Guide to the Papers of Errol G. Hill, 1800 - 2003Manuscript ML-77

Box & Folder List

Series 3, Book Research, 1880-2003

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Box: 30, Dates: 1988-1992

The Jamaican Stage, 1655-1900: Research Materials

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Box Contents

  • Folder: 1, Theatre Productions 1864-1900, circa 1988-1992
  • Folder: 2, Notes 1814-1829, circa 1988-1992
  • Folder: 3, Notes 1718-1813/14, circa 1988-1992
  • Folder: 4, Notes 1824-1839, circa 1988-1992
  • Folder: 5, Notes 1840-1854, circa 1988-1992
  • Folder: 6, Notes 1855-1869, circa 1988-1992
  • Folder: 7, Notes 1870-1881, circa 1988-1992
  • Folder: 8, Notes 1881-1900, circa 1988-1992
  • Folder: 9, Companies and Plays‚ Notes and Clippings, circa 1988-1992
  • Folder: 10, Historical Background, Notes, Brochures, Clippings and related materials, circa 1988-1992
  • Folder: 11, Chapter II, Public Theatre in the Slave Era‚ Draft 1 and 2, circa 1888-1992
  • Folder: 12, Prologue Drafts and Changes, circa 1988-1992
  • Folder: 13, Chapter III Post-Emancipation Theatre‚ Two Drafts, circa 1988-1992
  • Folder: 14, Chapter IV Plays and Players: The Western Tradition‚ Two Drafts, circa 1988-1992
  • Folder: 15, Chapter V Difficulties and Triumphs 1850-1900‚ Two Drafts, circa 1988-1992
  • Folder: 16, Chapter VI Plays and Players: Jamaican Professional Actors‚ Two Drafts, circa 1988-1992
  • Folder: 17, Chapter VII Play and Players: The First Playwright of Jamaica‚ Two Drafts, circa 1988-1992
  • Folder: 18, Chapter III Readers, Reciters and Storytellers‚ Two Drafts, circa 1988-1992
  • Folder: 19, Chapter IX Slave Performances‚ Two Drafts, Copy of Part of an 1829 narrative Journal of a Second Expedition into the Interior of Africa‚ by Commander Clapperton, circa 1988-1992
  • Folder: 20, Chapter X Indigenous Forms after Slavery‚ One Draft, circa 1988-1992
  • Folder: 21, Epilogue A Caribbean Perspective Ritual Festival and Drama‚ Two Drafts with Comments, circa 1988-1992
  • Folder: 22, Notes and References, circa 1988-1992
  • Folder: 23, Jonkonnu and his History in Jamaica Sect. I, circa 1988-1992
  • Folder: 24, Jonkonnu Notes Section III, circa 1988-1992
  • Folder: 25, Jonkonnu Section IV and Information of Mummer‚ Play, circa 1988-1992

