Budd Schulberg papers, 1913-2014 Rauner Manuscript MS-978

Box & Folder List

Series: 5, Screenplays and Teleplays, 1930s-2002

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Box: 92, “What Makes Sammy Run?”, 1956-1964

Access Restrictions

Unrestricted

“What Makes Sammy Run?”

Box Contents

  • Folder: 1, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script for “The Sunday Showcase,” Part I, 1959
  • Folder: 2, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, 1959
  • Folder: 3, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, 1959
  • Folder: 4, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, 1959
  • Folder: 5, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, second draft, 1959
  • Folder: 6, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, second draft with missing page, 1959
  • Folder: 7, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, Act II, 1959
  • Folder: 8, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, third draft, 1959
  • Folder: 9, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, fourth draft, 1959
  • Folder: 10, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I, final taping script, 1959
  • Folder: 11, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), show routine, Part I, 1959
  • Folder: 12, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part I and II, fourth draft, 1959
  • Folder: 13, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part II, first draft, 1959
  • Folder: 14, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part II, first taping, 1959
  • Folder: 15, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part II, 1959
  • Folder: 16, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg): Script, Part II, second draft, 1959
  • Folder: 17, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, part II, second draft, 1959
  • Folder: 18, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part II, third draft, 1959
  • Folder: 19, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), script, Part II, third draft, 1959
  • Folder: 20, “What Makes Sammy Run?” Teleplay (with Stuart Schulberg), photographs of Budd and Stuart Schulberg, undated
  • Folder: 21, “What Makes Sammy Run?” Teleplay, script by Samuel Carter, undated
  • Folder: 22, “What Makes Sammy Run?” Script, Two-Act Presentation for the stage by Phil Gelb and Sam Rosen, undated
  • Folder: 29, “What Makes Sammy Run?” Musical, script fragments, MS, undated
  • Folder: 30, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake), script, 1962
  • Folder: 31, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake), “Sammy,” script, undated
  • Folder: 32, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake), “Sammy,” script, undated
  • Folder: 34, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake), script fragments, 1963-1964
  • Folder: 35, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake), list of cuts and changes, 1964
  • Folder: 23, "What Makes Sammy Run?" teleplay (with Stuart Schulberg) script for Sunday Showcase, third draft, August 17, 1959
  • Folder: 24, "What Makes Sammy Run?" Teleplay (with Stuart Schulberg), for Sunday Showcase, script, 1959
  • Folder: 25, "What Makes Sammy Run?" teleplay (with Stuart Schulberg), criticism by viewers of language used, 1959
  • Folder: 26, "What Makes Sammy Run?" teleplay (with Stuart Schulberg), fan mail (praise), 1957-1959
  • Folder: 27, "What Makes Sammy Run?" teleplay (with Stuart Schulberg), correspondence, 1956-1959
  • Folder: 28, "What Makes Sammy Run?" teleplay (with Stuart Schulberg), memo from Earl Mohn, 1959

Box: 93, “What Makes Sammy Run?”, 1963-2006

Access Restrictions

Unrestricted

“What Makes Sammy Run?”

