Rauner Special Collections Library6065 Webster Hall, Hanover, NH 03755-3519 USATelephone: 603-646-0538, Fax: 603-646-0447Rauner.Reference@dartmouth.edu
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Title: |
Guide to the Papers of James Goldstone, 1958 - 1997 |
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Call Number: |
Manuscript MS-1073 |
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Collection Dates: |
1958 - 1997 |
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Size of Collection: |
61 boxes (92 linear feet) |
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Abstract: |
James Goldstone, (1931-1999). Dartmouth College, 1953. MA, Drama, Bennigton College, 1959. Writer, director, producer, visiting professor. Contains screenplays, schedules, notes, budgets, cast and crew lists, technical production information, publicity material, correspondence, legal documents and contracts, reviews, newspapers and journals. The collection also contains many production stills, photos of location scouting, and detailed production stills from his feature films "Winning" and "Rollercoaster". In addition there are 5 and 7 inch audio reels, u-matic video tapes of many of the productions, and a selection of books on subjects related to the film industry. |
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Access to Collection: |
Unrestricted. |
The materials represented in this guide may be accessed through the Rauner Special Collections Library at Dartmouth College. The Rauner Library is located in Webster Hall. The materials must be used on-site and may not leave Rauner Library.
The Rauner Special Collections Library is open to the public and in most cases no appointment is necessary. The exception is in the case of materials stored off site for which there may be a delay in retrieval. Please consult the Access to Collection statement below or contact Rauner Reference.
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Unrestricted.
These materials may be protected by the U.S. Copyright Law (Title 17, U.S.C.).
The James Goldstone papers chronicle his career as a director, producer, screenwriter of feature films, as well as television from the 1950's to the 1990's. It contains screenplays for feature films and television episodes with all related documentation such as schedules, notes, budgets, cast and crew lists, technical information, publicity material, reviews, newspapers and journals with article or ads related to the film projects, including some publicity material from France, Spain, Switzerland, Austria and other European countries. The collection also contains many production stills as well as photos of location scouting. Of particular interest are the numerous detailed production stills from his feature films "Winning" and "Roller coaster". In addition there are 5 and 7 inch audio reels with scores from such composers as Lalo Schiffrin and Quincy Jones as well as u-matic video tapes of many of the productions. A selection of books on subjects related to the film industry and some of its players are also included, as are some posters and extensive correspondence including legal documents and contracts.
James Goldstone born June 8, 1931 in Los Angeles, CA graduated Dartmouth College with a BA in English Literature in 1953. He continued his education at Bennington College from which he graduated with an MA in Drama in 1959. After college he entered show business as a writer, director, and producer as well as a film editor. His film projects included the motion picture "Winning" with Paul Newman, "Rollercoaster" with George Segal, and "Brother John" with Sidney Poitier. He also directed 150 episodes of television including the pilot episode of the original "Star Trek". As a stage director he worked on a variety of plays including "The Trial of Ezra Pound" and "Homeward Bound". He also wrote several screenplays for motion pictures and TV. On an administrative level he was on the Board of Directors of the DGA (Director's Guild of America), Director of the Executive Committee of the Academy of Motion Picture Arts and Sciences, Board of Governors of the Academy of Television Arts and Science, President of the Bennington Arts Council, and board member of the Vermont Film Commission. He died on November 5, 1999 at the age of 68 of cancer.
Several drafts and revisions of screenplay "Winning" by Howard Rodman, James Goldstone producer/director.
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Files on feature film "Rollercoaster", directed by James Goldstone, music notes by Lalo Schiffrin, editorial cutting notes, status reports and memos, call sheets, production reports, shooting schedules, production budgets, director's notes for location scouting, files on feature film "The Blarney Cock" directed by James Goldstone, three drafts of screenplay by Jeffrey Bloom including title change from "Swashbuckler" to "The Blarney Cock", press kit, black and white production photos, negative of Robert Shaw dressed in pirate attire, music notes, shooting schedules, production notes, daily production reports.