Box: 31, Dates: 1988-1992

The Jamaican Stage 1655-1900 Research Materials

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Unrestricted

Box Contents

  • Folder: 1, Jonkonnu and his History in Jamaica Section II, circa 1988-1992
  • Folder: 2, Revels in America‚ by Wright, Chapter IX, Two Copies, circa 1988-1992
  • Folder: 3, Performance Roles and Musical Change in a Caribbean Society‚ by D.K. Midgett, Two Copies, circa 1988-1992
  • Folder: 4, Jamaican Song and Story and the Theatre‚ by Rex Nettleford Two Copies, circa 1988-1992
  • Folder: 5, Revival Cults in America‚ by Seaga Two Copies, circa 1988-1992
  • Folder: 6, The Music and Musical Instruments of Jamaica‚ by Astley Clerk, circa 1988-1992
  • Folder: 7, The Charleston Stage In the XVIII Century‚ by Eola Willis, circa 1988-1992
  • Folder: 8, Notes 1754-1863, circa 1988-1992
  • Folder: 9, 19th Century, Collegiate School Performance, Amateurs Clippings, circa 1988-1992
  • Folder: 10, Indigenous Religious Forms: Cults, Beliefs etc. Notes, Clippings, Reports, circa 1988-1992
  • Folder: 11, 19th Century Jamaican Plays: Notes, circa 1988-1992
  • Folder: 12, Readers, Reciters and Storytellers‚ Notes, Articles, Oral Traditions, circa 1988-1992
  • Folder: 13, readers, Reciters and Storytellers‚ Clippings, Notes and related materials, circa 1988-1992
  • Folder: 14, Notes, Bibliographies, Index of Performances, circa 1988-1992
  • Folder: 15, Bio of Morton Tavares, Notes, Correspondence and related materials, circa 1988-1992
  • Folder: 16, Morton Tavares, circa 1988-1992
  • Folder: 17, Indigenous Forms‚ Articles, Notes and related materials, circa 1988-1992
  • Folder: 18, Jamaican Professionals except Morton Tavares, circa 1988-1992
  • Folder: 19, Theatre in Jamaica Notes, circa 1988-1992
  • Folder: 20, Folk Music and Songs in Jamaica Sect. II, circa 1988-1992
  • Folder: 21, Folk Music and Songs in Jamaica Sect. I, circa 1988-1992
  • Folder: 22, Photos, Negative, Notes, circa 1988-1992
  • Folder: 23, Notes for the Introduction Articles, 1988-1992

Box: 32, Dates: 1950s-2002

The Jamaican Stage 1655-1900 Research Materials cont. and Lectures and Talks

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Unrestricted

Box Contents

  • Folder: 1, E.H. Book: The Jamaican Stage‚ E.H. correspondence, notes, 1964-1989
  • Folder: 2, E.H. Book: The Jamaican Stage‚ book reviews, 1992-1998
  • Folder: 3, E.H. Book (never completed): 20th century Jamaican Theatre w/ Wycliffe Bennett E.H. correspondence, articles, notes, paper on Jamaican theatre 1682-1971, 1995
  • Folder: 4, E.H. Book: 20th century Jamaican Theatre w/ Wycliffe Bennett E.H. notes, 1950s-1970s
  • Folder: 5, E.H. Book: The Jamaican Stage‚ E.H. correspondence, E.H. notes, 1990-1996
  • Folder: 6, The Jamaican Stage: Profile of a Colonial Theatre,‚ Errol Hill, 1990
  • Folder: 7, Listing of Talks, 1934-1999
  • Folder: 8, Traditional Masque in Trinidad Carnival 1834-1934, undated
  • Folder: 9, The Study and Practice of Drama in the Theatre in Adult Education in the West Indies‚, 1956
  • Folder: 10, Remarks on Black Theatre History, 1969
  • Folder: 11, The Emergence of a National Drama in the West Indies, 1971
  • Folder: 12, The Abuses of Theatre History, 1972
  • Folder: 13, Communication through the Arts as a Factor in Development, circa 1972-1973
  • Folder: 14, Drama at Dartmouth, 1974
  • Folder: 15, Address to Freshman Class September 16, 1975, 1975
  • Folder: 16, Address at Academic Honors Dinner Dartmouth, 1982
  • Folder: 17, Black Theatre of the Sixties: The Caribbean Influence, 1983
  • Folder: 18, Calypso and War, 1986
  • Folder: 19, The Role of the Art in Nation Building, 1987
  • Folder: 20, Afro-American Actors in the Role of Hamlet, 1989
  • Folder: 21, Literary Criticism as Applied to the Drama, 1992-1993
  • Folder: 22, Culture and Pluralism-A Search for Cultural Connections, 1992
  • Folder: 23, Mandate for a National Theatre, 1993
  • Folder: 24, Jamaican Storytellers, 1992
  • Folder: 25, Black Theatre Revisited, 1989
  • Folder: 26, A-A Actors as Hamlet, 1996
  • Folder: 27, Consultation on Pan-Caribbean Theatre Company, 1988
  • Folder: 28, Informal Address to Members of the National Drama Association, 1986
  • Folder: 29, The Emergence of a Caribbean Aesthetic, 1979
  • Folder: 30, The Role of the Arts in the American Experience, 1977
  • Folder: 31, The Caribbean Theatre: Promise and Prospect, 1998
  • Folder: 32, Preface to African-American Theatre Directory, 1816-1960, 1995
  • Folder: 33, Racing Space: Carnival Cities II, 1996
  • Folder: 34, Conference on Caribbean Culture, 1996
  • Folder: 35, Perspectives of Caribbean Theatre-Ritual, Festival and Drama, 1994
  • Folder: 36, Address to Graduates of Cultural Training Center, Jamaica, 1993
  • Folder: 37, E.H. Lecture: Personal History, Caribbean Theatre, The Artist as Educator, given at the Hopkins Center, 1973
  • Folder: 38, E.H. Lecture: Latin American Studies Department, undated
  • Folder: 39, E.H. Speech: Performance Traditions for a Caribbean Theatre,‚ for Postcolonial Conversations 2002: Africa and the Caribbean,‚ Wellesley College, Oct. 2002
  • Folder: 40, E.H. Speech: The Arts: Meaning and Commitment‚ for the Arts Awards Ceremony at Dartmouth, May 1999

