Guide to the Papers of James Goldstone, 1958 - 1997Manuscript MS-1073

Box & Folder List

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Box: 11, Dates: 1975, 1980, 1985

Screenplay , budget reports, board reports, set lists, cast and crew lists, schedules, production notes, correspondence for Hunting Ground by Stanford Whitmore (1985), Running on Empty by Stanford Whitmore Goldstone work copy undated, Badmen by Stanford Whitmore Goldstone work copy (1975), The Middleman by Tamar Simon Hoffs and Gail Wagner Stayden undated, brochure "Film Making in Israel," "Israel Film Center Bulletin ‘81-'82," brochure "Operation Peace for Galilee," I love You, Alvin Newman a film treatment by Tamar Simon Hoffs and Gail Wager Stayden undated, script, notes, correspondence and related material for Icarus by Robert Stitzel (1980), photo negatives,

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Box: 12, Dates: 1975-1976, 1985

Screenplay, memos, actor's head shots, call sheets and related material for Champion (1985), newspaper and journal clippings with reviews for The Blarney Cock/Swashbuckler (1975), an Asian motion picture magazine "KineJun," daily gross receipts, editorial notes, post production notes, miscellaneous notes, legal correspondence, added scenes and legends for Swashbuckler (1976).

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Box: 13, Dates: 1970, 1975

Several drafts, contract and other correspondence, production notes, cutting notes, looping notes, newspaper and journal clippings with reviews, calendar for The Gang That Couldn't Shoot Straight by Waldo Salt (1970), as well as information on the legal dispute between MGM and Al Pacino over Pacino dropping out of Gang in favor of The Godfather, correspondence, newspaper and journal clippings with reviews as well as a notice of the cancellation of production in St. Andrews, New Brunswick and budget reports for They Only Kill Their Masters starring James Garner and Katherine Ross, three copies of screenplay Soul Catcher by Frank Herbert and Paul Marlow with correspondence and notes for for its upcoming production, (1975).

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Box: 14, Dates: 1970's, 1980's

Color photographs, 5x7, possibly for locations scouting purposes, black and white production stills from "The Gang," "millimeter" magazine August 1979, "Action - Director's Guild of America" magazine May-June 1972, 1978 contract between Goldstone and Warner Brothers for The Day the World Ended, newspaper and journal publicity clippings about James Goldstone and from a variety of his directorial pieces, correspondence and material related to the Director's Guild of America (1980's), black and white production stills possibly from a movie about the Kent State riot, 25 audio tapes with score music for a variety of Goldstone's movies,

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Box: 15, Dates: 1989-1992

Several drafts , script notes, budget reports, location, correspondence and sculpture reports of My Alexander by Robin U. Russin 1989-1992, actor and actresses head shots and other publicity photos, blueprint and rendering of farmhouse with Italian writing undated,

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Box: 16, Dates: 1967, 1990

Final draft with related documents such as cast and crew info, schedules, production notes, memos, casting notes and actors head shots, correspondence, contracts, receipts, artists agency agreements, for The Bride in Black by Claire Labine ( 1990), first rough draft, treatment, script with director's notes of Winning by Howard Rodman (1967).

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Box: 17, Dates: 1973, 1983, 1985, 1986

Cutting script with notes and shooting script for Calamity Jane: Her Own Story by Suzanne Clauser (1983), script, correspondence, schedules, cast and crew lists, memos, daily production reports, budgets, newspaper clippings and W.T. Mast. List for Sentimental Journey by Darlene Craviotto and Frank Cavestani (1983), three drafts of Love and Courage by Peter Lefcourt with notes on first draft (1986), paperback and photocopy Treehouse by James Morrison, step outline with notes, contract for rights, correspondence, research material including diagrams and history of wooden ship building for Treehouse (1985), script, production budget, notes and comments on Double Zero by Bill Kerby (1973), second draft and revised second draft of original script Midnight Special by Bill Kerby (1973).

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Box: 18, Dates: 1975, 1978

Orange box with 5x7 color prints and negatives of landscapes (possibly locations) and production stills (1975), three part script, budgets, director's notes, general correspondence as well as correspondence regarding the firing of some crew members, Daily notes, production reports, photocopied newspaper reviews and publicity material for Studs Lonigan by Reginald Rose (1978).

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Box: 19, Dates: 1980-1981

Lined cutting script, fifth draft, publicity material, correspondence, newspaper clippings of reviews, cast and crew lists as well as location list of four hour teleplay Kent State by Gerald Green (1980), it also includes extensive research material on Kent State including photocopies of book pages and original photos as well as the court appendix of the lawsuit that was filed by Arthur Krause, micro audio tape of Emmy speech (1981).

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Box: 20, Dates: 1960's, 1976-1978, 1988

Miscellaneous still photos mostly of James Goldstone, movie ideas and projects to be considered 1960's to 1970's, treatment of A Woman's Blues by Joe Baltake (1978), script, newspaper clippings and some correspondence for The Big Player by John Riley (1979), background and writing credits of Howard Rodman, two copies with some notes for Bide-A-Wee by Reginald Rose (1979), script, notes and correspondence for Cahill (working title) by Edward Lorenzo (1976), some correspondence, budgets,, treatment, some correspondence, maps and other ephemeral items for D.I.R.T by Frank Herbert and James Goldstone (1978), step outline, correspondence, treatment and partial script for Friends by Bernard Rothman and James Goldstone (1988).

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