; 1935, undated, unidentified
|
FOLDER : 20.
|
|
|
|
|
Sides: scripts for “Philip,” “First Servant,” and “Lucentio;” typescript, carbons, undated
|
FOLDER : 21.
|
|
|
|
|
Souvenir postcards; undated
|
FOLDER : 22.
|
|
|
|
Ten O'Clock, by H. L. Davis: Samuel French Ltd., London, 1931
|
FOLDER : 23.
|
|
|
|
There Is So Much Good..., by John Donald Kelly; Gowans and Gray Ltd., London and Glasgow, The Baker International Play Bureau, Boston, 1929
|
|
|
|
|
The Walrus and the Carpenter
|
FOLDER : 24.
|
|
|
|
|
Clippings; 1941
|
FOLDER : 25.
|
|
|
|
|
Opening night telegrams; 1941, unidentified
|
FOLDER : 26.
|
|
|
|
When the Ship Goes Down, by Harry McGuire; Samuel French Inc., New York, London, 1928
|
|
|
|
|
Who Was That Lady I Saw You With?
|
FOLDER : 27.
|
|
|
|
|
Correspondence; 1959
|
FOLDER : 28.
|
|
|
|
|
Set designs, drawn to scale by W. B. Hackett; 1959
|
FOLDER : 29.
|
|
|
|
Winsome Winnie, by V. C. Clinton-Baddeley and Stephen Leacock; Gowans and Gray Ltd., London and Glasgow, The Baker International Play Bureau,
Boston, 1932
|
FOLDER : 30.
|
|
|
|
Words and Thoughts, by Don Marquis; D. Appleton and Co., New York, London, 1924
|
FOLDER : 31.
|
|
|
|
The Would-Be Gentleman; clippings, 1936
|
FOLDER : 32.
|
|
|
|
You Never Can Tell; clippings, 1934, 1953
|
|
|
|
Programs
|
FOLDER : 33.
|
|
|
|
1934-1936
|
FOLDER : 34.
|
|
|
|
1937-1939
|
FOLDER : 35.
|
|
|
|
1940-1942
|
FOLDER : 36.
|
|
|
|
1947, 1949-1952, 1954
|
FOLDER : 37.
|
|
|
|
1956-1959, undated
|
|
|
|
Scripts
|
FOLDER : 38.
|
|
|
|
Amphitryon 38, by Jean Giraudoux, adapted by S. N. Behrman; Shubert Theatre, New York, carbon, undated
|
FOLDER : 39.
|
|
|
|
Call Me Madam, by Howard Lindsay and Russel Crouse, music by Irving Berlin; mimeograph, undated
|
FOLDER : 40.
|
|
|
|
Inherit the Wind, by Jerome Lawrence and Robert E. Lee; The National Theatre, New York, mimeograph, 1955
|
FOLDER : 41.
|
|
|
|
Long Distance, by William Hazlett Upson; Longmans, Green and Co., New York, mimeograph, 1929 and 1930
|
FOLDER : 42.
|
|
|
|
The Masque of Kings, by Maxwell Anderson; The Theatre Guild, Inc., New York, carbon, undated
|
FOLDER : 43.
|
|
|
|
Ondine, by Jean Giraudoux, adapted by Maurice Valency; The Playwrights' Co., New York, mimeograph, undated
|
FOLDER : 44.
|
|
|
|
The Sea Gull, by Anton Chekhov, translated by Stark Young; typescript, undated
|
FOLDER : 45.
|
|
|
|
The Skull Beneath the Skin, by Richard Carlson; John C. Wilson, New York, undated, carbon
|
FOLDER : 46.
|
|
|
|
Theatre Guild “Memory Book,” benefit, Actors' Fund of America, at the Plaza, New York City, May 11, 1958
|
|
|
|
Sides
|
FOLDER : 47.
|
|
|
|
Call Me Madam; Act I, “Maxwell,” typescript, undated
|
FOLDER : 48.
|
|
|
|
Days of Grace; “Clayton Herrick,” typescript, undated
|
FOLDER : 49.
|
|
|
|
Merry-Go-Round, “The Chief,” typescript, undated
|
FOLDER : 50.
|
|
|
|
The Mulberry Bush (The Walrus and the Carpenter); “Wilfred,” typescript, undated
|
FOLDER : 51.
|
|
|
|
The Tavern; “Tavern Keeper Freeman,” typescript, undated
|
BOX 12.
|
|
Career (cont.) - Dartmouth College
|
|
|
Career (cont.)
|
|
|
|
Stage (cont.)
|
|
|
|
|
Souvenir programs
|
FOLDER : 1.
|
|
|
|
|
The American Way, by George S. Kaufman and Moss Hart; The Center Theatre, Rockefeller Center, New York, undated
|
FOLDER : 2.
|
|
|
|
|
Call Me Madam, by Howard Lindsay and Russel Crouse, music by Irving Berlin; ca. 1951
|
FOLDER : 3.
|
|
|
|
|
Idiot's Delight, by Robert E. Sherwood; The Theatre Guild, 1936
|
FOLDER : 4.