Box: 33, Dates: 1953-1970

E.H. Plays

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, Critiques of several of Hill's plays, undated
  • Folder: 2, Broken Melody‚ Reference Copy, 1954
  • Folder: 3, Broken Melody‚ Script, undated
  • Folder: 4, Dance Bongo‚ Three Editions, undated
  • Folder: 5, Dance Bongo‚ Typescript and Correspondence, 1964
  • Folder: 6, Dilemma‚ Two Copies, 1953
  • Folder: 7, Dimanche Gras‚ Typescript, 1963
  • Folder: 8, Dimanche Gras‚: Original Script, 1963
  • Folder: 9, Dimanche Gras‚ Director‚ Copy, 1964
  • Folder: 10, Dimanche Gras‚ Production Script, 1964
  • Folder: 11, Dimanche Gras‚ Program, Correspondence, Draft and Financial Information, 1964
  • Folder: 12, Dimanche Gras‚ (1963): 2 programs, E.H. correspondence with Carnival Development Committee and others, 1963
  • Folder: 13, Dimanche Gras‚ (1965): program, handbills, E.H. correspondence with Carnival Development Committee, 1965
  • Folder: 14, What Price a Slave? (originally Freedom Brothers Is), 1970
  • Folder: 15, Freedom Brother Is, July 1970File 39 | Oily Portraits‚ Typescript | undated
  • Folder: 16, The Ping-Pong‚ First and Second Printings, 1955
  • Folder: 17, The Ping Pong, 1955
  • Folder: 18, The Silver Palace, undated
  • Folder: 19, The Silver Palace‚ Copy 2, undated
  • Folder: 20, The Silver Palace‚: Version A, undated
  • Folder: 21, The Silver Palace‚: Version A (2), undated
  • Folder: 22, The Silver Palace‚: Version B, undated
  • Folder: 23, The Silver Palace‚: Version C, undated
  • Folder: 24, Square Peg‚ Reference Copy Script, 1949
  • Folder: 25, Strictly Matrimony‚ Corrected Draft, undated
  • Folder: 26, Strictly Matrimony‚ Typescript, undated
  • Folder: 27, Strictly Matrimony‚: Reviews, 2004
  • Folder: 28, Strictly Matrimony, undated
  • Folder: 29, Three Fingered Jack‚ Outline for Pantomime, 1957
  • Folder: 30, Wey-Wey‚ Published Copy, 1958
  • Folder: 31, Poems by Errol Hill, undated
  • Folder: 32, Radio Scripts for Caribbean Broadcasts, 1955-1957
  • Folder: 33, Radio Script for St. Lucia Arts Guild Festival of Arts, 1967
  • Folder: 34, Radio Script Mirage‚ Narrative Play, 1947
  • Folder: 35, Oily Portraits, undated
  • Folder: 36, Radio Script: Oily Portraits, undated
  • Folder: 37, Rain‚ Prose by Errol Hill, undated
  • Folder: 38, Miscellaneous Writing Notes, undated
  • Folder: 39, Happiness, undated
  • Folder: 40, Man Better Man (first draft with glossary), 1954