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Copy of book Burn Out by Dr. Herbert Freudenberger, notes on film idea for Burnout, research material including newspaper clipping on psychological burn out and stress 1983, screenplay Treehouse by James Morrison and Russell Thacher July 1972, correspondence between Morrison and Goldstone 1978, screenplay Treehouse by James Morrison based on his novel, step outline, treatment, notes (1980-1982), script of Love and Courage by Peter Lefcourt (formerly Treehouse) 1986, revised step outline for Treehouse as a teleplay by J.Anderson Black with notes, copy of book Whitewater by Paul Horgan, screenplay Whitewater by Jerome Lawrence and Robert E. Lee (1979) with general notes, treatment for The St. Francis Standoff by Lane Slate with handwritten notes, 1977 Playboy, outline for motion picture The Red Machines by Bill Kerby with correspondence between James Goldstone and a variety of agents and other professionals, memos and notes (1973-1976), photocopy of novel The Red Machines by F.D.Reeve, outline for North From Texas later renamed The Reapers by Stanford Sherman, outline for Just This Side Of The Mountain by Floyd Mutrux, catalogues for combine harvesters, screenplay Tricks of the Trade by Bill Kerby with Work Copy, correspondence about financing and talent, photocopy of novel Tricks of the Trade by Robert Fish.
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Video tape "Caroline Rossi" 6/16/89, two large video tapes "Red Sky at Morning," lage video tape "Swashbuckler," nine 5" reel audio tapes, six 7" reel audio tapes, five large 208 audio recording tapes "The Sun Also Rises."
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Outline Dirty Business by Howard Polskin with notes (Susskind) 1982, treatment , correspondence and notes for Off Season by Bill Phillips, outline, notes for Over My Dead Body by Tom Waldman (1982), China Diary by Tim and John Considine treatment 1983, photocopy of novel Heat Wave by Caesar Smith (1958), notes, newspaper clippings and step outline for Goldstone/Strebel project "Rosebud II," (1981), newspaper clippings and informational kit on the Ku Klux Klan as well as brochure of Interplanetary Productions, information on Pat Collins, hypnotist, treatment for TV movie The National Game by Chris Hubbell and Gerrit Graham (1981), original screenplay PALS by Cort Clifford with general notes and correspondence (1981), shooting screenplay with revisions, notes and directions for Gannon formerly Code Name:Heraclitus by Alvin Sapinsley (1966) , shooting script and newspaper clipping for Nightmare Jack B. Sowards (1973), directors script for half hour filmed television series The 33rd with call sheets and cast lists and notes (1958), pilot script for The Oath - The Sad and Lonely Sundays (1974), Goldstones's copy of shooting script Love Story - The Roller Coaster Stops Here by Michele Willens and William Bast (1973), shooting script, notes, newspaper clippings, journal "Variety" clipping, shooting call lists for Man of Destiny by Howard Rodman (1969).
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Green folder with story boards for Day Time (1979), black and white production stills some with Paul Newman, script changes, call sheets, production notes, budget notes, newspaper clipping and other publicity material, cast and crew info, breakdowns and script analysis for When Time Ran Out later renamed The Day the World Ended (1980), script, production notes, black and white production photos and other related material for Charles and Diana - A Royal Love Story written by John Greevey (1982).
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Original screenplay The Hollywood Kid by Barry Schneider undated, two copies of second draft of screenplay The Princes Bride by William Goldman (1974), first and second drafts of the screenplay The Marksman by Paul Wheeler (1971), two revision of The Marksman renamed Suffer the Fools by Lane Slate (1972), correspondence, notes and related material, two copies of the screenplay and related material for The Superstition by Stephen H. Forman (1977), first draft of the screenplay The Contract by Lane Slate (1969), two copies, one Goldstone work copy of The Feldman Syndrome by Lane Slate including budget sheets and general notes (1972), screenplay of the novel Sweet William by Gwen Davis including production cost estimate, correspondence and related material (1969), two drafts, one revised final draft of screenplay Rollercoaster by Richard Levinson and William Link, as well as added scenes (1976), color production still of Rollercoaster.