|
|
|
|
|
Inherit the Wind, by Jerome Lawrence and Robert E. Lee; 1954
|
FOLDER : 5.
|
|
|
|
|
The Taming of the Shrew, by William Shakespeare; The Guild Theatre, New York City, 1935
|
FOLDER : 6.
|
|
|
|
|
The Three Musketeers, by William Anthony McGuire, music by Rudolf Friml; The Municipal Theatre, St. Louis, Missouri, 1954
|
|
|
|
Television
|
FOLDER : 7.
|
|
|
|
Article: Where the Actors Go, by Richard Gehman; source unidentified, undated
|
FOLDER : 8.
|
|
|
|
Clippings; 1953-1957, 1962, 1966, 1973, 1975, 1982, 1986, undated
|
FOLDER : 9.
|
|
|
|
Contracts; 1974-1978, 1981, 1984
|
FOLDER : 10.
|
|
|
|
Correspondence; 1955, 1960, 1962-1963, 1965, 1971-1978, 1980-1981, 1984
|
FOLDER : 11.
|
|
|
|
Magazine: The TV Collector; April 14, 1983
|
|
|
|
|
Memos (by Alan Hewitt)
|
FOLDER : 12.
|
|
|
|
|
Front Row Center on TV, Live From Hollywood; typescript, March 24, 1982
|
FOLDER : 13.
|
|
|
|
|
Ian McKellan's “Now I Am Alone” Soliloquy; typescript, May 2, 1982
|
FOLDER : 14.
|
|
|
|
|
Untitled; concerning the escaped lions on the set of My Favorite Martian, thermofax copy, February 7, 1966
|
FOLDER : 15.
|
|
|
|
Script: The Adams Chronicles, Episode XIII, 1886-1893; by Roger Hirson; with biographical notes on historical figures, 1975
|
FOLDER : 16.
|
|
|
|
Script: Full Disclosure, by Harold Gast; as presented on Armstrong Circle Theatre, CBS-TV, published by Argonaut Books, Inc., Larchmont, New York, 1961
|
|
|
Dartmouth College
|
|
|
|
Articles
|
FOLDER : 17.
|
|
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Broadway on the Wire, Hanover Calling Broadway, Broadway To Hanover, or, if you like, The Theatre, by Alan Hewitt; written for Steeplejack, typescript, undated
|
FOLDER : 18.
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Broadway Prospects for College Talent, by Alan Hewitt; in Dartmouth Alumni Magazine, December 1936
|
FOLDER : 19.
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“Brown of Harvard:” The Peg-Tops Come To Dartmouth, by Alan Hewitt; in Jack-O-Lantern, May 12, 1933
|
FOLDER : 20.
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George M. Cohan Relates His Acting Experience in Lead of “The Tavern,” by Alan Hewitt; in The Dartmouth, November 17, 1933
|
FOLDER : 21.
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Hanging On (By A Jockstrap) to Tradition at Dartmouth, by Andy Merton; in Esquire, June 19, 1979
|
FOLDER : 22.
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Interview with George M. Cohan, by Alan Hewitt; typescript, undated
|
FOLDER : 23.
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Literal Report of Broadcast Address Made by Jack-O-Lantern's Fashion Expert at One of the Recent Basketball Games, by Alan Hewitt; typescript, undated
|
FOLDER : 24.
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Profiles: Boffos and Bustos (Arthur Loeb Mayer), by E. J. Kahn, Jr.; in The New Yorker, December 9, 1974
|
FOLDER : 25.
|
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|
The Tributary Theatre: The Dartmouth Drama Festival, by Robert E. Sherwood, and The Dartmouth Theatre, by Warner Bentley;
in Theatre Arts Monthly, April 1939, photocopy
|
FOLDER : 26.
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Certificate of Admission; 1930
|
FOLDER : 27.
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|
Clippings; 1973, 1975, 1981-1982, 1985
|
FOLDER : 28.
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Commencement brochures; June 15-18, 1934
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Correspondence
|
FOLDER : 29.
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Bentley, Warner; 1943, 1949-1951, 1969-1971, 1974, 1976, 1982, 1986, undated
|
FOLDER : 30.
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The Dartmouth Review; 1981
|
FOLDER : 31.
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Dickey, John Sloan; 1946, 1978
|
FOLDER : 32.
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Faculty and Administration; 1937, 1949, 1951, 1965, 1970-1971, 1974-1976, 1981-1982, unidentified
|
|
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Film Studies
|
FOLDER : 33.
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Magazine: Dartmouth Alumni Magazine; November 1982, featuring “Dartmouth at the Movies”
|
FOLDER : 34.
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1968, 1970, 1981-1983
|
FOLDER : 35.
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Kemeny, John G.; 1970-1971, 1973, 1975
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Lathem, Edward C.
|
FOLDER : 36.
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1969-1971, 1973-1983
|
FOLDER : 37.
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Pamphlet: The One-Millionth Volume of the Dartmouth College Library, presentation by Edward C. Lathem; October 22, 1970
|
FOLDER : 38.
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Librarian of the College; 1979-1983
|
FOLDER : 39.
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Mandel, Ann; 1976
|
FOLDER : 40.