Box: 34, Dates: 1950-1986

E.H. Play: Man Better Man

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Unrestricted

Box Contents

  • Folder: 1, First Draft with Notes and Glossary, 1950
  • Folder: 2, Preface by A. Mitto-Sampson, 1955
  • Folder: 3, Momento photograph of first production at Yale, 1960
  • Folder: 4, Production Materials, 1965
  • Folder: 5, Publicity, 1960-1969
  • Folder: 6, Permission to produce, 1986
  • Folder: 7, Set and costume design, 1975
  • Folder: 8, Script #26, Portagee Joe, undated
  • Folder: 9, Script #40, Dasserde Silva, undated
  • Folder: 10, Director‚ script, undated
  • Folder: 11, Score for bass, guitar, and tenor sax, undated
  • Folder: 12, Score for trumpet, flute, and drums, undated
  • Folder: 13, Score pt. 1, 1970
  • Folder: 14, Score pt. 2 with instrumental parts, 1970
  • Folder: 15, Complete scores from Herbert Jones (incomplete lyrics), 1970
  • Folder: 16, Music for the play more complete vocals, 1970
  • Folder: 17, Music for the play Come Out in the Road Warrior‚ lyrics and instrumental parts (missing drum part), 1970
  • Folder: 18, Music for the play original score, undated
  • Folder: 19, Music for the play, 1951
  • Folder: 20, Music for the play, 1986
  • Folder: 21, Bridge Music‚ complete score, 1970
  • Folder: 22, Instrumental parts bass, drum, flute, 1970
  • Folder: 23, Instrumental parts guitar, tenor sax, trumpet, 1970

Box: 35, Dates: 1966-2000

E.H. Books

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, Applause Theatre Books: royalty notices, correspondence, 2000
  • Folder: 2, Cambridge Guide to World Theatre (E.H. contributor) correspondence regarding updating of material for 1995 edition, 1995
  • Folder: 3, Anthology of Caribbean Plays (E.H. editor, never completed) correspondence with playwrights, correspondence about Carifesta (Barbados 1981), 1981
  • Folder: 4, Plays for Today: correspondence with Pearson Education (publisher), draft of introduction for book, 1980s-2000
  • Folder: 5, World Encyclopedia of Contemporary Theatre (E.H. contributor): correspondence regarding E.H.‚ contributions and payment for his work, 1985-1996
  • Folder: 6, World Encyclopedia of Contemporary Theatre (E.H. contributor): all Caribbean articles, section on Arthur Holmberg, 1985-1990
  • Folder: 7, Cambridge Guide to American Literature (E.H. contributor): correspondence, E.H. notes, 1991-1993
  • Folder: 8, Cambridge Guide to African and Caribbean Theatres (E.H. 1 of 3 editors): correspondence, reviews, 1990-1995
  • Folder: 9, Black Heroes: E.H. notes on 2nd volume (never completed), undated
  • Folder: 10, Black Heroes Seven Plays: E.H. notes, E.H. correspondence, publicity, contractual forms, 1988-1990
  • Folder: 11, E.H. bound book recording music on individual tapes, undated
  • Folder: 12, The Trinidadian Carnival, 1966
  • Folder: 13, E.H. Book: Shakespeare in Sable reviews, publicity, correspondence, 1984
  • Folder: 14, E.H. Book: Trinidad Carnival E.H. notes, correspondence, royalty reports, introduction to 1997 paperback edition, 1997
  • Folder: 15, E.H. Book: Trinidad Carnival correspondence regarding paperback publication by New Beacon Books (1997), 1997
  • Folder: 16, E.H. Book: Trinidad Carnival E.H. notes for book, 1996-1997
  • Folder: 17, E.H. Book: Trinidad Carnival University of Texas Press correspondence, 1969-1971
  • Folder: 18, E.H. Book: Encyclopedia of New York City, E.H. correspondence, entries on "African American Theater," "Negro Ensemble Company, 1990-1995
  • Folder: 19, E.H. Book: "A Time and a Season" Edited by E.H. with notes and correspondence with Sidney Hill about 2nd Edition, 1968-1998