Box Contents

  • Folder: 2, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake) - “A New Musical,” revised script, 1963
  • Folder: 3, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake) - “A New Musical,” script, New York Production, 1964
  • Folder: 4, “What Makes Sammy Run?” Musical (Music and Lyrics by Ervin Drake), script, 2002
  • Folder: 10, “What Makes Sammy Run?” Feature Film, script, first draft (I), 1988
  • Folder: 11, “What Makes Sammy Run?” Feature Film, script, first draft (II), 1988
  • Folder: 12, “What Makes Sammy Run?” Feature Film, script, first draft, incomplete, 1988
  • Folder: 13, “What Makes Sammy Run?” Feature Film, script, second draft, work copy, 1989
  • Folder: 14, “What Makes Sammy Run?” Feature Film, script, second draft, 1989
  • Folder: 15, “What Makes Sammy Run?” Feature Film, script, second draft, 1989
  • Folder: 17, “What Makes Sammy Run?” Feature Film, script pages with revisions, undated
  • Folder: 19, “What Makes Sammy Run?” Feature Film, first draft scenario by David Post, undated
  • Folder: 20, “What Makes Sammy Run?” Feature Film, scene by scene breakdown from Robert Bentley reprint of original 1941 publication, 1987-1988
  • Folder: 21, “What Makes Sammy Run?” Feature Film, Agreement between Warner Brothers and Budd Schulberg (Writer), 1987
  • Folder: 22, “What Makes Sammy Run?” Feature Film, Agreement between Warner Brothers and Budd Schulberg (Producer), 1987
  • Folder: 5, "What Makes Sammy Run?" Musical, work script, manuscript and typescript pages, undated
  • Folder: 6, "What Makes Sammy Run?" Musical, original score sheet, undated
  • Folder: 7, "What Makes Sammy Run?" Musical, handwritten libretto fragments, undated
  • Folder: 8, "What Makes Sammy Run?" Musical, "Sammy Glick Sings and Dances-at the West End Theatre in New York," press release, undated
  • Folder: 9, "What Makes Sammy Run?" Feature Film script, handwritten script pages, undated
  • Folder: 16, "What Makes Sammy Run?" Feature Film script development with Warner Brothers with memos, 1989-1999
  • Folder: 18, "What Makes Sammy Run?" Feature Film, handwritten fragments, undated
  • Folder: 23, "What Makes Sammy Run?" flyers and programs, 1991-2006
  • Folder: 24, "What Makes Sammy Run?" Budd Schulberg's notes on script with correspondence to Ben Stiller, 1996-2004
  • Folder: 25, "What Makes Sammy Run?" Notes on script by Eric Priestley and Stan Silverman, 1997
  • Folder: 26, "What Makes Sammy Run?" Miscellaneous, 1997
  • Folder: 27, "What Makes Sammy Run?" Budd Schulberg's notes on the script with correspondence to Nick Beck, Billy Gerber and Gene Kirkland, 1997
  • Folder: 28, "What Makes Sammy Run?" Correspondence and contract with Theatre Video Production, 1998
  • Folder: 29, "What Makes Sammy Run?" Play, press releases and reviews, 2005-2006
  • Folder: 1, "What Makes Sammy Run?" Musical, libretto, undated
  • Folder: 30, "The War to Come," outline, manuscript and print out, undated
  • Folder: 31, "The Woody Hayes Story," outline with notes and memo, 1980
  • Folder: 32, "The Woody Hayes Story," story noted, manuscript and typescript, 1980
  • Folder: 33, "The Woody Hayes Story," script and research article, 1980

Box: 73, "All My Boys" - "The Bridge of Remagen", 1974-1996

Access Restrictions

Unrestricted.

"All My Boys" - "The Bridge of Remagen"

Box Contents

  • Folder: 1, "All My Boys," treatment by Budd Schulberg and Stan Silverman, undated
  • Folder: 2, "All My Boys," concept by Budd Schulberg and Stan Silverman, undated
  • Folder: 3, "All My Boys," concept, early drafts, 1990-1992
  • Folder: 4, "All My Boys," synopsis by Budd Schulberg and Stan Silverman, 1996
  • Folder: 5, "All My Boys," research and clippings, 1991
  • Folder: 6, "All My Boys," manuscript and typescript pages, incomplete, undated
  • Folder: 7, "All My Boys," concept by Budd Schulberg and Stan Silverman, 1996
  • Folder: 8, "All My Boys," detailed treatment by Budd Schulberg and Stan Silverman, 1996
  • Folder: 9, "All My Boys," presentation by Peter Schulberg, 1996
  • Folder: 10, "All My Boys," print out of various submissions with faxes, 1995-1996
  • Folder: 11, "All My Boys," correspondence, 1990-1992
  • Folder: 12, Amsterdam/Van Leer Project, background, 1974-1978
  • Folder: 13, Amsterdam/Van Leer Project, correspondence, 1978-1984
  • Folder: 14, Amsterdam Dock Strike Project, correspondence, 1982-1983
  • Folder: 15, “Atlanta Rip-Off” treatment, undated
  • Folder: 16, “Bughouse Fables,” script, 1932
  • Folder: 17, “Back to the World,” outline, 1986
  • Folder: 20, “Black Champions,” script, 1979
  • Folder: 21, “Black Thunder: the Tom Molineaux- Bill Richmond Story,” script, undated
  • Folder: 22, "The Bridge of Remagen," with Stuart Schulberg, full treatment, undated
  • Folder: 23, "The Bridge of Remagen," with Stuart Schulberg, treatment, undated
  • Folder: 24, "The Bridge of Remagen," with Stuart Schulberg, screen treatment, undated
  • Folder: 25, "The Bridge of Remagen," with Stuart Schulberg, full treatment, undated
  • Folder: 26, "The Bridge of Remagen," with Stuart Schulberg, screen treatment, final revision, undated
  • Folder: 27, "The Bridge of Remagen," with Stuart Schulberg, treatment, carbon, undated
  • Folder: 28, "The Bridge of Remagen," with Stuart Schulberg, full treatment, photocopy, undated
  • Folder: 29, "The Bridge of Remagen," with Stuart Schulberg, scene outline, undated
  • Folder: 30, "The Bridge of Remagen," with Stuart Schulberg, full treatment, photocopy, undated
  • Folder: 31, "The Bridge of Remagen," with Stuart Schulberg, full treatment, final version, undated
  • Folder: 18, "The Ballad of Jimmy Hoffa," research, 1983
  • Folder: 19, "The Ballad of Jimmy Hoffa," concept and story highlights, 1983