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Martin, Lucretia L.; 1982-1983, 1986
|
FOLDER : 41.
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|
Misc. correspondence; 1934, 1945-1946, 1951-1952, 1970-1978, 1981-1982, 1985, undated
|
FOLDER : 42.
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|
Special Collections staff; 1969-1972, 1974-1979, 1981-1985
|
|
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|
Williams, Henry B.
|
FOLDER : 43.
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Article: Curtain Call for Henry, by Samuel Hirsch; in Dartmouth Alumni Magazine, April 1972
|
FOLDER : 44.
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1934-1935, 1952-1954, 1963, 1966-1967
|
FOLDER : 45.
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1970-1975
|
FOLDER : 46.
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1976-1977
|
FOLDER : 47.
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1978-1979
|
FOLDER : 48.
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1980-1982
|
FOLDER : 49.
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1983-1986
|
FOLDER : 50.
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General correspondence; 1972-1974, 1982-1986
|
FOLDER : 51.
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|
List of alumni solicited for contributions to Williams/Watson Theatre Collection; undated
|
FOLDER : 52.
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|
Newsletter: Dartmouth News; “Dartmouth to Upgrade Theatre Collection with Federal Grant,” June 14, 1985
|
FOLDER : 53.
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Paper: The Religious Values of Aeschylus Oresteia, by Henry B. Williams; photocopy, 1963
|
FOLDER : 54.
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Paper: Tragic Ritual and the Hero, probably by Henry B. Williams; photocopy, 1963
|
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Programs
|
FOLDER : 55.
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The Beggar's Opera, by John Gay; The Hopkins Center, May 1970
|
FOLDER : 56.
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H.M.S. Pinafore, by W.S. Gilbert and Arthur Sullivan; Hopkins Center, Center Theatre, February 9, 1979
|
FOLDER : 57.
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The Importance of Being Earnest, by Oscar Wilde; The Hopkins Center, February 1971
|
FOLDER : 58.
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Costume designs; “My Own Costume Book,” 1932
|
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Courses
|
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Comp. Lit. 9
|
FOLDER : 59.
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Short story: My Conception of Jesus; typescript, October 24, 1933
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English Honors
|
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Essays
|
FOLDER : 60.
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Autobiographical Significance in Spenser's Poetry, With Particular Reference to “The Shepheardes Calendar,” “Prothalamino,”
and “Epithalamion;” typescript, January 16, 1933
|
FOLDER : 61.
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Bolingbroke; typescript, March 9, 1933
|
FOLDER : 62.
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The Comic Spirit in Shakespeare - “Twelfth Night” and “Much Ado;” typescript, March 9, 1933
|
FOLDER : 63.
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Impressions of the Wife of Bath as Seen in Her Prologue; typescript, November 10, 1932
|
FOLDER : 64.
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The Pardoner and His Tale; typescript, November 1, 1932
|
FOLDER : 65.
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The Realism of Geoffrey Chaucer; carbon, October 13, 1932
|
FOLDER : 66.
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The Sources of “The Pardoner's Tale;” typescript, October 24, 1932
|
FOLDER : 67.
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A Tentative Consideration of Pandarus; typescript, November 18, 1932
|
FOLDER : 68.
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Program of study, book-lists, notes; 1932-1934
|
|
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English I
|
FOLDER : 69.
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Book report: Rockwell Kent's “N By E;” typescript, February 17, 1931
|
|
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Essays
|
FOLDER : 70.
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Against Convention; typescript, March 3, 1931
|
FOLDER : 71.
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The Joy of Procrastination; typescript, April 21, 1931
|
FOLDER : 72.
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Queen Victoria; typescript, March 17, 1931
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|
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English II
|
FOLDER : 73.
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Essay: The Brownings and “The Barretts of Wimpole Street;” typescript, carbon, May 21, 1931
|
|
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English 6
|
FOLDER : 74.
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Notes, exams; 1934
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English 30
|
FOLDER : 75.
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Notes; 1932
|
|
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English 64
|
FOLDER : 76.
|
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|
Essay: The Bab Ballads and Early Burlesques of W. S. Gilbert; typescript, April 30, 1934
|
FOLDER : 77.
|
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|
Essay: An Essay on Burns' Satiric Poetry; typescript, March 14, 1934
|
FOLDER : 78.
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Short story: Gwen; typescript, May 23, 1934
|
FOLDER : 79.
|
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|
Syllabus, exams and notes; 1934
|
|
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French 35
|
FOLDER : 80.
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Notes; 1932-1933
|
|
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French 36
|
FOLDER : 81.
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Notes; 1933
|
|
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German 15
|
FOLDER : 82.