Box: 36, Dates: 1880-2001

Research: History of African-American Theatre

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, The (Ra)Coon Character and Ragtime Songs with notes and photocopied article, undated
  • Folder: 2, Photocopy: Miscellaneous Definitions, Undated
  • Folder: 3, Photocopy: Thomas W. Talley: Negro Folk Rhymes: Wise and Otherwise, 1922
  • Folder: 4, Notes on African-American folkways with photocopies of articles, undated
  • Folder: 5, Photocopy: Essays on aspects of Black Theatre, undated
  • Folder: 6, Photocopy: Essays from Black Expression Essays by and about Black Americans in the Creative Arts‚ ed. Addison Gayle, 1969
  • Folder: 7, Photocopy: The Century Magazine pp. 517-529 The Dance in Place Congo‚ with notes and comments, 1886
  • Folder: 8, Photocopy: The Century Magazine pp. 807-823 Creole Slave Songs, 1886
  • Folder: 9, Photocopy: On With the Show: The First Century of Show Business in America‚ Chapter 5 Negroes in Show Business, 1976
  • Folder: 10, Photocopy: On With the Show: The First Century of Show Business in America‚ Chapter 7 The Evolution of Musical Comedy, 1976
  • Folder: 11, Photocopy: Vanita Vactor: Chicago Negro Federal Theatre 1935-1939‚ through Chapter 3 with notes, 1998
  • Folder: 12, Photocopy: Paul Gilroy: The Black Atlantic: Modernity and Double Consciousness‚ with notes, 1993
  • Folder: 13, Eleanor Taylor: Ritual as Form for Black American Theatre‚ with corrections, undated
  • Folder: 14, Photocopy: Thomas L. Riis: Just Before Jazz‚ Chapter 9, Epilogue and Appendices A and B with notes, 1989
  • Folder: 15, Photocopy: Eileen Southern: Biographical Dictionary of African-American and African Musicians, 1982
  • Folder: 16, Catalogue of Books on Black America Race and Racism, undated
  • Folder: 17, The Black Experience‚ Series 2 Monograph Catalogue, 1971
  • Folder: 18, Notes on Slavery #1 with photocopied articles and notes, undated
  • Folder: 19, Notes on Slavery #2 with photocopied articles and notes, undated
  • Folder: 20, Photocopy: Ed. Deane L. Root The Nineteenth Century American Musical Theatre Out of Bondage‚ and Peculiar Sam, 1994
  • Folder: 21, Notes on Slavery #3 with photocopied articles and notes, undated
  • Folder: 22, Photocopy: Miscellaneous information about Slavery with notes, undated
  • Folder: 23, Photocopy: Dictionary of Afro-American Slavery Part 1 with notes, 1988
  • Folder: 24, Photocopy: Dictionary of Afro-American Slavery Part 2 with notes, 1988
  • Folder: 25, Louisiana and New Orleans Slave Era photocopied articles with notes, circa 1998
  • Folder: 26, Louisiana and New Orleans After Slavery Era photocopied articles with correspondence, 1999
  • Folder: 27, Photocopy: Publications 1890-1899 with notes, undated
  • Folder: 28, Index of names with brief biographies, undated | undated
  • Folder: 29, Photocopy: Timeline of African-American History 1852-1925, undated
  • Folder: 30, Handwritten research notes, 1998
  • Folder: 31, Photocopy: Black Women in America A-G with notes, 1993
  • Folder: 32, Photocopy: Black Women in America H-N with notes, 1998
  • Folder: 33, Photocopy: Black Women in America P-W with notes, 1993
  • Folder: 34, Photocopy: L.A. Scruggs: Women of Distinction select biographies, 1893
  • Folder: 35, Photocopy: Biographies of Black Women with notes, 1998
  • Folder: 36, Information on Black Newspapers used in research with notes, circa 1998
  • Folder: 37, Miscellaneous Articles with notes and Correspondence for Hill‚ part of the book, 2000-2001
  • Folder: 38, History of African American Theatre Correspondence, 1997-2000
  • Folder: 39, History of African-American Theatre Correspondence, 2001