Box: 75, Screenplays: B - "The Contenders, 1938-1996

Access Restrictions

Unrestricted.

Screenplays: B - "The Contenders

Box Contents

  • Folder: 1, "Black Ball," project outline, 1996
  • Folder: 2, "Cape Society," synopsis, 1938
  • Folder: 3, "The Celluloid Noose," script, 1983
  • Folder: 4, "Chicago Conspiracy," with Jon Slott, script, undated
  • Folder: 5, “Confessions of a Renegade Prince: Outline for an Autobiography,” prospectus and outline, undated
  • Folder: 6, “The Conquerors,” outline, undated
  • Folder: 7, “The Conquerors,” treatment, 1959
  • Folder: 8, "The Contenders," treatment for a TV series, 1972
  • Folder: 9, “The Contenders,” treatment, 1972
  • Folder: 10, “The Contenders,” treatment, 1973
  • Folder: 11, “The Contenders,” (aka "The Fighter"), script and outline, 1973
  • Folder: 12, “The Contenders,” (aka "The Fighter"), episode 1 script, undated
  • Folder: 13, “The Contenders,” correspondence, 1973-1979
  • Folder: 14, "The Contender" legal correspondence, 1979-1980
  • Folder: 15, “The Contenders,” outline, undated
  • Folder: 16, “The Contenders,” based on the “Meal Ticket” original outline, undated
  • Folder: 17, “The Contenders,” script, undated
  • Folder: 18, “The Contenders” or “The Fighter,” script, 1973
  • Folder: 19, “The Contenders,” outline, undated
  • Folder: 20, “The Contenders,” script pages, 1973
  • Folder: 21, “The Contenders,” outline, 1977
  • Folder: 22, “The Contenders,” or "The Fighter," outline, 1979
  • Folder: 23, “The Contenders” or “The Fighter,” outline, 1979
  • Folder: 24, “The Contenders” or “The Manly Art,” Part Two, script, undated
  • Folder: 25, “The Fighter” (The Contenders), script pages, undated
  • Folder: 26, “The Contenders,” script, 1973
  • Folder: 27, “The Contenders,” outline, undated
  • Folder: 28, “The Contenders,” concept, 1979
  • Folder: 29, “The Contenders” (based on the “Meal Ticket”) outline in French, undated

Box: 76, "China White - "Doin' It Right", 1982-1990

Access Restrictions

Unrestricted.

"China White - "Doin' It Right"