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Essay: Die Jungfrau Von Orleans; typescript, January 30, 1934
|
FOLDER : 83.
|
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Essay: Kabale und Liebe; typescript, November 10, 1933
|
|
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|
History 2
|
FOLDER : 84.
|
|
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|
Book report: Queen Victoria, by Lytton Strachey; New York: Harcourt, Brace and Co., 1921, carbon, March 20, 1931
|
FOLDER : 85.
|
|
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|
Misc. exams; 1931, 1934
|
FOLDER : 86.
|
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|
Misc. notes; 1932-1934
|
|
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|
Music 3
|
FOLDER : 87.
|
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|
Outline, notes; 1932
|
|
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|
Music 4
|
FOLDER : 88.
|
|
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|
Notes; 1933
|
FOLDER : 89.
|
|
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|
Outline, and brief biographies of composers, annotated; undated
|
BOX 13.
|
|
Dartmouth College (cont.) - Gilbert and Sullivan
|
|
|
Dartmouth College
|
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Courses (cont.)
|
|
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|
Unidentified courses
|
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|
Essays
|
FOLDER : 1.
|
|
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|
Arthur Goodrich's “Caponsacchi” and Robert Browning's “The Ring and the Book;” typescript, April 25, 1934
|
FOLDER : 2.
|
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|
Boswell Vindicated; typescript, November 8, 1933
|
FOLDER : 3.
|
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|
Burns the Satirist; typescript, November 14, 1933
|
FOLDER : 4.
|
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|
Carlyle, the Victorian Moralist; typescript, February 14, 1934
|
FOLDER : 5.
|
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|
Development of Dramatic Art in the Eighteenth Century; typescript, October 24, 1933
|
FOLDER : 6.
|
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|
A Discussion of Vitality in Whitman; typescript, March 7, 1934
|
FOLDER : 7.
|
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|
Eliot and MacLeish; typescript, May 16, 1934
|
FOLDER : 8.
|
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|
Emerson, Thoreau, and the New American Spirit; typescript, March 2, 1934
|
FOLDER : 9.
|
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|
Eustacia Vye and Hedda Gabler; typescript, March 28, 1934
|
FOLDER : 10.
|
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|
Happiness in Byron; typescript, December 12, 1933
|
FOLDER : 11.
|
|
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|
Happiness in Keats; typescript, January 9, 1934
|
FOLDER : 12.
|
|
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Happiness in Shelley; typescript, December 19, 1933
|
FOLDER : 13.
|
|
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Happiness in Tennyson; typescript, January 19, 1934
|
FOLDER : 14.
|
|
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|
Happiness in Wordsworth; typescript, December 1, 1933
|
FOLDER : 15.
|
|
|
|
|
|
The Influences Determining the Writing of “Gulliver's Travels;” typescript, October 3, 1933
|
FOLDER : 16.
|
|
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|
|
Johnson as Moralist; typescript, October 31, 1933
|
FOLDER : 17.
|
|
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|
Jonathan Swift: An Essay in Prophetic Irony; typescript, October 10, 1933
|
FOLDER : 18.
|
|
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|
“Modes and Manners in the Nineteenth Century” - Jane Austen and George Meredith; typescript, March 21, 1934
|
FOLDER : 19.
|
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|
The Rossettis and William Morris; typescript, April 18, 1934
|
FOLDER : 20.
|
|
|
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|
|
Ruskin's Social Imagination; typescript, February 21, 1934
|
FOLDER : 21.
|
|
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|
A Study of Hamlet's Melancholia; typescript, undated
|
FOLDER : 22.
|
|
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|
Play: Spenser's “Faery Queene” or “The Flowers That Bloom in the Spring, Tra-La; typescript, 1933
|
FOLDER : 23.
|
|
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|
|
Essay: Correlation of Education, by Alan Hewitt; submitted in competition for the Barge Medal, carbon, April 23, 1934
|
FOLDER : 24.
|
|
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|
|
Memo: Dartmouth College Was Expecting Its New Theatre in 1940, by Alan Hewitt; photocopy, 1986
|
FOLDER : 25.
|
|
|
|
|
Misc.
|
FOLDER : 26.
|
|
|
Newspaper: The New York Times; June 18, 1934
|
FOLDER : 27.
|
|
|
Pamphlet: In Memoriam: Robert H. Michelet '34; March 14, 16, 1934
|
FOLDER : 28.
|
|
|
Pamphlet: Records of Men of Distinctive Scholastic Achievement, Dartmouth College; First and Second Semester 1933-1934
|
FOLDER : 29.
|
|
|
Photocopy of matriculation record, with copy of accompanying letter; undated
|
|
|
|
Programs
|
FOLDER : 30.
|
|
|
|
Baccalaureate Exercises; June 17, 1934
|
FOLDER : 31.
|
|
|
|
Berkeley Square, by John L. Balderston; presented by The Dartmouth Players, undated
|
FOLDER : 32.
|
|
|
|
Commencement, Dartmouth College; June 18, 1934
|
FOLDER : 33.
|
|
|
|
The Critic, by Richard Brinsley Sheridan; presented by The Dartmouth Players, undated
|
FOLDER : 34.
|
|
|
|
The Experimental Theatre, Dartmouth College; May 23, 1931, May 26, 1932, May 24, 1934
|
FOLDER : 35.
|
|
|
|
Iolanthe, by W. S. Gilbert and Arthur Sullivan; presented by The Dartmouth Players, the Handel Society and Colby Junior College, Commencement
1934
|
FOLDER : 36.
|
|
|
Report of standing cards; 1931-1934
|
|
|
|
Reunions
|
|
|
|
|
1939
|
FOLDER : 37.