Box: 37, Dates: 1981-2003

Research: History of African American Theatre

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, Cambridge University Press: Marketing Plan, 2003
  • Folder: 2, Early Correspondence and application to NEH, 1995, 2001
  • Folder: 3, Miscellaneous correspondence and list of illustrations, 1999- 2002
  • Folder: 4, Correspondence from Hatch to Hill, 2000-2001
  • Folder: 5, Correspondence between Hatch and Hill, 2002
  • Folder: 6, Correspondence between Hill and Ms. Amos with corrected changes of manuscript, 2002
  • Folder: 7, Correspondence between Hatch, Hill and Cooper from Cambridge University Press, 2002
  • Folder: 8, Draft Table of Contents with Notes, undated
  • Folder: 9, Drafts of Preface and Hatch‚ Resume, 2000
  • Folder: 10, Draft of Preface and Photocopy Draft with Hill‚ corrections, 2000
  • Folder: 11, Draft of Table of Contents, captions for illustrations and Bibliography, 2001-2002
  • Folder: 12, Early drafts of Introduction, undated
  • Folder: 13, Revised draft of Introduction, 2001
  • Folder: 14, Chapter 1: Chronology of African-American slavery with notes, circa 1998
  • Folder: 15, Chapter 1: Free Blacks up to 1799, undated
  • Folder: 16, Chapter 1: Free Blacks from 1800-1860, circa 1998
  • Folder: 17, Photocopy: Loren Schweninger: The Free-Slave Phenomenon‚ with notes, undated
  • Folder: 18, Chapter 1: Thomas Jefferson and Sally Hemingway, 1998, 2000
  • Folder: 19, Chapter 1: notes, 1997-1998
  • Folder: 20, Chapter 1: notes on Africanisms, timelines, annotated maps, 1998, 2000
  • Folder: 21, Chapter 1: draft, undated
  • Folder: 22, Chapter 1: Early draft with corrections and endnotes, undated
  • Folder: 23, Chapter 1: pages 12-35 with corrections, undated
  • Folder: 24, Chapter 1: Draft with corrections, 2001
  • Folder: 25, Chapter 1: Draft with Hatch‚ comments, 2001
  • Folder: 26, Photocopy: Chapter 1: Draft with corrections, undated
  • Folder: 27, Chapter 2: Pre-civil war Black Theatre notes and articles, 1998-1999
  • Folder: 28, Chapter 2: Notes and articles, circa 2000
  • Folder: 29, Chapter 2: Draft of section Mr. Brown, undated
  • Folder: 30, Chapter 2: Draft pages 19-64, undated
  • Folder: 31, Chapter 2: 44 page draft, 2000
  • Folder: 32, Chapter 2: Draft with corrections and notes, undated
  • Folder: 33, Chapter 2: Draft with corrections, 2000
  • Folder: 34, Photocopy: Chapter 2: draft with corrections, undated
  • Folder: 35, Chapter 2: Draft, 2000
  • Folder: 36, Photocopy: Chapter 3: Draft, undated
  • Folder: 37, Chapter 3: Civil War to the Creole Stage, 2000
  • Folder: 38, Chapter 3: Civil War to the Creole Show‚ with note, 2000
  • Folder: 39, Chapter 3: Final‚ draft with corrections, 2000
  • Folder: 40, Chapter 3: 53 page draft, 2000
  • Folder: 41, Photocopy: Chapter 4: By James Hatch with corrections, 1998
  • Folder: 42, Chapter 4: Hill‚ notes on chapter, 1999-2000
  • Folder: 43, Chapter 4: Hill‚ copy with corrections, 2000
  • Folder: 44, Chapter 4: Draft with comments and corrections, circa 2001
  • Folder: 45, Chapter 5: Old and New Vistas‚ notes and early drafts, undated
  • Folder: 46, Photocopy: Thomas Laurence Riis: Black Musical Theatre in New York, 1890-1915‚ introduction and chapters 1-4, 1981
  • Folder: 47, Initial correspondence regarding production of book (1993), 1993
  • Folder: 48, Correspondence, description of project, articles, support (1995-1996) , 1995-1996
  • Folder: 49, Information on topics, bibliographies, sources (1997-1998, 1997-1998