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Shooting script, cast lists and head shots, notes, continuity breakdown in French, memos, production reports, budget reports, promotional material and related material for The Sun Also Rises by Robert L. Joseph (1983), newspaper and journal clippings of reviews for The Sun Also Rises (1984).
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Outline, correspondence and notes for Outcast a James Goldstone Film based on the Joseph Conrad novel (1985), paperback copy of by Joseph Conrad, outline, correspondence, memos, pitch notes, general note for Side Effects story by Louis Garfinkle and James Goldstone (1986), preproduction reports, production budgets, lined shooting script, crew lists and resume, publicity photos, reviews, newspaper clippings, cast list for Earth Star Voyager directed by James Goldstone , original script by Ed Spielman (1987).
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Original screenplay Russian Dressing (1986) and A Rock and a Hard Place (1986)by Joan Borston and Oleg Vidov (1986), VOSA and Dr. Semmelweis written by Quinn K. Redeker and Louis Garfinkle undated, Sketches by Paul W. Shapiro (1984), The Rules of Engagement by Mary Agnes Donoghue (1986), Charisma by Natalie Cooper undated, High Stakes by Lawrence Holden undated, Just One For the Road by J. Anderson Black (1985), The Late Great Creature by Peter Stone (1982), Stock Cars for Christ by Robin Swicord (1982), Prelude by Judith Kanner (1980), Sunstroke by Terry Curtis Fox (1985), New Yorkers by Michael Elias undated, Scars by Robert Rueter (1987), Only the Dead Know Burbank by Peter Lefcourt (1986), two copies of treatment China Diary by Tim and John Considine (1983), Love and Courage by Peter Lefcourt (1986).
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Screenplay , budget reports, board reports, set lists, cast and crew lists, schedules, production notes, correspondence for Hunting Ground by Stanford Whitmore (1985), Running on Empty by Stanford Whitmore Goldstone work copy undated, Badmen by Stanford Whitmore Goldstone work copy (1975), The Middleman by Tamar Simon Hoffs and Gail Wagner Stayden undated, brochure "Film Making in Israel," "Israel Film Center Bulletin ‘81-'82," brochure "Operation Peace for Galilee," I love You, Alvin Newman a film treatment by Tamar Simon Hoffs and Gail Wager Stayden undated, script, notes, correspondence and related material for Icarus by Robert Stitzel (1980), photo negatives,
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Screenplay, memos, actor's head shots, call sheets and related material for Champion (1985), newspaper and journal clippings with reviews for The Blarney Cock/Swashbuckler (1975), an Asian motion picture magazine "KineJun," daily gross receipts, editorial notes, post production notes, miscellaneous notes, legal correspondence, added scenes and legends for Swashbuckler (1976).
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Several drafts, contract and other correspondence, production notes, cutting notes, looping notes, newspaper and journal clippings with reviews, calendar for The Gang That Couldn't Shoot Straight by Waldo Salt (1970), as well as information on the legal dispute between MGM and Al Pacino over Pacino dropping out of Gang in favor of The Godfather, correspondence, newspaper and journal clippings with reviews as well as a notice of the cancellation of production in St. Andrews, New Brunswick and budget reports for They Only Kill Their Masters starring James Garner and Katherine Ross, three copies of screenplay Soul Catcher by Frank Herbert and Paul Marlow with correspondence and notes for for its upcoming production, (1975).