|
|
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|
Newsletter: '34 Reunews; June 16, 1939
|
FOLDER : 38.
|
|
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|
Script: Misinformation Please, author unidentified; “transcript” of radio broadcast, June 13, 1939
|
|
|
|
|
1955
|
FOLDER : 39.
|
|
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|
Newsletter: The 1934 News-Letter; June 27, 1955
|
|
|
|
|
1974
|
FOLDER : 40.
|
|
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|
|
Article: The Performing Arts 1934-1974, by Alan Hewitt; typescript, February 26, 1974
|
FOLDER : 41.
|
|
|
|
|
Book: 1934-1974 Reunion, edited by William H. Scherman; 1974
|
FOLDER : 42.
|
|
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|
|
Class of 1934 photograph; 1974
|
FOLDER : 43.
|
|
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|
|
Correspondence; 1973-1974
|
FOLDER : 44.
|
|
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|
Memo: Notes for an Article, by Alan Hewitt; typescript, February 19, 1974
|
FOLDER : 45.
|
|
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|
|
Memo: Post-Mortem and Critique on '34 Class Dinner - June 11, 1974, by Alan Hewitt; typescript, June 16, 1974
|
FOLDER : 46.
|
|
|
|
|
Misc.
|
FOLDER : 47.
|
|
|
|
|
Newsletter: The 1934 News-Letter; June 19, 1974
|
FOLDER : 48.
|
|
|
|
|
Notes and transcripts of 40th Reunion Show, “'34 Up!”; 1974
|
FOLDER : 49.
|
|
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|
|
Notes from Reunion Committee meetings; 1973-1974
|
|
|
|
|
Programs
|
FOLDER : 50.
|
|
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|
|
The Combined Glee Clubs of Dartmouth Reunion Concerts; June 10-14, 1974
|
FOLDER : 51.
|
|
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|
|
Fortieth Reunion 1934-1974 Class Dinner; Alumni Hall, Hopkins Center, June 11, 1974
|
FOLDER : 52.
|
|
|
|
|
Memorial Service, Dartmouth College Class of 1934; Rollins Chapel, June 11, 1974
|
FOLDER : 53.
|
|
|
|
Reunion Committee bulletins; 1973-1974
|
|
|
|
|
Speeches
|
FOLDER : 54.
|
|
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|
|
Baccalaureate Address of the President of Dartmouth College, by Ernest Martin Hopkins; photocopy, June 17, 1934
|
FOLDER : 55.
|
|
|
|
|
The College Mind: Opening Address of Dartmouth's 162nd Year, by Ernest Martin Hopkins; in Dartmouth Alumni Magazine, November 1930, photocopy
|
FOLDER : 56.
|
|
|
|
|
Monologue for '34 Reunion, by Alan Hewitt; typescript, June 2, 1974
|
|
|
|
|
1979
|
FOLDER : 57.
|
|
|
|
|
Brochures about Dartmouth College Reunions; 1979
|
FOLDER : 58.
|
|
|
|
|
Correspondence; 1978-1980
|
FOLDER : 59.
|
|
|
|
|
Memo: Memorandum on Show at Dartmouth, by Alan Hewitt; photocopy, 1979, with excerpts of plays and rundown sheet used for the show
|
FOLDER : 60.
|
|
|
|
|
Newsletter: The 1934 News-Letter; July 9, 1979
|
FOLDER : 61.
|
|
|
|
|
Reunion Committee bulletins; 1978-1979
|
|
|
|
|
1984
|
FOLDER : 62.
|
|
|
|
|
Correspondence; 1983-1984
|
FOLDER : 63.
|
|
|
|
|
Pamphlet: Class of 1934 Directory; 1984
|
FOLDER : 64.
|
|
|
|
|
Pamphlet: Dartmouth in Hollywood!, compiled by Bill Pence; 1985
|
FOLDER : 65.
|
|
|
|
|
Pamphlet: In Memoriam: Dartmouth College Class of 1934 / In Memoriam: Dartmouth College 1984; 1984
|
FOLDER : 66.
|
|
|
|
|
Program: Memorial Service, Class of 1934 Dartmouth College; Rollins Chapel, June 9, 1984
|
FOLDER : 67.
|
|
|
|
|
Reunion Committee bulletins; 1983-1984
|
FOLDER : 68.
|
|
|
|
|
Speech: Reflections on the Arts, by Alan Hewitt; at Dartmouth College, 50th Class Reunion, June 8, 1984, with preliminary notes, drafts, final copy, 1983-1984
|
FOLDER : 69.
|
|
|
|
|
Tape: Panel discussion, “What Did We Do Right?,” with Frank Smallwood, Alan Hewitt, Don Allen, Harlan Banks and Moe Frankel; June 8, 1984
|
FOLDER : 70.
|
|
|
|
Set and costume designs for Act I of What Every Woman Knows; undated
|
FOLDER : 71.
|
|
|
|
Speech: Speech Delivered Before Dartmouth Club of Washington, D.C. at Luncheon at New Athens Cafe, May 20, 1952, by Alan Hewitt; typescript, 1952
|
FOLDER : 72.