Box: 38, Dates: 1981-2002

Research: History of African-American Theatre

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, Photocopy: Thomas Laurence Riis: Black Musical Theatre in New York, 1890-1915‚ chapters 5-6 with appendices and bibliography, 1981
  • Folder: 2, Chapter 5: Miscellaneous pages, 2001
  • Folder: 3, Chapter 5: New Vistas : Plays, Spectacles, Musicals and Opera‚ with extra pages, 2001
  • Folder: 4, Photocopy: Chapter 5 : Draft, undated
  • Folder: 5, Chapter 6: Draft with comments and notes, undated
  • Folder: 6, Chapter 6: Draft with comments, undated
  • Folder: 7, Chapter 6: The Struggle Renewed‚ pages 1-19, undated
  • Folder: 8, Chapter 7: Preliminary outline, Hill‚ notes and Hatch‚ introduction, circa 2000
  • Folder: 9, Chapter 7: Draft submitted to Hill, 2000
  • Folder: 10, Chapter 7: Notes from Barbara Lewis and research, circa 1998-1999
  • Folder: 11, Chapter 7: Revised Draft, 2000
  • Folder: 12, Chapter 7: Draft with revisions, 2000
  • Folder: 13, Chapter 8 part 1: Correspondence regarding black college theatre, notes and clippings, undated
  • Folder: 14, Chapter 8 part 2: Notes and annotated articles, undated
  • Folder: 15, Chapter 8 with Hatch‚ notes and draft, 2000
  • Folder: 16, Research on Lillian Welch Voorhead and edit of Hatch‚ essay One Hundred Year‚ Later, 1998
  • Folder: 17, Drafts of Chapter 8 with changes, 2000
  • Folder: 18, Photocopy: Tony Martin: Literary Garveyism with notes, 1983
  • Folder: 19, Photocopy: Chapter 8 with editorial notes, undated
  • Folder: 20, Chapter 9 part 1: notes and articles on Hispanic Theatre with correspondence, undated
  • Folder: 21, Chapter 9 part 2: clippings, articles, notes and correspondence, circa 2000
  • Folder: 22, Chapter 9: Caribbean Theatre notes, articles and clippings, 1992-2000
  • Folder: 23, Chapter 9: Draft 2 with footnotes, undated
  • Folder: 24, Chapter 9: Draft labeled chapter 8 with no footnotes, undated
  • Folder: 25, Chapter 9: Draft with revisions, 2000
  • Folder: 26, Chapter 9, 2001
  • Folder: 27, Chapter 9: Editor‚ Proof-read, undated
  • Folder: 28, Chapter 10: Photocopy: Vanita Vactor: Chicago Negro Federal Theatre 1935-1939, undated
  • Folder: 29, Chapter 10: Notes and early draft pages, 2000
  • Folder: 30, Chapter 10: Jim Hatch: The 1930s- The Great Depression‚ draft with notes, 2000
  • Folder: 31, Chapter 10: Jim Hatch: The 1930s- The Great Depression‚ Hill‚ copy with comments, 2000
  • Folder: 32, Chapter 10: Jim Hatch: revised draft 11-14, 2000
  • Folder: 33, Chapter 10: Jim Hatch: revised draft 12-12, 2000
  • Folder: 34, Chapter 11: revised draft 9-30, 2000
  • Folder: 35, Chapter 11: revised draft 12-12, 2000
  • Folder: 36, Chapter 12: Photocopy: From Hansberry to Shange‚ draft with notes, undated
  • Folder: 37, Chapter 12: early version with notes, undated
  • Folder: 38, Chapter 12: revised draft 8-31, 2000
  • Folder: 39, Chapter 12: revised draft 12-19, 2000
  • Folder: 40, Chapter 12: Hill‚ copy, circa 2000
  • Folder: 41, Chapter 13, undated
  • Folder: 42, Chapter 13: Photocopy: Toward the Millennium‚ with notes, 1999
  • Folder: 43, Chapter 13: revised draft 8-27, 2000
  • Folder: 44, Chapter 13: revised draft 12-15, 2000
  • Folder: 45, Editor‚ questions, correspondence and proofs of illustrations, 2002
  • Folder: 46, Illustrations, undated