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Color photographs, 5x7, possibly for locations scouting purposes, black and white production stills from "The Gang," "millimeter" magazine August 1979, "Action - Director's Guild of America" magazine May-June 1972, 1978 contract between Goldstone and Warner Brothers for The Day the World Ended, newspaper and journal publicity clippings about James Goldstone and from a variety of his directorial pieces, correspondence and material related to the Director's Guild of America (1980's), black and white production stills possibly from a movie about the Kent State riot, 25 audio tapes with score music for a variety of Goldstone's movies,
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Several drafts , script notes, budget reports, location, correspondence and sculpture reports of My Alexander by Robin U. Russin 1989-1992, actor and actresses head shots and other publicity photos, blueprint and rendering of farmhouse with Italian writing undated,
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Final draft with related documents such as cast and crew info, schedules, production notes, memos, casting notes and actors head shots, correspondence, contracts, receipts, artists agency agreements, for The Bride in Black by Claire Labine ( 1990), first rough draft, treatment, script with director's notes of Winning by Howard Rodman (1967).
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Cutting script with notes and shooting script for Calamity Jane: Her Own Story by Suzanne Clauser (1983), script, correspondence, schedules, cast and crew lists, memos, daily production reports, budgets, newspaper clippings and W.T. Mast. List for Sentimental Journey by Darlene Craviotto and Frank Cavestani (1983), three drafts of Love and Courage by Peter Lefcourt with notes on first draft (1986), paperback and photocopy Treehouse by James Morrison, step outline with notes, contract for rights, correspondence, research material including diagrams and history of wooden ship building for Treehouse (1985), script, production budget, notes and comments on Double Zero by Bill Kerby (1973), second draft and revised second draft of original script Midnight Special by Bill Kerby (1973).
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Orange box with 5x7 color prints and negatives of landscapes (possibly locations) and production stills (1975), three part script, budgets, director's notes, general correspondence as well as correspondence regarding the firing of some crew members, Daily notes, production reports, photocopied newspaper reviews and publicity material for Studs Lonigan by Reginald Rose (1978).
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Lined cutting script, fifth draft, publicity material, correspondence, newspaper clippings of reviews, cast and crew lists as well as location list of four hour teleplay Kent State by Gerald Green (1980), it also includes extensive research material on Kent State including photocopies of book pages and original photos as well as the court appendix of the lawsuit that was filed by Arthur Krause, micro audio tape of Emmy speech (1981).
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Miscellaneous still photos mostly of James Goldstone, movie ideas and projects to be considered 1960's to 1970's, treatment of A Woman's Blues by Joe Baltake (1978), script, newspaper clippings and some correspondence for The Big Player by John Riley (1979), background and writing credits of Howard Rodman, two copies with some notes for Bide-A-Wee by Reginald Rose (1979), script, notes and correspondence for Cahill (working title) by Edward Lorenzo (1976), some correspondence, budgets,, treatment, some correspondence, maps and other ephemeral items for D.I.R.T by Frank Herbert and James Goldstone (1978), step outline, correspondence, treatment and partial script for Friends by Bernard Rothman and James Goldstone (1988).
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Scripts for Psyched Out by Bernard M. Kahn (1989), Gun Man by Stephen Kandel undated, Crazy People by Mitch Markowitz undated, Indian Giver by Robin Russin undated, Powerhouse Station by Jeffrey Bernini and Kerry Phillips (1989), Killing Me Softly by Bill Phillips (1989), The Last Neighborhood by Oliver Crawford (1988) with some notes and correspondence, treatment for Blood Ties II undated, miscellaneous files and contracts including Creative Artists Agency Agreement (1977) as well as for Love Story, Nightmare, They Only Kill Their Masters, Eric, The Day The World Ended, Roller Coaster (Universal), Blarney Cock, Swashbuckler, The Red Machines, Die/Eliot Kastner, Studs Lonigan (Lorimar), The Monument, Icarus, Alicia's Book, Short Season, The Longes Ride of Alex B..., Good Friends, Chinese Checkers, Gersh Agency, Directors Guild Basic Agreement (1987), Employment Agreement, William Morris Agency Agreement (1986), Charles and Diana.
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Film student scripts (1990's) Columbia University Directory 1996-1997.