Box Contents

  • Folder: 1, "China White," - "Burma, a story of New York's Waterfront," print out with handwritten notes, undated
  • Folder: 2, "China White," - "The Rangoon Connection," with Stan Silverman, treatment for TV Show, undated
  • Folder: 3, “The Court Martial of Jackie Robinson” with Stan Silverman, prospectus, 1989
  • Folder: 4, “Crazy Quilt,” scenario, undated
  • Folder: 5, “A Crop of Children,” outline, 1984
  • Folder: 6, "Doin' It Right," Torch Brown Project, expenses, background, 1982-1984
  • Folder: 7, “Doin' It Right,” first draft outline for treatment, “Gator’s Game,” working title, August 31, 1984
  • Folder: 8, “Doin' It Right,” first draft, detailed outline, “Gator’s Game,” working title, September 1, 1984
  • Folder: 9, “Doin' It Right,” treatment, October 2, 1984
  • Folder: 10, “Doin' It Right,” treatment, October 2, 1984
  • Folder: 11, “Doin' It Right,” Totch Brown research, with MS and typescript notes, 1985
  • Folder: 12, “Doin' It Right,” Totch Brown research, 1985
  • Folder: 13, “Doin' It Right,” research “Operation Everglades,” typescript, undated
  • Folder: 14, “Doin' It Right,” script, original first draft with MS notes and edits, 1985
  • Folder: 15, “Doin' It Right,” script with edits, January 21, 1985
  • Folder: 16, “Doin' It Right,” script, first draft, un-produced, January 24, 1985
  • Folder: 17, “Doin' It Right,” second and third draft script pages with MS and typescript notes, undated
  • Folder: 18, “Doin' It Right,” script with correspondence, clippings and receipts January-May, 1985
  • Folder: 19, “Doin' It Right,” research materials, 1986
  • Folder: 20, “Doin' It Right,” script, undated
  • Folder: 21, “Doin' It Right,” script with edits, undated
  • Folder: 22, “Doin' It Right,” script with edits, undated
  • Folder: 23, “Doin' It Right,” legal documents, 1990
  • Folder: 24, “Doin' It Right,” published screenplay, 1990

Box: 74, "The Begays-A Story of Dinah" - "The Booby Lee Hunter Story", 1973

Access Restrictions

Unrestricted.

"The Begays-A Story of Dinah" - "The Booby Lee Hunter Story"

Box Contents

  • Folder: 1, "The Begays-The Story of Dinah: The People, Part II, A Brief History, treatment, undated
  • Folder: 2, "The Bobby Lee Hunter Story," aka "Bob-Bee...Bob-Bee...Bob-Bee," by Budd Schulberg, script, carbon, 1973
  • Folder: 3, "The Bobby Lee Hunter Story," aka "Bob-Bee...Bob-Bee...Bob-Bee," by Budd Schulberg, script, carbon, 1973
  • Folder: 4, "The Bobby Lee Hunter Story," aka "Bob-Bee...Bob-Bee...Bob-Bee," by Budd Schulberg, script, carbon, 1973
  • Folder: 5, "The Bobby Lee Hunter Story," aka "Bob-Bee...Bob-Bee...Bob-Bee," by Budd Schulberg, advertisement and agreement, 1973

Box: 84, "In the Streets" - "Joe Louis Documentary", 1940-2001

Access Restrictions

Unrestricted.

"In the Streets" - "Joe Louis Documentary"

Box Contents

  • Folder: 1, "In the Streets," script # 18, undated
  • Folder: 2, "In the Streets," script, undated
  • Folder: 3, "In the Streets," typescript, photocopy (1989) with letter from Tribecca Productions, 2004
  • Folder: 4, "It Happens In Hollywood," script, first draft, 1940
  • Folder: 5, "It Happens In Hollywood," script, first draft, #7, 1940
  • Folder: 6, "It Happens In Hollywood," script, first draft, B.P.S., 1940
  • Folder: 7, "It Happens In Hollywood," script, first draft, # 6, 1940
  • Folder: 8, "It Happens In Hollywood," script, first draft, # 12, 1940
  • Folder: 9, "It Happens In Hollywood," script, first draft, # 13, 1940
  • Folder: 10, "It Happens In Hollywood," script, first draft, 1940
  • Folder: 11, "I Will Be With You, Always," original TV play, script, undated
  • Folder: 12, "It Takes A Mother," TV play, Act , Scene 1-2, undated
  • Folder: 13, "Jacob Timerman Story," "God is Busy Elsewhere," concept, memo, prospectus, 1982
  • Folder: 15, "Jacob Timerman Story," "God is Somewhere Else," new scenes after meeting with the Timermans, 1982
  • Folder: 16, "Jacob Timerman Story," "God is Somewhere Else," working copy, edited and corrected, 1982
  • Folder: 14, "Jacob Timerman Story," "God is Busy Elsewhere, script, final draft, 1982
  • Folder: 17, "Jacob Timerman Story," "Prisoner without a Name, Cell without a Number," script, 1982
  • Folder: 18, "Jacob Timerman Story," "Prisoner without a Name, Cell without a Number," script, revised draft, 1982
  • Folder: 19, "Jacob Timerman Story," "Prisoner without a Name, Cell without a Number," script, revised draft, 1982
  • Folder: 20, "Jacob Timerman Story," "Prisoner without a Name, Cell without a Number," with Jonathan and Linda Yellen, final shooting script, 1983
  • Folder: 21, "Jacob Timerman Story," "Prisoner without a Name, Cell without a Number," notes and memos, 1983
  • Folder: 23, "Jax (The Troubleshooter)," concept for a one hour TV series, with Stan Silverman, drafts, print outs and correspondence, 1992
  • Folder: 22, "Jack London Story Adaptation," clipping, 1996
  • Folder: 24, "Joe Louis Documentary," reels 1-5 transcripts, 1982
  • Folder: 25, "Joe Louis Documentary," reels 6-10, transcripts, 1982
  • Folder: 26, "Joe Louis Documentary," narration, typescript with edits, 1983
  • Folder: 27, "Joe Louis Documentary," "A Tribute to Joe Louis," narration script, 1983-1984
  • Folder: 28, "Joe Louis Documentary," "A Tribute to Joe Louis," correspondence, notes, clippings, 1984-1985
  • Folder: 29, "Joe Louis Documentary," "A Tribute to Joe Louis," notes and clippings, 1983-2004
  • Folder: 30, "Joe Louis Documentary," "A Tribute to Joe Louis," Peter Tatum, with notes and table draft, 2001