|
|
|
|
Yearbook entry, “A Word About Hewitt,” from the Dartmouth College Aegis of 1934; typescript
|
|
|
General Correspondence
|
FOLDER : 73.
|
|
|
1933-1939
|
FOLDER : 74.
|
|
|
1940-1949
|
FOLDER : 75.
|
|
|
1950-1959
|
FOLDER : 76.
|
|
|
1960-1969
|
FOLDER : 77.
|
|
|
1970-1979
|
FOLDER : 78.
|
|
|
1980-1982
|
FOLDER : 79.
|
|
|
1983-1984
|
FOLDER : 80.
|
|
|
1985-1986
|
FOLDER : 81.
|
|
|
Tape: Talking letter from Bettina Cerf; June 1984
|
FOLDER : 82.
|
|
|
Undated
|
FOLDER : 83.
|
|
|
Unidentified
|
|
|
Gilbert and Sullivan
|
FOLDER : 84.
|
|
|
Clippings; 1948, 1981-1986, undated
|
FOLDER : 85.
|
|
|
Correspondence; 1980-1981, 1983
|
|
|
|
|
See also: Dartmouth College, Correspondence, Williams, Henry B. |
|
|
|
Memos (by Alan Hewitt)
|
FOLDER : 86.
|
|
|
|
D'Oyly Carte “Interpretation?” My Foot! It is Gilbert's; typescript, photocopy, August 17, 1983
|
FOLDER : 87.
|
|
|
|
Great Gilbert and Sullivan Singers of the Past; typescript, April 1, 1981
|
FOLDER : 88.
|
|
|
|
G. & S. “The Sorcerer” At Last, Completing the Canon; typescript, July 25, 1981
|
FOLDER : 89.
|
|
|
|
John Reed in “Iolanthe” at Symphony Space; typescript, carbon, December 24, 1985
|
FOLDER : 90.
|
|
|
|
More Things I Haven't Known About Gilbert and Sullivan; typescript, carbon, July 10, 1985
|
FOLDER : 91.
|
|
|
|
More Trivia for Savoyards; typescript, September 20, 1981
|
FOLDER : 92.
|
|
|
|
Mr. Gilbert, Mr. Sullivan, Meet Monsieur Offenbach; typescript, photocopy, August 23, 1982
|
FOLDER : 93.
|
|
|
|
One By Gilbert, Three By Sullivan; typescript, November 15, 1980
|
FOLDER : 94.
|
|
|
|
One Hundred Play Gilbert and Sullivan; typescript, November 15, 1980
|
FOLDER : 95.
|
|
|
|
Reflections on “The Grand Duke” and Other Matters; photocopy, August 5, 1978
|
FOLDER : 96.
|
|
|
|
Ruddigore; typescript, carbon, April 3, 1985
|
FOLDER : 97.
|
|
|
|
Should (Can) A Spoof Be Spoofed?; typescript, photocopy, March 16, 1981
|
FOLDER : 98.
|
|
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|
The Sorcerer; typescript, photocopy, April 16, 1985
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FOLDER : 99.
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Scraping the Cobwebs and Dust Back Onto “The Mikado;” typescript, carbon, August 26, 1985
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FOLDER : 100.
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Program: The Mikado, by W. S. Gilbert and Arthur Sullivan; presented by the New York City Opera, August 20, 1985
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FOLDER : 101.
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The Sorcerer, by W. S. Gilbert and Arthur Sullivan; presented by The Blue Hill Troupe, Ltd., Hunter College Playhouse, New York, April 8-13, 1985
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BOX 14.
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The Lunts
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ANTA Anniversary Party
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FOLDER : 1.
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Clippings; photocopies, 1972
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FOLDER : 2.
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Correspondence; 1972
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FOLDER : 3.
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Program: National Theatre Now! ANTA Assembly of the Performing Arts; UCLA, June 9-11, 1972
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Articles
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FOLDER : 4.
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Diary of a Designer: Setting the Stage for “Quadrille,” by Cecil Beaton; in Theatre Arts, November 1954
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FOLDER : 5.
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The Lunt Legend, by Eric Johns; in Theatre World, November 1952
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FOLDER : 6.
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Lynn Fontanne: A Memory and A Tribute, by Marguerite Taylor Courtney; source unidentified, undated
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FOLDER : 7.
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A Play in the Making: The Lunts Rehearse Amphitryon 38, by Morton Eustis; in Theatre Arts Monthly, undated
|
FOLDER : 8.
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The Playwright, by Carl R. Mueller; source unidentified, undated
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FOLDER : 9.
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Untitled, by Dan Sullivan; written for the Los Angeles Times, photocopy of edited typescript, ca. 1972
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Books
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FOLDER : 10.
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ANTA Program Book, American National Theatre and Academy; 1972, with Hewitt's errata list laid in
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FOLDER : 11.
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The Lunts, by George Freedley; Charles Birchall and Sons, Ltd., Liverpool and London, 1957
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FOLDER : 12.
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Stagestruck: The Romance of Alfred Lunt and Lynn Fontanne, by Maurice Zolotow; Harcourt, Brace & World, Inc., New York, 1965
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FOLDER : 13.