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Director's editing notes for Kent State, two copies of Mayday:Kent State by J. Gregory Payne (1981), advertising, publicity and review for Winning in Greece, Finland, Germany, Belgium, Israel, France, Italy, Spain. Switzerland and Austria, American advertising, publicity and reviews for Winning (1967-1969), black binder with photocopied American reviews, continuity breakdown and shooting schedule as well as interoffice communication for Winning.
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Multiple scripts and drafts, some with notes, CAA comparison coverage with synopsis for Green Mountain Boys by James Goldstone and Terry Southern (1991), multiple scripts and drafts some with notes as well as budget information for Jeremiah 33:3 by Nicholas Proferes (1993), one audio tape.
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Script, post production notes, editing notes, research material, black and white as well as color production stills, budget, correspondence, reviews for Calamity Jane:Her Own Story by Suzanne Clauser (1983), script, editing notes, cutting script, looping notes and cast lists for Rita Hayworth : The Love Goddess by E. Arthur Kean (1983).
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Multiple scripts for Sunblack by Terence Greer undated, some correspondence dated 1969 and 1971, script with notes Sudden Hush by James Goldstone undated, treatment The Cop-Outs by Alvin Sapinsley (1967), multiple scripts and treatment of The Last Ride by James Goldstone (1958), script and revision notes for The Nylon War by Stephen Kandel and James Goldstone, photocopy of story The Nylon War by David Riesman, photocopy of play Most Happy Fella with letter inquiring about rights (1958), treatment Love Story by Chester Krumholz (1967), short broadcast play The Case of Ivar Haug booklet and notes broadcast (1951), prospectus Independent Film Makers (1961), production prospectus and synopsis of fairy tale by e.e.cummings The House That At Mosquito Pie by James Goldstone and Philip Babet undated, script Graceless Go I by Anthony Storey (1971), treatment for Coney by James Goldstone and Stephen Kandel as well as some photos, correspondence and notes (1961), script The Last Hasidic Comic by Mitch Markowitz undated, script for Climate of Hell by John Robert, step outline correspondence for The Climate of Hell by James Goldstone and Jack Raphael Guss (1958).
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Multiple drafts of script We AKA Common Ground AKA Untitled NEE Proxy:A love Story by James Goldstone and Stephen Candle, script outline with notes Green Mountain Boys by James Goldstone and Terry Southern, script Shylock by Stephen Candle.
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Editing notes, daily production report, music notes, director's agreement for The Sun Also Rises (1984), correspondence for Dreams of Gold deal 1986-1988, shooting script, music timing notes, Daily notes, production notes, line script, research material, topographical maps of St. Croix, newspaper clippings, publicity material, staff and crew lists, budget for Dreams of Gold - The MLE Fisher Story (1986).
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Script Gun Man by Stephen Kandel undated, script Cold Type by Daniel Winkel and James Moores (1988), script and notes from nine years later (1988) for Icarus by Robert Stitzel, treatment of MASCAM by Stephen Kandel and James Goldstone undated, script SPARKS by Bud Schaetzle with newspaper clipping of Richard Feynman obituary (1988), two drafts of script with notes of Dangerous Dan and the Dodger by George Schenck (1981), script and notes for Five Star Five by Tony Barwick and Gerry Anderson (1978,1982), copy of book Murder is My Shadow by Chandler Nash/Katherine E. Hunt (1959), correspondence, notes and script for Nightmare North by James Goldstone and Stephen Kandel (1959, ‘60,'66), photocopied and original newspaper and journal clippings and notes for Silence/Milpitas Project by James Goldstone et.al. (1982), newspaper clippings and some correspondence for Children of the Night (1981), treatment and newspaper article for Channel X by Dennis E. Hackin (1982), treatment and research material for Buskers by Ron Berkely (1981), script with notes for Patriot's Game by Maurice Hurley (1981), general notes and correspondence for The Late Great Creature by Brock Brower (1985), step outline, treatment, research newspaper clippings for Bang-Bang by Stephen Kandel (1982), synopsis of Camerone by Andy Black (1985), some publicity material for Move:Confrontation in Philadelphia by Karen Pomer and Jane Mancini (1985), notes on Dungeon Master (1984), notes on Stanley Kaufman project ( 1985), synopsis and notes for The Biter Bitten (1984).