Box: 83, "In the Streets", 1969-1972

Access Restrictions

Unrestricted.

"In the Streets"

Box Contents

  • Folder: 1, "In the Streets," work copy, 1970
  • Folder: 2, "In the Streets," research correspondence, 1971
  • Folder: 3, "In the Streets," expenditures, 1971
  • Folder: 4, "In the Streets," notes and correspondence, 1969-1972
  • Folder: 5, "In the Streets," synopsis, undated
  • Folder: 6, "In the Streets," script, 1972
  • Folder: 14, "In the Streets," fourth draft with corrections, undated
  • Folder: 7, "In the Streets," script, undated
  • Folder: 8, "In the Streets," script # 1, annotated, undated
  • Folder: 9, "In the Streets," script with cuts, undated
  • Folder: 10, "In the Streets," first draft, undated
  • Folder: 11, "In the Streets," second draft, undated
  • Folder: 12, "In the Streets," third draft, undated
  • Folder: 13, "In the Streets," third draft, 1970
  • Folder: 15, "In the Streets," script, 1972
  • Folder: 16, "In the Streets," script, 1972

Box: 85, "Journey to the Congo" - "Moving Pictures", 1942-1991

Access Restrictions

Unrestricted.

"Journey to the Congo" - "Moving Pictures"

Box Contents

  • Folder: 1, “Journey to the Congo,” outline, undated
  • Folder: 2, “Land of the Free,” with Sidney Harmon, original story synopsis, undated
  • Folder: 3, “La Vida-The Puerto Rico Story,” correspondence, 1955-1971
  • Folder: 4, “La Vida-The Puerto Rico Story,” Schulberg vs. Warner Brothers, legal correspondence, 1975-1976
  • Folder: 5, “The L.A. Flyers,” with Stan Silverman, treatment with clipping, undated
  • Folder: 6, “The L.A. Flyers,” Presentation for a New TV Series,” with correspondence and clippings, 1976-1977
  • Folder: 7, “The L.A. Flyers,” Presentation for a New TV Series, undated
  • Folder: 8, "The Legend That Walks Like A Man,” script, 1960
  • Folder: 9, “The Life and Times of Georges Melies,” outline, 1948
  • Folder: 10, “Love, Action Laughter, (Tales of Hollywood)” script, undated
  • Folder: 11, "A Magician Named Melies," treatment, 1952
  • Folder: 12, "The Man to See," with Peter Schulberg, script, 1999
  • Folder: 13, "Marravilla," synopsis, with correspondence, 1981-1989
  • Folder: 14, "Memory in White," script pages, 1960
  • Folder: 15, "Memory in White," script pages with cast list, 1960
  • Folder: 16, "Memory in White," script with article and correspondence, 1960
  • Folder: 17, "The Merry, Merry Maidens," treatment, 1938