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The Taming of the Shrew, by William Shakespeare; Yale University Press, 1921, autographed by cast and crew, stage directions noted in Hewitt's handwriting, 1935
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Book Mss: The Fabulous Lunts: A Biography, by Jared Brown
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FOLDER : 14.
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Title page - page 174; photocopy, 1985
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FOLDER : 15.
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Page 175 - page 325; photocopy, 1985
|
FOLDER : 16.
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Page 326 - page 500; photocopy, 1985
|
FOLDER : 17.
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Page 501 - page 650; photocopy, 1985
|
FOLDER : 18.
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Page 651 - page 775; photocopy, 1985
|
FOLDER : 19.
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Page 776 - page 956; photocopy; 1985
|
FOLDER : 20.
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Chronology of the careers of Alfred Lunt and Lynn Fontanne, compiled by Alan Hewitt; carbons, ca. 1972, with Addenda, 1985
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|
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Clippings
|
FOLDER : 21.
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1921-1922, 1935, 1939, 1941, 1952, 1958, 1964-1966
|
FOLDER : 22.
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1971-1973, 1976-1979
|
FOLDER : 23.
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|
1980, 1982-1984, 1986, undated
|
|
|
Correspondence
|
FOLDER : 24.
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|
|
Brown, Jared; 1982-1986
|
FOLDER : 25.
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|
Bugbee, George; 1977-1979, 1980-1986
|
BOX 15.
|
FOLDER : 1.
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|
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Carroll College Press; 1978
|
FOLDER : 2.
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|
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Dartmouth College administrators; 1954
|
FOLDER : 3.
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|
Fontanne, Lynn; 1954, 1957, 1967, 1969, 1973, 1976-1983
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General Correspondence
|
FOLDER : 4.
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|
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|
1936, 1952, 1958, 1963, 1965, 1969
|
FOLDER : 5.
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|
|
|
1970-1979
|
FOLDER : 6.
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|
|
|
1980, 1982-1986
|
FOLDER : 7.
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|
|
|
Undated, unidentified
|
FOLDER : 8.
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|
Knapp, Sue; 1977, 1983-1985, undated
|
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Lunt, Alfred
|
FOLDER : 9.
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|
|
|
1936-1942, 1944-1959
|
FOLDER : 10.
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|
|
|
1960-1969
|
FOLDER : 11.
|
|
|
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1970-1977, undated
|
FOLDER : 12.
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Photocopies of letters written by the Lunts to other friends; 1954, 1958-1959, 1974
|
FOLDER : 13.
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|
|
Dissertation: A Study of Alfred Lunt's Approach to the Role, by Charles Ray Hannum; Wayne State University, 1974, bound photocopy
|
FOLDER : 14.
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|
Eulogy: For Alfred, by Donald Seawell; at Forest Home Cemetery Chapel, August 5, 1977, photocopy
|
FOLDER : 15.
|
|
|
Magazine: Landmark, published by Waukesha County Historical Society,, Waukesha, Wisconsin; Lunt-Fontanne Issue, Autumn 1981
|
|
|
Memos
|
FOLDER : 16.
|
|
|
Additional Notes on the Lunts; typescript, October 28, 1985
|
FOLDER : 17.
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|
|
Advice to Scholars: Take Nothing for Granted; typescript, October 26, 1985
|
FOLDER : 18.
|
|
|
Alternating Three Plays in 1938-1939? Who But the Lunts?; typescript, photocopy, May 24, 1986
|
FOLDER : 19.
|
|
|
The Anna Crouse Tapes of Alfred Lunt and Lynn Fontanne; and Oral Footnotes to the Anna Crouse Tapes of the Lunts; typescript, September 24, 1984
|
FOLDER : 20.
|
|
|
Errata in ANTA Program Book; typescript, June 15, 1972
|
FOLDER : 21.
|
|
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Farewell to Alfred Lunt; typescript, August 7, 1977
|
FOLDER : 22.
|
|
|
Fresh Discoveries About the Lunts; typescript, September 25, 1985
|
FOLDER : 23.
|
|
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Grab-Bag of Random Recollections of “Idiot's Delight;” photocopy, May 16, 1983
|
FOLDER : 24.
|
|
|
Grace-Notes to Alfred Lunt's Direction of “Cosi Fan Tutte;” typescript, November 9, 1984
|
FOLDER : 25.
|
|
|
How “The Sea Gull” Came to the Lunts, or Vice-Versa; typescript, October 15, 1985
|
FOLDER : 26.
|
|
|
“Idiot's Delight” and “Dance A Little Closer;” photocopy, May 13, 1983
|
FOLDER : 27.
|
|
|
“Idiot's Delight,” Fifty Years Ago; typescript, photocopy, February 15, 1986
|
FOLDER : 28.
|
|
|
If at First, You Don't Succeed; typescript, July 26, 1984
|
FOLDER : 29.
|
|
|
In Alfred Lunt's Kitchen; photocopy, September 25, 1984
|
FOLDER : 30.