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Breakdown script and two additional drafts with notes for Jeremiah 3:33 by Nicholas Proferes ( 1993), Life magazine May 15, 1970 with article Tragedy at Kent, working copy and additional drafts of scrip, correspondence, budget, production notes and general notes on Green Mountain Boys by James Goldstone and Terry Southern (1991)m script notes for My Alexander (1989) additional material, correspondence, newspaper clippings, budgets, cast and crew lists and promotional material for a variety of Goldstone's projects, biography and C.V for James Goldstone.
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Several copies of fourth draft of script WE by James Goldstone and Stephen Kandel (undated) as well as correspondence and some notes (1994), research material, working script and additional copies of script, correspondence and miscellaneous files for Dirt Cheap by James Goldstone (1997).
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Several drafts of script, notes, memos, correspondence, step outline, synopsis, rights, options for Alicia's Book by Stanford Whitmore (1980's), photocopied books From the Deep Woods to Civilization by Charles A. Eastman (1925), Sister of the Sioux - The Memoirs of Elaine Goodale Eastman 1885-91 (1978), a book on the life of Charles Eastman, all research material for Stranger in the Land - The Charles Eastman project (1982), notes on The Boomers (1964), treatment and step outline for The Canyon by James Goldstone and Robert Snyder (1964)paperback copy of The Canyon by Jack Schaeffer (1953), correspondence and synopsis of Car on the Mountain by T.K.Brown III (1964), script The Chain by James Goldstone (1963), locations stills (Yugoslavia), maps, notes, script, budget and correspondence for The Choice (1969).
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Contracts, production agreement dated 1979, production logistics, budgets, correspondence for Icarus, production stills, memos, correspondence, newspaper clippings of reviews and articles, publicity material for Roller Coaster (1976/1977).
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Production reports, correspondence, memos, complete cutting notes, Xeroxed editing script, budgets for Winning, shooting script, publicity material for Things in their Season by John Gay (1974), shooting script and publicity material for Shadow Over Elveron by Chester Krumholz (1968), shooting script, shooting schedule and publicity material for Journey into Darkness by Peggy Chantler Dick (1974).
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Two copies of script, research material and correspondence for The Bitter Crop by James Goldstone (1963), story notes, editing notes, miscellaneous notes and production stills, reviews, advertising, publicity, programs and posters for Red Sky At Morning (1970), several drafts of script, notes and Universal contract, for Faultline by Bill Phillips (1987).
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Scripts, some with notes, Perks by Don Widener (1988), Pay Dirt by Bill Phillips undated, Rising Sun by Bill Phillips (1982), At Risk by Mary Baron (1987), Kent State by Gerald Green (1980), Rick's Place by Robin Russin undated, Welcome Home, Well Done by David Rayfiel undated, The Silence by Frank Military (1985), Silence by David Rayfiel (1980), South Street by David Bradley (1981), The Trial of Ramona Africa by Karen Pomer and Martin Perlich (1988), Dorian by Robin Russin undated, several drafts of Diamond Street by Nat Maudlin (1988), The Longest Ride of Alex B... by Christopher Diable undated, Benya the King by Louis Garfinkle and Alexander Petrovic undated, Vikings by Stephen Metcalf (1984).
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Production stills, crew and cast lists, budgets and correspondence for Dr. Max by Robert L. Joseph (1974), working script , script notes, cast and crew lists, production notes, newspaper clippings and some publicity material for Eric (1975), production notes, movie poster, newspaper clippings for Brother John (1970), production still and related production material for Jigsaw, two copies of script with script notes. production stills, some other production material for Iron Horse by James Goldstone and Stephen Kandle (1965/66), shooting schedules, casting lists, script and some other production material for Ironside by Collier Young and Don Mankiewics (1966).