Box: 39, Dates: 1919-2001

History of African-American Theatre Research and Research: General

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, Cambridge University Press Manuscript: Table of contents and illustrations, Preface and Introduction, undated
  • Folder: 2, Cambridge University Press Manuscript: Chapter 1, undated
  • Folder: 3, Cambridge University Press Manuscript: Chapter 2, undated
  • Folder: 4, Cambridge University Press Manuscript: Chapter 3, undated
  • Folder: 5, Cambridge University Press Manuscript: Chapter 4, undated
  • Folder: 6, Cambridge University Press Manuscript: Chapter 5, undated
  • Folder: 7, Cambridge University Press Manuscript: Chapter 6, undated
  • Folder: 8, Cambridge University Press Manuscript: Chapter 7, undated
  • Folder: 9, Cambridge University Press Manuscript: Chapter 8, undated
  • Folder: 10, Cambridge University Press Manuscript: Chapter 9, undated
  • Folder: 11, Cambridge University Press Manuscript: Chapter 10, undated
  • Folder: 12, Cambridge University Press Manuscript: Chapter 11, undated
  • Folder: 13, Cambridge University Press Manuscript: Chapter 12, undated
  • Folder: 14, Cambridge University Press Manuscript: Chapter 13, undated
  • Folder: 15, Cambridge University Press Manuscript: Appendix and Bibliography, undated
  • Folder: 16, Calypso and War‚ with notes and correspondence, 1987, 1989
  • Folder: 17, General information about Black History with notes, undated
  • Folder: 18, General information about Black History with notes, undated
  • Folder: 19, Photocopy: Inside the Minstrel Mask ed. Annemarie Bean, James V. Hatch and Brooks McNamara, 1996
  • Folder: 20, Photocopy: David Krasner: Resistance, Pardoy, and Double Consciousness in African American Theatre 1895-1910 with notes, circa 1997
  • Folder: 21, Photocopy: Dissertation by Fannin Saffore Belchor, Jr, 1945
  • Folder: 22, Photocopy: introduction and Chapter from Love and Theft, undated
  • Folder: 23, Photocopy: Introduction and Chapter from The Negro Trailblazers of California, 1919
  • Folder: 24, General bibliography materials about Black Theatre, undated
  • Folder: 25, General bibliography materials about Black Theatre, undated
  • Folder: 26, General bibliography materials about Black Theatre with notes and correspondence, undated
  • Folder: 27, Catalogues and Articles about Black Theatre, undated

Box: 103, Dates: 1997-2002

History of African-American Theatre Research

Access Restrictions

Unrestricted

Box Contents

  • Folder: 1, History of African-American Theatre‚ correspondence with Cambridge University Press re: preparations for publication, 2000-2002
  • Folder: 2, History of African-American Theatre‚ correspondence with Cambridge University Press re: publication of book, 2000-2002
  • Folder: 3, History of African-American Theatre‚ Theatre in the American West‚: copies of an article, holograph manuscripts on theatrical events in the West, 2001
  • Folder: 4, History of African-American Theatre‚ bibliography, clippings, E.H. notes, emails, brochures, 1997-2002
  • Folder: 5, History of African-American Theatre‚ article (in French) on Black Theatre in America‚ by Alain Ricard in Revue dhistoire du theatre, 1971-1972
  • Folder: 6, History of African-American Theatre‚ / History of African Theatre‚ Correspondence from Cambridge U.P. about 2002 royalties, 2002
  • Folder: 7, History of African-American Theatre‚ Research Notes 1, 1999-2002
  • Folder: 8, History of African-American Theatre‚ Research Notes 2, 1999-2002
  • Folder: 9, History of African-American Theatre‚ Research Notes 3, 1999-2002
  • Folder: 10, History of African-American Theatre‚ Research Notes 4, 1999-2002
  • Folder: 11, History of African-American Theatre‚ Research Notes 5, 1999-2002

Finding Aids