    Accession # 13-0073

  • Folder: 18, "The Mexican," script, 1942-1943
  • Folder: 19, "A Moment of Truth," proposal for a TV series, 1959
  • Folder: 20, "Mutt, Debbie and Sy," outline, undated
  • Folder: 21, "Mutt, Debbie and Sy," synopsis, 1989
  • Folder: 22, “Moving Pictures,” Six part television series adapted from Budd Schulberg’s memoir “Moving Pictures: Memoirs of a Hollywood Prince,” outline with notes, 1982
  • Folder: 23, “Moving Pictures - Volume II: Confessions of a Renegade Prince,” outline, 1982
  • Folder: 24, “Confessions of a Renegade Prince: Moving Pictures - Volume II,” narrative outline, December 27, 1982
  • Folder: 25, “Moving Pictures,” five part proposed TV Series, outline with MS notes, 1982
  • Folder: 26, “Moving Pictures,” six part television series adapted from Budd Schulberg’s memoir “Moving Pictures: Memoirs of a Hollywood Prince,” outline with MS notes, 1990
  • Folder: 27, “Moving Pictures,” Part I, script, first draft with editing by Stan Silverman, January 25, 1991
  • Folder: 28, “Moving Pictures” Part I, script, first draft, January 15, 1991
  • Folder: 29, “Moving Pictures” Part I, script, incomplete first draft with MS notes, 1991
  • Folder: 30, “Moving Pictures” Part II, script excerpts with comments by Sonya Schulberg, 1991
  • Folder: 31, “Moving Pictures” Part II, script, first draft, April 5, 1991
  • Folder: 32, “Moving Pictures” Part II, script, incomplete, 1991
  • Folder: 33, “Moving Pictures” Part III, script, first draft, April 30, 1991

Box: 86, "Moving Pictures" - "Pier 36 (aka "Thicker Than Water")", 1956-1991

Access Restrictions

Unrestricted.

"Moving Pictures" - "Pier 36 (aka "Thicker Than Water")"

Box Contents

  • Folder: 1, “Moving Pictures” Part IV, script, first draft, May 30, 1991
  • Folder: 2, “Moving Pictures” Part V, script, first draft, Aug. 9, 1991
  • Folder: 3, “Moving Pictures” Part VI, script, first draft, September 26, 1991
  • Folder: 4, “Moving Pictures,” draft excerpts, 1991
  • Folder: 5, "Moving Pictures," "Tales of Hollywood," typescript, carbon, 1991
  • Folder: 6, “Moving Pictures,” script for 6-part miniseries Part I, first draft, January, 1991
  • Folder: 7, “Moving Pictures,” script for 6-part miniseries Part II, first draft, April, 1991
  • Folder: 8, “Moving Pictures,” script for 6-part miniseries Part II, rough draft, April, 1991
  • Folder: 9, “Moving Pictures,” script for 6-part miniseries Part IV, rough draft, April, 1991
  • Folder: 10, “Moving Pictures,” script for 6-part Miniseries Part V, rough draft, April, 1991
  • Folder: 11, “Moving Pictures,” script pages and notes, 1991
  • Folder: 12, “Moving Pictures,” outline for 2-part 4-hour miniseries, 1992
  • Folder: 13, "A Note on the Literary Life," script, undated
  • Folder: 14, "Old Classics-New Meaning," handwritten draft, undated
  • Folder: 15, "On the Trail of the Lonesome Pines," script, undated
  • Folder: 16, "Parents," script, incomplete, undated
  • Folder: 17, "Paso Doble," outline, undated
  • Folder: 18, "Paso Doble," script, 1954
  • Folder: 19, "Paso Doble," script, undated
  • Folder: 20, "Paso Doble," correspondence, 1956-1957
  • Folder: 21, "The Pharmacists' Maid," scripts, 1950-1951
  • Folder: 24, "Pier 36 (aka "Thicker Than Water")," treatment, 1985
  • Folder: 25, "Pier 36 (aka "Thicker Than Water")," treatment with edits, 1985
  • Folder: 26, "Pier 36 (aka "Thicker Than Water")," handwritten script pages, 1985
  • Folder: 27, "Pier 36 (aka "Thicker Than Water")," script, first draft, 1985
  • Folder: 22, "The Pharmacist's Maid (aka "The Hurricane Key")," outline, 1958
  • Folder: 23, "The Pharmacists' Maid (aka "Everglades")," fragments, manuscript and typescript, 1958

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