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4 camera videotapes of Dreams of Gold, 4 camera videotapes of Earth Star Voyager, 5 camera videotapes of The Sun Also Rises, 1 camera videotape of Kent State Documentary, 1 videotape of Ezra Pound Documentary.
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11 camera videotapes of Kent State, 1 camera videotape of Swashbuckler, 1 camera videotape of Outer Limits - The Sixth Sense.
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2 camera videotapes Earth Star Voyager, 2 camera videotapes Journey from Darkness, 1 camera videotape Red Sky at Morning, 2 camera videotapes Shadow over Elron, 2 camera videotapes Eric, 2 camera videotapes Ironside - Pilot, 2 camera videotapes The Gang that Couldn't Shoot Straight, 1 camera videotape Kent State (1981), 1 camera videotape Outer Limits - The Ineritors.
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13 camera videotapes Kent State (1980), 1 camera videotape It's A Wonderful Life, 1 camera videotape Threshold - The Blue Angels Experience.
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4 camera videotapes Charles and Diana (1982), 4 camera videotapes Rita Hayworth:Love Goddess (1983), 2 camera videotapes Dreams of Gold (1986), 4 camera videotapes Kent State (1980), 1 camera videotape Canadian Actors.
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2 camera videotapes Red Sky Morning, 4 camera videotapes Earth Star Voyager (1987), 2 camera videotapes Kent State (1980), 2 camera videotapes Rita Hayworth:Live Goddess (1983), 1 camera videotape Outer Limits - The Inheritors.
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1 camera videotape Dr. Max (1974), 2 camera videotapes The Bride in Black (1990), 6 camera videotapes Studs Lonegan (1979), 4 camera videotapes Calamity Jane (1983), 1 camera videotape Cent State (1980).
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13 audio 5 in. reels with a variety of scores from Goldstone's films, 30 audio 7 in reels of a variety of scores including Rollercoaster by Lalo Schiffrin.
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5 audio 7 in. reels of source music and scores of a variety of movie and television project, 3 camera videotapes Kent State, 2 camera videotapes Calamity Jane, 2 camera videotapes Brother John, 2 camera videotapes A Clear and Present Danger, 2 camera videotapes The Only Kill Their Masters, 2 camera videotapes Jigsaw.
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11 audio 7 in reels with a variety of scores including Rollercoaster by Lalo Schiffrin, 2 camera videotapes Rollercoaster, 2 camera videotapes Winning, 3 camera videotapes Bride in Black (1990), 2 camera videotapes When Time Ran Out.
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2 camera videotapes Butch Cassidy and the Sundance Kid, 2 camera videotapes Robin Hood, 2 camera vidotapes Steambath, 1 camera videotape Eraserhead, I camera vidotape Threshold.
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3 camera videotapes Wings, 2 camera videotapes Animal Crackers, 1 videotape Eraserhead, 2 camera videotapes Grand Illusion, 22 audio 7 in. reels of a variety of scores including music for Brother John by Quincy Jones.
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Three framed publicity posters for Studs Lonegan, Things in Their Season, Charles Bickford in The 33rd.
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Four large posters, one framed, of Robert Shaw in the Swashbuckler, James Goldstone behind the camera, Jacqueline Bisset, The Court of Last Resort.
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16 mm movie reel for 33rd - Pilot and Thurber - Pilot #1 without trailer.
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Production stills, black and white, 8x10 from the set of Winning, 3 color photos of Paul Newman on the set of Winning.
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Script, script notes, newspaper clippings including entire edition of the Village Voice dated Oct.6, 1992, reviews and other related material of Dirt Cheap by Don Widener (1993), treatments, notes, correspondence and other related material for The Monument by James Goldstone and Mitch Markowitz (1978), correspondence, memos and notes for Scent of Evil by Archer Mayor (1995), several drafts of script and some correspondence for Jeremiah 33:3 (1993-1996), original concept, outline, correspondence, notes and other related material for Green Mountain Boys by James Goldstone (1996), Xeroxed copy of book Green Mountain Boys.