|
|
|
The Lunts, Live on Tape; typescript, September 30, 1984
|
FOLDER : 31.
|
|
|
The Lunts and the Theatre Guild; typescript, October 26, 1983
|
FOLDER : 32.
|
|
|
Memorandum; typescript, December 1-2, 1979
|
FOLDER : 33.
|
|
|
A Memorial to the Lunts - 1st Draft; photocopy, September 22, 1983
|
FOLDER : 34.
|
|
|
Notes on the “Lost” Production of “Much Ado About Nothing;” typescript, July 9, 1970
|
FOLDER : 35.
|
|
|
Notes on Typescript of Lunts' Biography by Jared A. Brown; More Notes and Comments on Brown's Biography of the Lunts; Notes
on Second Half of Typescript of Lunts' Biography; Still More Notes on Brown's Typescript; Close-To-Final Notes on Brown Biography
of the Lunts; typescript, carbon, photocopy, September-November 1985
|
FOLDER : 36.
|
|
|
Pipe Night to the Lunts at the Players, February 10, 1963; typescript, October 12, 1983
|
FOLDER : 37.
|
|
|
Talk With Maurice Valency; photocopy, October 27, 1985
|
FOLDER : 38.
|
|
|
Yet Another Story About Alfred Lunt; typescript, photocopy, July 11, 1976
|
FOLDER : 39.
|
|
Misc.
|
FOLDER : 40.
|
|
Notes; 1976, 1985, undated
|
FOLDER : 41.
|
|
Notes used for chronology of the Lunts' careers; ca. 1972
|
FOLDER : 42.
|
|
Pamphlet: Alfred Lunt and Lynn Fontanne: A Bibliography, by Phillip M. Runkel; Carroll College Press, 1978
|
FOLDER : 43.
|
|
Pamphlet: Brandeis University Creative Arts Awards, Sixteenth Annual Presentation Ceremony, Whitney Museum of American Art, New York
City, April 30, 1972
|
|
|
Photographs
|
FOLDER : 44.
|
|
|
Alan Hewitt holding phony newspaper (photocopy included) announcing “Lynne Fontaine Married 50 Yrs. To Albert Lint;” 1972
|
FOLDER : 45.
|
|
|
Alfred Lunt and Lynn Fontanne greeting a friend backstage, possibly Gustav Eckstein; undated
|
FOLDER : 46.
|
|
|
Alfred Lunt and Lynn Fontanne, posed publicity shots; undated
|
FOLDER : 47.
|
|
|
Alfred Lunt as a young man; 1923
|
FOLDER : 48.
|
|
|
Candid shots of the Lunts in Army uniforms, riding in a limousine; ca. 1944-1945
|
FOLDER : 49.
|
|
|
CBC radio appearance by the Lunts; undated
|
FOLDER : 50.
|
|
|
Fiftieth wedding anniversary photograph; 1972
|
FOLDER : 51.
|
|
|
Funeral of Alfred Lunt; contact strips and prints; 1977
|
FOLDER : 52.
|
|
|
Grave site of Alfred Lunt and Lynn Fontanne, with copy of inscription engraved on A. D. Lunt stone; 1984
|
FOLDER : 53.
|
|
|
“The Guardsman;” Lunt and Fontanne, with Helen Westley; 1924
|
FOLDER : 54.
|
|
|
Individual portraits of Lynn Fontanne; undated
|
FOLDER : 55.
|
|
|
Individual shots of Alfred Lunt; undated
|
FOLDER : 56.
|
|
|
Livingroom of the Swedish cottage at Genesee Depot; 1937
|
FOLDER : 57.
|
|
|
The Lunts performing on a Theatre Guild radio broadcast; undated
|
FOLDER : 58.
|
|
|
The Lunts, with fellow performers, seated in an empty theatre; undated
|
FOLDER : 59.
|
|
|
Lynn Fontanne and Alfred Lunt cutting a ceremonial cake; undated
|
FOLDER : 60.
|
|
|
New York production of “O Mistress Mine;” undated
|
FOLDER : 61.
|
|
|
New York production of “O Mistress Mine,” taken during the actual performance; undated
|
FOLDER : 62.
|
|
|
Noel Coward and the Lunts in “Design For Living;” undated
|
FOLDER : 63.
|
|
|
Original London production of “O Mistress Mine,” then titled, “Love in Idleness;” undated
|
FOLDER : 64.
|
|
|
Partial inventory of Lunt-Fontanne photographs, compiled by Alan Hewitt; typescript, 1985, incomplete and contains some errors
|
FOLDER : 65.
|
|
|
Production photo of “The Second Man;” 1927?
|
FOLDER : 66.
|
|
|
Production shots from “I Know My Love;” undated
|
FOLDER : 67.
|
|
|
“There Shall Be No Night;” production photos and posed portraits, undated
|
FOLDER : 68.
|
|
Play: The Taming of the Shrew; carbon “prompt” copy, undated
|
|
|
Programs
|
FOLDER : 69.
|
|
|
Actors' Fund Performance, In the Greatest Tradition of the American Theatre, “Design For Living;” Ahmanson Theatre, Los Angeles Music Center, April 18, 1971
|
|