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Annotated script with cast and crew notes as well as shooting schedule for Star Trek TV show episode "What are Little Girls Made Of?"(1966), scripts with notes and shooting schedule and cast and crew lists for TV shows Iron Horse episode "Joy Unconfirmed" (1966), Blue Light - The Friendly Enemy (1966), Amos Burke- Secret Agent TV show episode "Watch the Man Die" (1965), Honey West TV show episode "The Flame and the Pussycat" (1965), Perry Mason TV series episode "The Cast of the Duplicate Case" (1965), several revised drafts of shooting script for the final episode of the TV show Voyage of the Bottom of the Sea episode "The Human Computer" (1965), shooting script, notes, schedules, cast and crew lists for TV shows The Fugitive episode "Devil's Carnival" (1964), Rawhide episode "Day out of Days" (1964), The man from U.N.C.l.E episode "The Brain Killer Affair (1964), Eleventh Hour episode "To Love is to Live" (1964), The Outer Limits episode "The Sixth Finger (1963), Dr. Kildare episode "Night of the Beast" (1963).
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Shooting scripts and drafts as well as notes, schedules and cast and crew lists for TV shows The Man Dawson (1959 -1960), The Case of the Dangerous Robin (1961), Dennis the Menace episode "The Fifteenth Thousands Customer (1961), King Of Diamonds (1962), several drafts of scripts, notes and related material for feature film Slack Time by Mary Baron (1986), posters for local theater productions.
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Shooting scripts, notes schedules, cast and crew lists and related information for TV shows Route 66, episodes "What a Shining Young Man Was Our Gallant Lieutenant" and "Who Will Cheer My Bonny Bride"(1963), It's a Man's World episode The Long Way Around" (1962), Case of the Dangerous Robin (1960), Death Valley Death episode "Alias James Stewart" and "A Matter of Honor" (1960), Bat Masterson (1960), Tombstone Territory (1960), Mackenzie Raiders (1958), 15 episodes of the TV show The Court of Last Resort (1957).
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Several drafts as well as original script, notes, correspondence for Chinese Checkers by Mary Baron (1988), shooting script and several drafts of script Slack Time by Mary Baron (1986), some correspondence for The Red Machines (1973).
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1 camera video tape When Time Ran Out , 1 camera videotape Calamity Jane, 1 camera videotape President Nixon Cambodia Speech (1980), 1 camera videotape Canadian Actor Jason Michas, 1 camera videotape Kent State Demo Reel (1980)l, step outline, correspondence, notes "Caveat Vendor"(1991), newspaper article, notes and correspondence for Ezra Pound Play (1989).
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(Oversize Tube) Very large movie posters in Italian Il Mosaico Del Crimine, Indianapolis pista infernale, Italian poster for Winning, French poster for Winning "Virage" and French poster for Swashbuckler.
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Hardcover books Second Sight by Richard Schickle (1965), The Fabulous Life of Preston Sturges by James Ursini, Memo from David O. Selznick (1972), Hollywood Now by William Fadiman (1972), Fast Fade by Andrew Yule (1989), Integrated Human Brain Science by Tsutomu Nakada (2000), Directors in Action by Bob Thomas (1968), And the Envelope Please by Richard Altman (1978), No Tricks in My Pocket by Stewart Stern (1989), A Life in the Movies by Michael Powell (1986), 50 Golden Years of Oscar by Robert Osborne (1979), Newman _A Biography by Eric Lax (1996), Starmaker by Hal Walsing (1980), Out of Focus by Charles Kipps (1989), Ovitz by Robert Slater (1997), Kim Novak on Camera by Larry Kleno (1980), The Decline and Fall of the Love Goddess by Patrick Agan (1979).
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One framed tourist souvenir of a Spanish inspired Florida map and faux gold doubloons.
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